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The film moves on to show segments with Paramount players of the 1931-32 season, including George Bancroft, Nancy Carroll, the Four Marx Brothers, Charles Rogers, Clive Brook, Phillips Holmes, Sylvia Sidney, Eleanor Boardman, Frances Dee, Jackie Searl, Kay Francis, Judith Wood, Regis Toomey, Peggy Shannon, Jackie Coogan, Lilyan Tashman, Eugene Pallette, Anna May Wong, Juliette Compton, Stuart Erwin, William Boyd, Miriam Hopkins, Wynne Gibson, Jack Oakie, Ginger Rogers, Robert Coogan, Carmen Barnes, Charlie Ruggles, Richard ' Skeets ' Gallagher, Mitzi Green, Richard Arlen, Carole Lombard, Fredric March, Claudette Colbert, Paul Lukas, Tallulah Bankhead, Gary Cooper, Ruth Chatterton, Marlene Dietrich, and Maurice Chevalier.
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film and moves
Pris and Zhora's descriptions were mixed up ( perhaps deliberately ) in the film: Zhora acts as a " basic pleasure model ", attempting to pass off as a stripper, while Pris ( who is dressed like a prostitute ) is capable of acrobatic combat moves which nearly kill Deckard.
When the shutter is released, the mirror moves out of the light path, and the light shines directly onto the film ( or in the case of a DSLR, the CCD or CMOS imaging sensor ).
When an image is taken, the mirror moves upwards from its resting position in the direction of the arrow, the focal plane shutter ( 3 ) opens, and the image is projected onto the film or sensor ( 4 ) in exactly the same manner as on the focusing screen.
Romero describes the mood he wished to establish: " The film opens with a situation that has already disintegrated to a point of little hope, and it moves progressively toward absolute despair and ultimate tragedy ".
In the film Luzhin's final moves were made by his fiance.
The film accommodated Newton-John's Australian accent by recasting her character from the play's original American Sandy Dumbrowski to Sandy Olsson, an Australian who vacations and then moves with her family to the United States.
The film The Rebel ( US: Call Me Genius ), 1961 ) featuring British comedian Tony Hancock's tells of a London office clerk who moves to Paris to pursue his vocation as an artist of the Beat Generation ; the film satirizes pseudointellectuals.
* When Costello is next to Dracula's coffin at the beginning of the film, the information card says " Frankenstein's monster " until the camera moves and it changes to " Dracula's legend.
The film also used the " Unchained Camera Technique ", a mix of tracking shots, pans, tilts, and dolly moves.
Variety called it an " offbeat film " that " moves too slowly " and added, " There is very little dialog-most of which is very good-but this asset makes a liability out of the predominantly visual nature of the development, which in time seems to become redundant, padded and tiring.
He used an 8 mm movie camera from the dugout to film opposing pitchers and study their windups and pickoff moves to detect weaknesses he could exploit.
I Never Sang for My Father is a 1970 American film, based on a play by the same name, which tells the story of a college professor who wants to get out from under the thumb of his aging father yet still has regrets about his plan to leave him behind when he marries a younger woman and moves to California.
The half-hour 16mm film was shot over the winter of 1930 in the logging woods and shows logging in the forest with hand tools and horses, then moves to the spring log drive, with loggers using peaveys to break up log jams on icy rivers as the logs are moved from the forest to the mill.
The film includes scenes of the roller coaster from Rockaways ' Playland, then moves on to a scene of the temple dance from Aida, views of Niagara Falls, a Viennese choir, scenes of the canals of Venice, a military tattoo in Edinburgh, a bullfight, more from Aida, a sound demonstration in stereo, scenes from the amusement park in Cypress Gardens, Florida for a water skiing sequence, and the playing of America the Beautiful as scenes are shown from the nose of a low flying B-25.
In order to match standard film speed of 24 frames per second, three times the length of film moves through the camera.
When the camera is closed, the pressure plate moves back from the film plane, thus allowing the film strip to move freely to advance to the next frame.
" One reviewer mentioned this as the best example of how the film seamlessly moves between highbrow and lowbrow culture.
The film was shot in an aggressive, highly kinetic style, with sweeping crane shots, fast dolly moves, and jump cuts.
The film begins with the coronation of Edward IV, which happens between 3. 1 and 3. 2 of 3 Henry VI, and then moves into a shortened version of Act 5, Scene 7 ; the final scene from 3 Henry VI.
After the conclusion of Act 5, Scene 7 from 3 Henry VI, the film then moves on to the opening soliloquy from Act 1, Scene 1 of Richard III.
The film then moves into Act 1, Scene 2 of Richard III.
The film then moves on to the coronation of Edward IV ( again without dialogue ), before Richard delivers the opening speech of Richard III as an after-dinner toast to the new king.
film and on
The film they did after his return was an inconsequential bit of nothing titled Out Of This World, a satire on the Sinatra bobby-soxer craze.
While Arlen and Mercer collaborated on Hot Nocturne, Mercer worked also with Arthur Schwartz on another film, Navy Blues.
Each successive movement in his growing was recorded on the unreeling film inside her.
We would attend a film and, later on, I stated, we might go to the Mayflower Coffee Shop or Child's or Toffenetti's for waffles.
In North Dakota the strangely beautiful Badlands will challenge you to translate its wonder on to film.
The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.
The film has an adhesive on the back which permits it to be stripped onto the acrylic panels forming the sign, and also to be stripped off for replacement by new copy as required.
Our last joint venture, Sainted Lady, a deeply religious film based on the life of Mother Cabrini, and timed so that its release date would coincide with the beatification of America's first saint in November, 1938, was a fiasco from start to finish.
It was a `` potboiler '' made on a `` shoestring '' and not the sort of film I like, as all I had to do was look blank and scream a great deal.
Each film consisted of fifty feet, which gives a running time of about one minute on the screen.
Immediately, the film improved and it improved because in narrative it found a content based on time to complement its own unbreakable connection with time.
This discovery of Melies was vastly more important than his sometimes dazzling, magician's tricks produced on film.
It was Porter, however, who produced the very first movie whose name has lived on through the half century of film history that has since ensued.
The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.
As the robbers leave the looted train, the film suddenly cuts back to the station, where the telegrapher's little daughter arrives with her father's dinner pail only to find him bound on the floor.
As he ranged his belongings on the bureau he noticed a film of white dust on the dark surface of the wood beyond the linen cover.
When arrested, he had the submarine secrets on a roll of candid camera film as well as anti-submarine secrets in Christmas gift wrapping, it was testified.
The second half of the film `` Communism on the Map '' and the movie `` Operation Abolition '' also will be shown.
And it was interesting to observe that B.B.C.'s television film on Christmas Eve was The Bells Of St. Mary's.
The episode in which Sancho Panza concludes the joke that is played on him when he is facetiously put in command of an `` island '' is one of the best in the film.
Also on the bill at the Fifty-fifth Street is a nice ten-minute color film called `` Sunday In Greenwich Village '', a tour of the haunts and joints.
Instead -- and not just to prove my objectivity -- I hasten to report that it's a highly amusing film which probably does a fairly accurate job of reporting on the Easter vacation shenanigans of collegians down in Fort Lauderdale, and that it seems to come to grips quite honestly with the moral problem that most commonly vexes youngsters in this age group -- that is to say, sex.
The half-man lay on the ground, arteries pulsating prettily behind the half-transparent film which protected his abdominal cavity.
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