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label's and original
Having released a cover of Them's " I Can Only Give You Everything " backed with original composition " One of the Guys " on the tiny AMG label over a year earlier, in early 1968 their second single was released by Trans-Love Energies on A-Square records ( though without the knowledge of that label's owner Jeep Holland ).
Since the band has permanently disbanded following the death of Sleazy, the label's plan is to re-release the original Throbbing Gristle albums ( The Second Annual Report, D. o. A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth, and Greatest Hits ) on the label.
The album's budget was a small amount by the label's standards ($ 8, 000 ), but in the end the cost was almost twice its original budget.
The original logo was a photographic style variation on that of the Virgin label's " Twins " logo designed by Roger Dean.
The label's primary genre focus is indie rock music, different from the types of music that the original Damon Records put out.
In 2011 Film Score Monthly issued a two-disc release of the soundtrack, with the complete score on disc one and the original soundtrack album on disc two ( representing the latter's first North American CD issue ); this was the label's final Jerry Goldsmith album.
The label's output has included original cast and studio cast albums of notorious Broadway flops, recordings of lesser-known off-Broadway and off-off-Broadway shows, and the commercial release of privately-made theatre-related recordings ( such as composer's demos ).
The original mix of " Wannabe " was considered lacklustre by the label's executives.
The label's trademark black, orange and white livery was devised by original art director Fran Attaway ( then known as Fran Scott ), whom Taylor also credits with establishing Impulse's tradition of using cutting-edge photographers for its covers.
Tutti established the label's initial forays into long-form musical albums, which included jazz interpretations of Disney standards from Snow White and the Seven Dwarfs, Bambi, and Cinderella, as well as original musical concept albums, and he expanded the format of soundtracks by including selections from the score as well as the songs.
The label was formed by Amy Grant's managers ( with Harrell being her brother-in-law ), with the label's original intent to give new artist Kathy Troccoli a home after being rejected by the major labels at the time.
The label's first releases were 78 rpm reissues featuring Ma Rainey, Clarence Williams Blue Five, and James P. Johnson, but Storyville soon began releasing original recordings, starting with Ken Colyer's Jazz Men, a British group whose members included trombonist Chris Barber, clarinetist Monty Sunshine, and singer-guitarist Lonnie Donegan.
The band was recorded by Chris Albertson during its stay in Denmark and these performances — which constituted the label's first release of original material — remain in the Storyville catalogue.
The label's name came from its original location, a converted warehouse on Gee Street in London.
The label's ear logo was copied from the original ffrr logo source.
The original mix had just been featured on the same label's " Body Language Six " compilation released in March.
Many of the label's other releases combine the contents of two original LPs on a single CD.
The label's original name was Death From Above Records, dating from Murphy's nickname for the soundsystem he had helped build for Six Finger Satellite.
On his return to performance as Yusuf Islam, Stevens made a payment to Wakeman and apologized for the original non-payment, which arose from confusion and a misunderstanding on the record label's part.
Since the switch in management in 2009, Trevor Larocque, the only original founder still part of the company, made significant changes to the label's identity and improved it's image.

label's and was
Although it debuted at No. 4, and in spite of a live performance at the American Music Awards, the album was a commercial failure, due in part to the band's label's lack of support.
A book entitled Ninja Tune: 20 Years of Beats and Pieces was released on 12 August 2010, and an exhibition was held at Black Dog Publishing's Black Dog Space in London showcasing artwork, design and photography from the label's 20 year history.
The label's first release was ( Super Numeri member ) Pop Levi's single " Blue Honey " in September 2006, and was followed by Pop Levi's debut album The Return To Form Black Magick Party in February 2007.
( This was in fact the label's standard practice until the mid-1980s.
Though the group itself was never signed to the label, they were managed by Russell Simmons, produced by Rick Rubin ( who was co-founder of Def Jam, along with Simmons ), and often shared concert tour spotlight with acts on the label's roster.
After leaving Davis, Carter was for several years a mainstay of CTI Records, making albums under his own name and also appearing on many of the label's records with a diverse range of other musicians.
" It was time for a major label to take over ", according to the label's co-owner Stark.
The event caused some controversy, as the record label's embargo date was broken, although Williams himself later backed the presenter for doing so.
" KRS-101 ( the label's first release ) was in fact a split 7 " spoken-word record with Kathleen Hanna and Slim Moon ; other " Wordcore " releases followed.
Parry was concerned at the state of his label's top band, and became convinced that the solution was for The Cure to reinvent its musical style.
" The New York based Even Dozen Jug Band was the Elektra label's answer to the Kweskin band and featured ( among others ) Maria D ' Amato, Joshua Rifkin, David Grisman, Stefan Grossman, John Sebastian, and Steve Katz.
While officially the band still exists, and its well-known name was used in 2001 to promote a ' duel ' album pitting the two label's artists against each other, Kool Shen was quoted in 2004 saying " on a fini avec NTM en 98 " (" We were done with NTM in 1998 ").
The label's first releases were traditional " hot " jazz and boogie woogie, and the label's first hit was a performance of " Summertime " by soprano saxophonist Sidney Bechet, which Bechet had been unable to record for the established companies.
" Organist Jimmy Smith was signed in 1956, and performed on the label's first 12 " LP album of new recordings.
The club made Sub Pop a powerful force in the Seattle scene, and effectively made the label's name synonymous with the music of the Seattle area — much in the same way Motown Records was to Detroit — and helped to secure the label's cash flow.
Guitarist Thurston Moore said, " SST's accounting was a bit suspect to us ", and the group's other guitarist Lee Ranaldo criticized the label's " stoner administrative quality ".
Gaye was one of many who shaped the sound and success of Motown Records in the 1960s, becoming that label's top-selling solo artist of that decade with a string of hits including " How Sweet It Is ( To Be Loved By You )", " Ain't That Peculiar ", " I Heard It Through the Grapevine " and his duet singles with singers such as Mary Wells and Tammi Terrell.

label's and release
Having spent many years in obscurity, Nancarrow benefited from the 1969 release of an entire album of his work by Columbia Records as part of a brief flirtation of the label's classical division with modern avant-garde music.
A lavish media party was also held at Chislehurst Caves in Kent, England on 31 October 1974, to celebrate the label's first UK release by the Pretty Things, Silk Torpedo ( the first US release for Swan Song was the self-titled debut album from Bad Company in June 1974 ).
While the band's management had involvement in the artwork of the release, the overall finished product was disappointing due to the label's poor quality control.
The label's inaugural release was an ambitious triple LP recording of the 1973 Sunbury Pop Festival, and over the next few years they signed a number of important Australian acts of the period including Madder Lake and MacKenzie Theory.
The label's first release was a various artists compilation entitled The Everlastin ' Living Jesus Music Concert, in 1971.
Its first release for the label was Bad Religion's 1981 self-titled EP, followed by their debut How Could Hell Be Any Worse ?, which was also the label's first full-length release.
Alexakis produced the label's first release, the 2002 album Volume by Flipp.
Monument Records ' first release in October 1958, was also the label's first hit.
The label's first EP was Lowe's 1977 four-track release Bowi, apparently named in response to David Bowie's contemporaneous LP Low.
Piccadilly's release of Brown's " Crazy Mixed Up Kid " in April 1961 was the label's first single.
The label's first full-length release was Negative FX's self-titled album, which was recorded in 1982.
The label's greatest pay-dirt achievement came with the release Thriller, the 1982 album by Michael Jackson, which went on to achieve approximately one hundred million in worldwide sales, becoming the biggest selling album in history.
The label's first release was his 12 " single " Robot L. O. V. E.
The label's first release was a vinyl compilation called Senseless Death ( NB 001 ) featuring US hardcore bands like Attitude, Sacred Denial, Impulse Manslaughter and others.
The album was the Sub Pop label's most successful release since Nirvana's debut album Bleach.
The label's first release was Gerardo's Mo ' Ritmo.
Wilson claimed she had no knowledge of the label's financial problems and was deceived into signing with them for the release.
It was the new label's first non-compilation release.
Led Zeppelin's 2007 release Mothership and the soundtrack to the film Juno serve as the label's most recent successes.

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