The Simpsons pay a pop culture reference to this film, as King Wrong ( Homer Simpson ) battles Bridezilla ( Marge Simpson ).

Films such as Audition ( 1999 ), Wrong Turn ( 2003 ), and the Australian film Wolf Creek ( 2005 ), took their cues from The Last House on the Left ( 1972 ), The Texas Chain Saw Massacre ( 1974 ), and The Hills Have Eyes ( 1977 ).

He collaborated with Burt Shevelove on the screenplay for the 1966 British film The Wrong Box.

The film, a half-hour special that premiered on Christmas Day 2001, was produced by Chris Moll, producer of the Wallace and Gromit short film The Wrong Trousers.

The popularity of the episode led to a film adaptation, Sorry, Wrong Number ( 1948 ), starring Barbara Stanwyck.

Since then, he has had a series of starring roles in grittier films released direct-to-DVD such as the revenge dramas Hero Wanted and Wrong Turn at Tahoe, as well as the science fiction action film Hardwired and the action comedy Lies & Illusions.

After appearing in another Sellers film in 1962 — Waltz of the Toreadors — he again appeared alongside him again in the 1963 comedy, The Wrong Arm of the Law ; Powell again reviewed the pair's film, commenting that " I thought I knew by now every shade in the acting of John Le Mesurier ( not that I could ever get tired of any of them ); but there seems a new shade here ".

Introduced by Mae West in the film She Done Him Wrong.

The band also appeared in the film Blues Brothers 2000 and on its soundtrack, playing " Maybe I'm Wrong ", an original composition with a classic blues-rock sound.

Sorry, Wrong Number is a 1948 American suspense film noir directed by Anatole Litvak.

Sorry, Wrong Number conforms to many of the conventions of film noir.

Lewis has also achieved moderate success in films, appearing as Prince John in Robin Hood: Men in Tights, as a frontier doctor in Wagons East !, as an unemployed actor in Once Upon A Crime and as himself in the film The Wrong Guys.

In 2003, Dushku starred in the horror film Wrong Turn, and The Kiss, an independent comedy-drama.

Varney also lent his voice to Slinky Dog in Disney's Toy Story 1 and 2 in the Toy Story series ( Varney was replaced by Blake Clark in Toy Story 3 due to his death in 2000 ), and played numerous others, including " Cookie " Farnsworth, from Atlantis: The Lost Empire, released the year after his death ( Steve Barr replaced Varney for the sequel Atlantis: Milo's Return ), the carny character Cooter in the " Bart Carny " episode of The Simpsons, the character Walt Evergreen in the Duckman episode " You've Come a Wrong Way, Baby ", Prince Carlos Charmaine ( a royal suitor Jackie dates ) for a few episodes of the final season of the 1990s television series Roseanne, and Lothar Zogg in the 1998 film 3 Ninjas: High Noon at Mega Mountain, also starring Hulk Hogan and Loni Anderson as well as Toby Shephard in Jumanji.

* Much of the Alfred Hitchcock film The Wrong Man takes place within a few blocks of the intersection of Broadway and 74th Street.

Klemperer's first major film role was as a psychiatrist in Alfred Hitchcock's The Wrong Man ( 1956 ).

* " Chatterbox ", a song by composer Jerome ( Jerry ) Brainin for the musical film That ’ s Right You ’ re Wrong ( 1939 )

A song by B. R. M. C., " Done All Wrong ", appeared on the soundtrack to the 2009 film New Moon.

One of its main proponents is Aardman Animations ' Nick Park, who used characters modeled in Plasticine in his Oscar-winning short films A Grand Day Out ( 1989 ), The Wrong Trousers ( 1993 ) and A Close Shave ( 1995 ), as well as the feature film The Curse of the Were-Rabbit.

There he oversaw over forty environmental documentaries made by the BBC Natural History Unit, and was also responsible for forging the BBC's relationship with Bristol-based animation studio Aardman Animations, becoming an executive producer on the company's Academy Award-winning short film The Wrong Trousers ( 1993 ).

* Right Place, Wrong Time ( film )

Many bands have referenced the film in song, including The Morning Of in their song " Tell Me I'm Wrong ", Breaking Benjamin in their song " Forget It ", Bayside in the song " Montauk ", O. A. R.

A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.