Image: San Xavier del Bac inside. jpg | An interior view of the chapel at Mission San Xavier del Bac.

A notable example of an intact complex is the now-threatened Mission San Miguel Arcángel: its chapel retains the original interior murals created by Salinan Indians under the direction of Esteban Munras, a Spanish artist and last Spanish diplomat to California.

Beginning in 2005, a team of volunteers began restoring the gardens in the interior courtyard of the Mission.

The Saclan, a Bay Miwok-speaking group of present interior Contra Costa county to the north, had fled Mission San Francisco ( Dolores ) two years earlier and were threatening to go to war against any nearby groups that joined the mission.

The chapel interior at Mission San José.

The Padres at Mission Santa Cruz, fearing the ransacking of Bouchard and his fellow corsairs, took the Missions most valued possessions and fled to the interior mountains.

** Francis Lederer Residence is a very distinguished residential example of the Mediterranean Revival, Spanish Colonial Revival, and Mission Revival styles of architecture integrated together, with the interior and exterior design and artisan detailing being of museum quality.

The house is sophisticated example of a distinguished blending of Mediterranean Revival style with Mission Revival Style architecture in which the interior and exterior integral design, artisan work, and construction details are in a refined landmark quality.

Spanish colonial architecture ( as well as the " Mission style " revivalist version that became popular in the Western United States in the early 1900s ) commonly incorporates verandas, both on the exterior of buildings and, in cases of buildings with courtyards, along the interior walls of courtyards.

* Kidō Keisatsu Patlabor: Third Mission ( cover and interior illustration, novel by Michiko Yokote )

The Foujita chapel in Reims completed in 1966, is an example of modern frescos, the interior being painted with religious scenes by the School of Paris painter Tsuguharu Foujita.

It was extended towards the road in 1633 and features interior woodwork that was added in 1641-8 by William Ashley, who was also responsible for similar woodwork in the chapel.

These included the Chapel, designed by Sir George Gilbert Scott, which includes in its interior some pieces saved from the original chapel.

Tons of debris were removed from the interior of the chapel.

The interior contains fine fan vaulting by Robert and William Vertue, who designed similar vaulting for the Henry VII chapel, at Westminster Abbey.

The interior of the Louis XII of France | Louis XII wing, with the chapel to the right.

His classical interior was insufficiently emphatic for the tastes of militant Victorian churchmen, and between 1864 and 1866 the chapel was redecorated by William Burges.

It was at this time that both the interior and the exterior of " the Holy Trinity " castle chapel that links the cellar and royal house with one another were redesigned.

" The chapel is usually open and the interior is well worth a visit.

Restoration and preservation required the chapel be completely enclosed in a rain-proof structure with interior dehumifiers to dry out the stone.

The interior of Ludlow Castle's Romanesque architecture | Romanesque chapel

In the early twentieth century, a High Church group among the Fellows were instrumental in the rebuilding and enlargement of the chapel, which was provided with a richly carved interior in late seventeenth-century style, designed by T. H.

Indeed so difficult was the nature of the site that the chapel took seven years to build, though a contributory factor in both time and budget was the " sheer opulence " of its interior.

The first chapel here was built in 1540, but the current structure dates from the 17th century, with the interior redone in 1947.

This interior is not decorated, with murals or gold leaf like the main church or the Tercera Orden chapel ; rather the walls are plain and The main altar is between the center of the structure and the back wall, leaving an area free.

The interior of the college chapel viewed from the west door facing the altar

The Hospitaller chapel was converted to a mosque and two mihrabs were added to the interior.

They were painted on the interior and exterior of the main chapel, the chapel outside the main entrance which no longer survives.

At the east end of the portico is another chapel with a plain interior and sunken floor.

Tons of debris were removed from the interior of the chapel.

The three of them floundered through the door into the interior and fell in a heap.

There was a light in Black's front room, but drawn curtains prevented any view of the interior.

The front windows of the place were long and narrow, reaching nearly to the floor and affording an unusually good view of the interior.

unwarranted they were in any case for, as he stood facing the fille de chambre, his ears were assailed by new sounds from the interior of the shower room.

Bear in mind that this does not include interior panels for partitions, fancy flooring, appliances and fixtures, electrical wiring, and plumbing, all of which will be taken up in detail in later issues.

During the war it was in constant use by the wagon trains transporting supplies from the railhead at Grafton to the troops operating in the interior.

The controversy of the last few years over whether architects or interior designers should plan the interiors of modern buildings has brought clearly into focus one important difference of opinion.

The architects do not believe that the education of the interior designer is sufficiently good or sufficiently extended to compare with that of the architect and that, therefore, the interior designer is incapable of understanding the architectural principles involved in planning the interior of a building.

This would, naturally, lengthen their courses far beyond the largely esthetic demands of interior designer's training.

We may then dismiss the time difference between these courses and the usual four year course of the interior design student as not having serious bearing on the subject.

An examination of some forty catalogs of schools offering courses in interior design, for the most part schools accredited by membership in the National Association of Schools of Art, and a further `` on the spot '' inspection of a number of schools, show their courses adhere pretty closely to the recommendations.

Without comparing the relative merits of the two courses -- architecture versus interior design -- let us examine the educational needs of the interior designer.

In addition to this the U. S. Civil Service Bureau, when examining applicants for government positions as interior designers, expects that `` when various needed objects are not obtainable on the market he will design them.

The interior designer, then, must first be an artist but also understand carpentry and painting and lighting and plumbing and finance.

Yet nobody will question the necessity of all this and any reputable interior designer does know all this and does practice it.

Working in a vacuum of minimal information can result only in show pieces that look good in exhibitions and catalogs and may please the public relations department but have little to do with the essence of interior design.

It is possible, of course, to work on extant or projected buildings where either architect or owner will explain their necessities so that the student may get `` the feel '' of real interior design demands.

Fortunately, although only a few years ago they held the student at arms length, today the business houses welcome the opportunity to aid the student, not only from an increased sense of community responsibility but also from the realization that the student of today is the interior designer of tomorrow -- that the student already is `` in the trade ''.

Certainly every educator involved in interior design should be a member and active in the work of one of these organizations.

When these groups were first formed many prominent and accomplished decorators could not have had the advantage of school training since interior design courses were rare and undeveloped during their youth.

Only a few years ago a middle western college circulated a request for a teacher of interior design.

We must build a corps of highly professional teachers of interior design who have had education, experience in the profession and are willing to take on the usual accompaniments of teaching -- minimal income and minimal status among their confreres.