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libretto and was
It was paired with a Darius Milhaud opera, `` The Poor Sailor '', set to a libretto by Jean Cocteau, a kind of Grand Guignol by the sea, a sailor returns, unrecognized, and gets done in by his wife.
Salieri's first full opera was composed during the winter and carnival season of 1770 ; Le donne letterate and was based on Molière's Les Femmes Savantes ( The Learned Ladies ) with a libretto by Giovanni Gastone Boccherini a dancer in the court ballet, and a brother of the famous composer.
The libretto to Armida was by Marco Coltellini the house poet for the imperial theaters.
Again a classic of Renaissance literature was the basis of the libretto by Boccherini, in this case a comic mock-epic by Tassoni, in which a war between Modena and Bologna ensues over a stolen bucket.
This uneven work was followed by another popular comedic success La locandiera ( Mine Hostess ), an adaptation of the classic and popular spoken stage comedy La locandiera by Carlo Goldoni, the libretto was prepared by Domenico Poggi.
Da Ponte would write his first opera libretto for Salieri, Il ricco d ' un giorno ( A Rich Man for a Day ) in 1784, it was not a success.
However the failure of this work was more than made up for with his next Parisian opera Tarare with a libretto by Beaumarchais.
His last opera was a German language singspiel Die Neger, ( The Negroes ), a melodrama set in colonial Virginia with a text by Georg Friedrich Treitschke ( the author of the libretto for Beethoven's Fidelio ) performed in 1804 and was a complete failure.
The libretto was mainly written in early 1927 and the music was finished in the spring of 1929, although both text and music were partly revised by the authors later.
The libretto was performed in an original translation by Michael Feingold ; the production was directed by Alvin Epstein.
The first, most important and successful was The Beggar's Opera of 1728, with a libretto by John Gay and music arranged by John Christopher Pepusch, both of whom probably influenced by Parisian vaudeville and the burlesques and musical plays of Thomas D ' Urfey ( 1653 – 1723 ), a number of whose collected ballads they used in their work.
Around this time, he composed individual numbers to a libretto by Vincenza Mombelli called Demetrio e Polibio, which was handed to the boy in pieces.
The libretto for Tancredi was an arrangement by Gaetano Rossi of Voltaire's tragedy Tancrède.
The libretto of this opera by Giovanni Schmidt was in many of its incidents an anticipation of those presented to the world a few years later in Sir Walter Scott's Kenilworth.
The libretto, a version of Pierre Beaumarchais ' stage play Le Barbier de Séville, was newly written by Cesare Sterbini and not the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century.
The libretto was by Étienne Jouy and Hippolyte Bis, but their version was revised by Armand Marrast.
Edgar failed: it was a bad story and Fontana's libretto was poor.
Puccini completed the score of La rondine, to a libretto by Giuseppe Adami in 1916 after two years of work, and it was premiered at the Grand Théâtre de Monte Carlo on 27 March 1917.

libretto and written
Otello, based on William Shakespeare's play, with a libretto written by the younger composer of Mefistofele, Arrigo Boito, premiered in Milan in 1887.
Gilbert already had available the libretto he had written for Rosa, and Carte suggested that Sullivan write the score.
Gilbert had written a blank verse farce based on the same material in 1870, called The Princess, and he reused a good deal of the dialogue from his earlier play in the libretto of Princess Ida.
Sullivan had been satisfied with the libretto, but two months after Ida opened, Sullivan told Carte that " it is impossible for me to do another piece of the character of those already written by Gilbert and myself.
It was written to a libretto furnished by Nahum Tate, and performed in 1689 in cooperation with Josias Priest, a dancing master and the choreographer for the Dorset Garden Theatre.
The libretto was written for the adaptation by the children's novelist John Emlyn Edwards.
Contrary to the popular myth, the libretto was approved by the Emperor, Joseph II, before any music was written by Mozart.
Aida (), sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette.
The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.
The libretto for The Magic Flute, written by Schikaneder, shares much of its plot and many of its characters with the Singspiel Oberon, written by Karl Ludwig Giesecke for the Schikaneder troupe two years earlier ( and set to music by Paul Wranitzky ) as a re-adaptation of Sophie Seyler's Singspiel Hüon und Amande, ultimately based on the poem Oberon by Wieland.
The libretto for Edipo Re was written by Giovacchino Forzano, who also wrote Il piccolo Marat for Pietro Mascagni and two of the one-act operas for Puccini's Il trittico.
The libretto was written by Lorenzo Da Ponte.
It was written while the composer was living in Paris, with a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard.
The Russian-language libretto was written by the composer, and is based on the " dramatic chronicle " Boris Godunov by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's History of the Russian State.
He remembered a libretto for a one-act comic opera that W. S. Gilbert had written and shown to him in 1873, called Trial by Jury.
" had composed a brilliant new score ( his most subtle yet ) to a scintillating libretto .... Iolanthe is the work in which Sullivan's operetta style takes a definite step forward, and metamorphosis of musical themes is its characteristic new feature .... By recurrence and metamorphosis of themes Sullivan made the score more fluid ...." Much of Sullivan's " fairy " music pays deliberate homage to the incidental music written by Felix Mendelssohn for a production of Shakespeare's A Midsummer Night's Dream.
The libretto is not always written before the music.
Sometimes the libretto is written in close collaboration with the composer ; this can involve adaptation, as was the case with Rimsky-Korsakov and his librettist Bel ' sky, or an entirely original work.
The libretto of a musical, on the other hand, is almost always written in prose ( except for the song lyrics ).
The Byron play served as the basis for the libretto written by Francesco Maria Piave for Giuseppe Verdi's opera I due Foscari, which premiered on 3 November 1844 in Rome.
* Italian — Menotti, Gian Carlo: The Death of Pierrot ( 1923 ; written by Menotti, including libretto, when he was age 11, in the same year he entered the Milan Conservatory for formal training ).

libretto and for
And she wrote the libretto for an oratorio on the subject of Judas Maccabeus performed at the Hanukkah festival which came in December.
In the wake of the play's US success, the composer Stravinsky invited Thomas to write a libretto for an opera.
Conditions of stage production in 1817 are illustrated by Rossini's acceptance of the subject of Cinderella for a libretto only on the condition that the supernatural element should be omitted.
While studying at the Conservatory, Puccini obtained a libretto from Ferdinando Fontana and entered a competition for a one-act opera in 1882.
The libretto for Turdanot was based on a play by Carlo Gozzi, also called Turandot.
In 1691, he wrote the music for what is sometimes considered his dramatic masterpiece, King Arthur, with the libretto by Dryden and first published by the Musical Antiquarian Society in 1843.
He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess.
Cocteau wrote the libretto for Igor Stravinsky's opera-oratorio Oedipus Rex, which had its original performance in the Théâtre Sarah Bernhardt in Paris on May 30, 1927.
* Reconstructie ( 1969 ) ( with Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan van Vlijmen, libretto by Hugo Claus, Harry Mulisch ) Morality opera for soloists, 3 mixed choruses ( 4 voices each ), orchestra ( 11 winds, 7 brass, 2 guitars, 11 keyboards, 10 strings ), live electronics
* Rosa-A Horse Drama: The Death of a Composer ( 1993 – 94 ) ( libretto by Peter Greenaway ) Opera for 2 sopranos, tenor, 2 baritones, female speaker, 8 mixed voices, orchestra.
* Writing to Vermeer ( 1997 – 99 ) ( libretto by Peter Greenaway ) Opera for 2 children's voices, 2 sopranos, mezzo-soprano, female chorus, orchestra ( 7 winds, 2 horns, 2 trumpets + bass trumpet, 2 harps, 2 electric guitars, cimbalom, 2 pianos, on-stage harpsichord, 2 percussion, minimum 22 strings ), CD ( music by Michel van der Aa )
An early leader of this movement was Ferruccio Busoni, who in 1913 wrote the libretto for his neoclassical number opera Arlecchino ( first performed in 1917 ).
She also composed the libretto for the opera Margaret Garner ( 2005 ), based on the life and trial of an enslaved woman who escaped with her family across the river.
He also wrote the libretto for Prinsessan av Cypern, set by Fredrik Pacius and Lars-Erik Larsson.

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