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The kinescopes of these programs are the only record of their 1957 television appearances.
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kinescopes and these
Nine of these are black-and-white kinescopes and one is a color episode ( from 1969, and presumably also a kinescope ).
Adams claimed that so little value was given to these films that the stored kinescopes were loaded into three trucks and dumped into Upper New York Bay.
Many black-and-white episodes of Guiding Light survive as kinescopes ; although the quality of these films has degraded to the point where in some cases the video is too dark to be worth viewing, the audio quality is fine.
The process operated in the reverse for the few programs that originated live in Hollywood, such as Burns and Allen and The Ed Wynn Show, thus making blurry kinescopes of these shows the only available print for eastern audiences.
( In the early 1990s, the kinescopes of these and the other televised concerts were released by RCA with soundtracks dubbed in from the NBC radio transcriptions ; in 2006, they were re-released by Testament on DVD.
He played the character De Lawd in a celebrated Hallmark Hall of Fame television production of The Green Pastures, a role he played twice ( these were the days of live TV, before video tape, though both versions survive as kinescopes ).
There are several kinescopes existing of 1950s ' " soap operas " containing these commercials, usually with the famous slogan, " From grease to shine in half the time ".
kinescopes and programs
Most of the taped programs ( as well as some early kinescopes ) were preserved, and excerpts have been released on home video.
West coast viewers were only able to view live programs through low-quality kinescopes, which derived their images by using a 35 mm or 16 mm film camera to record the show off a closed-circuit television monitor.
Prior to the introduction of videotape in 1956, kinescopes were the only way to record television broadcasts, or to distribute network television programs that were broadcast live from New York or other originating cities, to stations not connected to the network, or to stations that wished to show a program at a different time than the network broadcast.
The DuMont network did not survive into the era of videotape, and in order to gain clearances for its programs, was heavily dependent on kinescopes, which it called teletranscriptions.
The last 16 mm kinescopes of television programs ended in the late 1970s, as video tape recorders became more affordable.
In Australia, kinescopes were still being made of some evening news programs as late as 1977, if they were recorded at all.
Milton Berle sued NBC late in his life, believing the kinescopes of a major portion of his programs were lost.
The collection contains hundreds of kinescopes of Godfrey television programs, more than 4, 000 audiotapes and wire recordings of his various radio shows, videotapes, and transcription discs.
CBS Television Quiz was aired live, prior to the adoption of kinescopes for recording programs and long before videotape.
The planes would not only relay programs from film chain kinescopes and video recorders, but they would also have live cameras to create their own live programs.
The family passes time watching black and white films and kinescopes of television programs via a projector rigged to look like a television.
kinescopes and are
Wiping or junking is a colloquial term for action taken by radio and television production and broadcasting companies, in which old audiotapes, videotapes, and telerecordings ( kinescopes ), are erased, reused, or destroyed after several uses.
Today however, efforts are made to preserve the few surviving DuMont kinescopes, with the UCLA Film and Television Archive having collected over 300 for preservation.
Approximately 850 episodes of the show are currently held in the CBC's archive, including kinescopes of the earliest episodes.
Some kinescopes or video tapes are lost or in too poor quality to broadcast so there are sometimes gaps in the available catalog of episodes.
The resulting film recordings are called telerecordings in the UK and kinescopes in the United States.
Commercial kinescopes did not come out until Fall 1947 ( co-sponsored by NBC, DuMont, and Kodak ), and the only kinescopes known to predate Party Line are a few episodes of Kraft Television Theater from February and June 1947.
kinescopes and only
However, a fire destroyed the vast majority of the early-1970s kinescopes, leaving only a few random episodes from each season.
As videotape had not yet been developed, ( and would not be until the mid-fifties ), kinescopes were the only practical, and affordable, means to allow a live show to reach television markets on the west coast.
These concerts were all shown only once during that four-year span, but they were preserved on kinescopes.
This format revolutionized broadcast television operations and television production, since the only recording medium available to the TV industry before then was film used for kinescopes, which was much more costly to utilize and took time to develop at a film laboratory.
kinescopes and record
No footage from the series has survived ( methods to record television such as kinescopes did not exist until 1947 ), nor have any scripts been found.
kinescopes and their
While scattered episodes from the 1950s and 1960s survive on kinescopes, many episodes from the 1970s were erased after their broadcasts in order to shoot more episodes, due to the high cost of videotapes at the time.
Further, a large number of DuMont's kinescopes were destroyed c. 1958 for their silver content.
The U. S. networks continued to make kinescopes of their daytime dramas ( many of which still aired live into the late 1960s ) available as late as 1969 for their smaller network affiliates that did not yet have videotape capability but wished to time-shift the network programming.
Mark Goodson-Bill Todman Productions, the producers of such TV game shows as What's My Line ?, had a significant portion of their output recorded on both videotape and kinescopes.
kinescopes and 1957
Ray told this story to Kilgallen biographer Lee Israel in 1976, at which time neither had access to the kinescopes of those live telecasts that date from August 22, 1954 and June 9, 1957.
kinescopes and television
These kinescopes, along with pre-filmed shows, and later, videotape, paved the way for extensive reruns of syndicated television series.
Before then, the networks relied on separate regional networks in the two time zones for live programming, and the West Coast received network programming from kinescopes ( films shot directly from live television screens ) originating from the East Coast.
Even after the introduction of Quadruplex videotape machines in 1956 removed the need for " hot kines ", the television networks continued to use kinescopes in the " double system " method of videotape editing.
Some kinescopes filmed the television pictures at the same frame rate of 30 full frames per second, resulting in more faithful picture quality than those that recorded at 24 frames per second.
However, kinescopes ( the films of television shows ) suffered from various sorts of picture degradation, from image distortion and apparent scan lines to artifacts in contrast and loss of detail.
Since most United States West Coast network broadcast delays done by the television networks at the time were done with film kinescopes that needed time for developing, the networks wanted a more practical, cost-effective, and quicker way to time-shift television programming for later airing on the West Coast.
Hyland introduced television to the Sault, first with kinescopes and live programming.
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