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The film is neither a fully experimental work, nor a movie fixated on classic narrative ; rather, In Passing explores the passing of time and the relation of time to cinematic space. Often focusing on intimate yet small details – the table top exploration of a crustacean, the patter of rain on a window, cats at play, the ocean shot from a moving car, a couple looking into a camera knowing that the film they are making will fail – and finding something lyrically poignant and even personal within these transient moments.
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film and is
A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).
The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.
For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).
The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.
Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.
If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.
Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.
If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.
This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.
The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.
The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.
Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.
In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.
In narrative, time is essential, as it is in film.
Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.
The Great Train Robbery is a one-reel film.
The material of the Porter film is simplicity itself ; ;
The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.
The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.
The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.
film and neither
Similarly, while the private eye and the femme fatale are character types conventionally identified with noir, the majority of film noirs feature neither ; so there is no character basis for genre designation as with the gangster film.
However, neither film was actually submitted to the MPAA, and it is not likely that either feature would have received an X rating.
Personal Best in 1982, and Lianna in 1983 treat the lesbian relationships more sympathetically and show lesbian sex scenes, though in neither film are the relationships happy ones.
While the film is neither " the full story of Lawrence's life or a completely accurate account of the two years he spent fighting with the Arabs ," Korda argues that criticizing its inaccuracy " misses the point ": " The object was to produce, not a faithful docudrama that would educate the audience, but a hit picture.
Nevertheless, the studio offered the film to Mike Nichols and Robert Zemeckis ; neither accepted.
The film failed to find an audience, and most reviews were indifferent, neither praising nor condemning it.
After severe editing and cutting, done by the studio, with no input from Vincente, the film was neither a commercial nor a critical success.
This requirement had previously prevented countries from submitting films where the majority of the dialogue was spoken in a language that was non-native to the submitting country, and the Academy's executive director explicitly cited as a reason for the rule change the case of the Italian film Private ( 2004 ), which was disqualified simply because its main spoken languages were Arabic and Hebrew, neither of which are indigenous languages of Italy.
She played supporting roles in Burnt Offerings ( 1976 ) and The Disappearance of Aimee ( 1976 ), but clashed with Karen Black and Faye Dunaway, the stars of the two respective productions, because she felt that neither extended her an appropriate degree of respect, and that their behavior on the film sets was unprofessional.
However, neither Grant himself nor anyone involved in the film ever suggested this.
Breaking with their usual pattern, neither Harpo's harp nor Chico's piano is used in the film, although Harpo briefly pretends to play harp on the strings of a piano, strumming chords in accompaniment to a music box that is playing the unlikely chime tune, " Who's Afraid of the Big Bad Wolf?
The film was neither picked up for theatrical release nor there was interest for broadcasting it on television.
He co-starred alongside Andy Griffith in Winter Kill, a television film made as the pilot of a possible television series, and another one, Adams of Eagle Lake, but neither was picked up as a series.
Donat lobbied hard to be cast in two film roles, neither of which he gained.
Since neither the music nor the film footage is typically licensed, distributing these videos is usually copyright infringement on both counts.
However, one author has observed that McDaniel's character is not far off from the persona of Mammy that Margaret Mitchell created in the book, that in both the film and the book the much younger Scarlett speaks to Mammy in a way that would be unacceptable for a Southern teen of that era to speak to a much older white person, and that neither the book nor the film make any hint to Mammy's own children ( dead or alive ), her own family ( dead or alive ) or her desires to have anything other than her life at Tara serving on a slave plantation.
After Rabal was finally reached, they discovered he spoke neither French nor English and Rey was kept in the film.
The film was banned in Chile during Pinochet's dictatorship, even though neither Chile nor Pinochet are specifically mentioned by name in the film ( although the Chilean cities of Viña del Mar and Santiago are ).
Later in the evening, following David Bowie's set, a video shot by the CBC ( Video Editor: Colin Dean ) was shown to the audiences in London and Philadelphia, as well as on televisions around the world ( though notably neither US feed, ABC or MTV chose to show the film ), showing starving and diseased Ethiopian children set to the song " Drive " by The Cars.
Although she was now one of the best paid film stars, her vehicles were costly to produce and neither of the latter two films was financially successful.
Some connoisseurs describe Garrafeira as having a slight taste of bacon, although many people will neither notice nor understand such a description ; the reason being that, during the second phase of maturation, certain oils may precipitate, causing a film to form across the surface of the glass that can be tasted by those who are accustomed to the difference between Garrafeira and other forms of port.
Stone responded that his " purpose in making the film, Nixon was neither malicious nor defamatory ", and was an attempt to gain " a fuller understanding of the life and career of Richard Nixon — the good and the bad, the triumphs and the tragedies, and the legacy he left his nation and the world ".
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