A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

The film adaptation, directed by Stanley Kubrick, is based on the American edition of the book ( which Burgess considered to be " badly flawed ").

The film is often considered the first to deal explicitly with the draft.

Although most agreed that it was a brave and worthy film, many considered the ending inappropriate.

Chaplin considered the musical accompaniment of a film to be important, and from A Woman of Paris onwards, he took an increasing interest in this area.

But if the intended exploitation of the work includes publication ( or distribution of derivative work, such as a film based on a book protected by copyright ) outside the U. S., the terms of copyright around the world must be considered.

The comedy genre can be considered the oldest film genre ( and one of the most prolific and popular ).

Despite a cast led by Charlton Heston and Yul Brynner and some impressive battle scenes, the film was considered a disappointment by many.

He is generally considered one of the most important figures of early cinema for his command of film techniques and expressive skills.

It is considered important by film historians as one of the first feature length American films ( most previous films had been less than one hour long ), and it changed the industry's standard in a way still influential today .< ref >

The book was considered " unfilmable " and Cronenberg acknowledged that a straight translation into film would " cost 100 million dollars and be banned in every country in the world ".

A Streetcar Named Desire is considered a pivotal film in this development.

His films include To Hell and Back, the autobiography of Audie Murphy, who is considered the most decorated soldier in the military history of the United States ; John Wayne's war film The Green Berets ( 1968 ), and opposite Gregory Peck in the space story Marooned about three stranded astronauts.

Such " commercial " director's cuts are seldom considered superior to the original film and in many cases, fans feel the films are diminished by the director's own ego or the studios ' desire for revenue.

Network executives considered the use of film an unnecessary extravagance.

This first digital delivery and exhibition of a full-length feature film to paying audiences is widely considered to be the defining moment for digital cinema's commercial viability.

" By the later segments of Kino-Pravda, Vertov was experimenting heavily, looking to abandon what he considered film clichés ( and receiving criticism for it ); his experimentation was even more pronounced and dramatic by the time of Man with a Movie Camera, which was filmed in Ukraine.

Plato played a lesbian and the film was rated X due to sexual content, but it was not considered hardcore pornography.

He considered editing this footage into a feature length film, focusing specifically on Donald Trump discussing Citizen Kane ( This segment was later released on the second issue of Wholphin ).

" So powerful was the performance, that the band said they were not sure the song should have been used in the film, and after watching the film, they considered not playing it on future tours.

The film was considered for two of the American Film Institute's 100 series lists.

Most film festivals require filmmakers to pay an entry fee to have their works considered for screening.

* Independent films: In the US, Telluride Film Festival, Sundance Film Festival, Austin Film Festival, Austin's South by Southwest, New York City's Tribeca Film Festival and Slamdance Film Festival are all considered significant festivals for independent film.

The Festival de Gramado ( or Gramado Film Festival ) Gramado, Brazil along with the Guadalajara International Film Festival in Guadalajara, Mexico are considered to be the most important film festivals of Latin America.

Bogart would star in 36 films between 1934 and 1942 including John Huston's The Maltese Falcon ( 1941 ), one of the first films now considered a classic film noir.