The label's inaugural release was an ambitious triple LP recording of the 1973 Sunbury Pop Festival, and over the next few years they signed a number of important Australian acts of the period including Madder Lake and MacKenzie Theory.

The label's first release was ( Super Numeri member ) Pop Levi's single " Blue Honey " in September 2006, and was followed by Pop Levi's debut album The Return To Form Black Magick Party in February 2007.

" KRS-101 ( the label's first release ) was in fact a split 7 " spoken-word record with Kathleen Hanna and Slim Moon ; other " Wordcore " releases followed.

Having spent many years in obscurity, Nancarrow benefited from the 1969 release of an entire album of his work by Columbia Records as part of a brief flirtation of the label's classical division with modern avant-garde music.

A lavish media party was also held at Chislehurst Caves in Kent, England on 31 October 1974, to celebrate the label's first UK release by the Pretty Things, Silk Torpedo ( the first US release for Swan Song was the self-titled debut album from Bad Company in June 1974 ).

While the band's management had involvement in the artwork of the release, the overall finished product was disappointing due to the label's poor quality control.

The label's first release was a various artists compilation entitled The Everlastin ' Living Jesus Music Concert, in 1971.

Its first release for the label was Bad Religion's 1981 self-titled EP, followed by their debut How Could Hell Be Any Worse ?, which was also the label's first full-length release.

Alexakis produced the label's first release, the 2002 album Volume by Flipp.

Monument Records ' first release in October 1958, was also the label's first hit.

The label's first EP was Lowe's 1977 four-track release Bowi, apparently named in response to David Bowie's contemporaneous LP Low.

Piccadilly's release of Brown's " Crazy Mixed Up Kid " in April 1961 was the label's first single.

The label's first full-length release was Negative FX's self-titled album, which was recorded in 1982.

The label's greatest pay-dirt achievement came with the release Thriller, the 1982 album by Michael Jackson, which went on to achieve approximately one hundred million in worldwide sales, becoming the biggest selling album in history.

The label's first release was his 12 " single " Robot L. O. V. E.

The label's first release was a vinyl compilation called Senseless Death ( NB 001 ) featuring US hardcore bands like Attitude, Sacred Denial, Impulse Manslaughter and others.

The album was the Sub Pop label's most successful release since Nirvana's debut album Bleach.

The label's first release was Gerardo's Mo ' Ritmo.

Wilson claimed she had no knowledge of the label's financial problems and was deceived into signing with them for the release.

It was the new label's first non-compilation release.

The label's original intent was to facilitate the release of Swans music, but in recent years it has grown to host Gira's current band, the Angels of Light, as well as a number of other unique bands and artists, including: Akron / Family, Devendra Banhart, Lisa Germano, Ulan Bator, and Mi and L ' au.

In 2011 Film Score Monthly issued a two-disc release of the soundtrack, with the complete score on disc one and the original soundtrack album on disc two ( representing the latter's first North American CD issue ); this was the label's final Jerry Goldsmith album.

Led Zeppelin's 2007 release Mothership and the soundtrack to the film Juno serve as the label's most recent successes.

After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians.

Carter did not actually record under his own name until the label's revival in the 1980s, but played double bass on many other musicians ' sessions.

As a result the police tapped the label's phones and kept the SST office under surveillance.

One of the label's founding principles under Sinatra's leadership was that each artist would have full creative freedom, and at some point complete ownership of their work ; including publishing rights.

Following the death of Stax's biggest star, Otis Redding, in 1967 and the severance of the label's distribution deal with Atlantic Records in 1968, Stax continued primarily under the supervision of a new co-owner, Al Bell.

There were a number of new releases, as well as a compilation album and a series of gigs in London under the ' Worlds of Possibility ' banner, to celebrate the label's first decade in October of that year.

In 1966, the Dells returned to Chess under the label's Cadet subsidiary working with Bobby Miller and future Earth, Wind & Fire arranger Charles Stepney.

* Sentar: Owned by the families of pop group The New Colony Six ( the label's only group ), four singles and one album were released under Sentar's Cameo / Parkway distribution

* Vando: Owned by Van McCoy, five singles and one album were released under the label's C / P distribution, mostly by Chris Bartley

This includes the selling of music albums released under Key's record label Key Sounds Label which has been releasing albums since Comiket 60 in August 2001 with the release of the label's first two albums, Humanity ... and " Natsukage / Nostalgia ".

Under the agreement, A & M continued to release the label's pre-1985 catalog, much of which still can be found under the A & M banner.

Usually, the artist / head of the vanity label is signed to the parent label, and this artist's own recordings will be released under the vanity label's brand name.

The results of this is the first release of the now iconic record label: in 1997 Juice features on Big Dada record label's first ever release, " Misanthropic ", under the pseudonym " Alpha Prhyme ", a collaboration between himself and Luke Vibert.

Initially, Simon Berry and the label's artists relaunched under the ' Porcupine Records ' label, but this was superseded by the founding ' Platipus Music ' at the end of 2011.

At first the label licensed new rap music from US production company Powerplay for the first compilation album ' Def Beats 1 ' but as an addition to the US material Harris produced an extra track, under his own ' Music of Life Productions ' recorded in London by the label's A & R man Derek Boland.

Although it debuted at No. 4, and in spite of a live performance at the American Music Awards, the album was a commercial failure, due in part to the band's label's lack of support.

A book entitled Ninja Tune: 20 Years of Beats and Pieces was released on 12 August 2010, and an exhibition was held at Black Dog Publishing's Black Dog Space in London showcasing artwork, design and photography from the label's 20 year history.

( This was in fact the label's standard practice until the mid-1980s.

Though the group itself was never signed to the label, they were managed by Russell Simmons, produced by Rick Rubin ( who was co-founder of Def Jam, along with Simmons ), and often shared concert tour spotlight with acts on the label's roster.

" It was time for a major label to take over ", according to the label's co-owner Stark.

The event caused some controversy, as the record label's embargo date was broken, although Williams himself later backed the presenter for doing so.

Parry was concerned at the state of his label's top band, and became convinced that the solution was for The Cure to reinvent its musical style.

" The New York based Even Dozen Jug Band was the Elektra label's answer to the Kweskin band and featured ( among others ) Maria D ' Amato, Joshua Rifkin, David Grisman, Stefan Grossman, John Sebastian, and Steve Katz.

While officially the band still exists, and its well-known name was used in 2001 to promote a ' duel ' album pitting the two label's artists against each other, Kool Shen was quoted in 2004 saying " on a fini avec NTM en 98 " (" We were done with NTM in 1998 ").

The label's first releases were traditional " hot " jazz and boogie woogie, and the label's first hit was a performance of " Summertime " by soprano saxophonist Sidney Bechet, which Bechet had been unable to record for the established companies.

" Organist Jimmy Smith was signed in 1956, and performed on the label's first 12 " LP album of new recordings.

The club made Sub Pop a powerful force in the Seattle scene, and effectively made the label's name synonymous with the music of the Seattle area — much in the same way Motown Records was to Detroit — and helped to secure the label's cash flow.

Having released a cover of Them's " I Can Only Give You Everything " backed with original composition " One of the Guys " on the tiny AMG label over a year earlier, in early 1968 their second single was released by Trans-Love Energies on A-Square records ( though without the knowledge of that label's owner Jeep Holland ).

Guitarist Thurston Moore said, " SST's accounting was a bit suspect to us ", and the group's other guitarist Lee Ranaldo criticized the label's " stoner administrative quality ".

Gaye was one of many who shaped the sound and success of Motown Records in the 1960s, becoming that label's top-selling solo artist of that decade with a string of hits including " How Sweet It Is ( To Be Loved By You )", " Ain't That Peculiar ", " I Heard It Through the Grapevine " and his duet singles with singers such as Mary Wells and Tammi Terrell.