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orchestral and premiere
Holst also wrote an orchestral Walt Whitman Overture in 1899, which was given a world premiere recording by the Munich Symphony Orchestra, as well as a recording by the London Philharmonic Orchestra.
He then made an orchestral version of this work for its first performance, sharing the programme with the London premiere of Walton's Belshazzar's Feast.
In January 1933 the premiere of his Tabloid, an orchestral suite in 4 movements, was presented in Carnegie Hall.
That performance was part of a series of " Concerts Monteux ", presented between February and April 1914, in which Monteux conducted the orchestra of the Théâtre des Champs-Élysées in a wide range of symphonic and concertante works, including the concert premiere of the orchestral version of Ravel's Valses Nobles et Sentimentales.
Ice Field, for large orchestral groups and organ, was commissioned by Other Minds for a December 2001 premiere by the San Francisco Symphony.
In October, he and Nikita Bogoslovsky performed a four-handed piano arrangement, after which Yevgeniy Mravinsky and Shostakovich began preparing for the orchestral premiere.
* Popol Vuh-The Mayan Creation, Estancia, Panambi, Suite de Danzas Criollas ( world premiere of orchestral version ), Ollantay.
After a private performance in which Poulenc played the orchestral parts on the piano, the piece's public premiere was on May 3, 1929 at the Salle Pleyel in Paris, with Landowska playing the solo part and the Orchestre Symphonique de Paris conducted by Pierre Monteux.
Making a clean printer's copy in parallel with Mozart's composing would save time, in a time constrained period, when the premiere of Die Zauberflöte was coming closer and parts were required for orchestral use.
On 1 March 2007 ( Saint David's Day ) soprano Helen Field and baritone Jeremy Huw Williams gave the world premiere of his orchestral song cycle Serenissima with the BBC National Orchestra of Wales at St David's Hall.
November 1909 saw the stormy premiere of the complex orchestral interlude ( entitled Nachtstück ) from Der ferne Klang, the opera he had been working on since 1903.
The premiere of the waltz in its orchestral version was also without chorus, as the planned performance with chorus had been delayed until 4 October of the same year, taking place at the Sängerhalle under the direction of chorus-master Eduard Kremser.
The symphony ( of nearly 37 minutes duration ) is coupled with two other premiere recordings of British orchestral works, Alexander MacKenzie's Tone Poem, ' La Belle Dame sans Merci ', and Josef Holbrooke's Pantomime Suite op. 16 on CC9034CD.
The conductor of the premiere, Hans Richter, received a copy of the full score only on the eve of the first orchestral rehearsal.
Before the premiere, Reed, with Elgar playing the orchestral part on the piano, played through the work at a private party.
The practice of composing new and independent orchestral works drawn from Strauss ' music for the operettas has been prominent since the days of Jacques Offenbach, another operetta composer who frequently whetted his audiences ' appetite by writing and subsequently performing his overtures before the premiere of a new stage work, so that the music can be appraised by a wider public and meant that more individual piano edition transcriptions could be sold by music publishers to the public who would easily tend to recall independent pieces.
At the 1921 public premiere, Darius Milhaud conducted an orchestra composed of a small string section, some wind instruments and percussion, performing Satie's orchestral version of the music.
Despite its premiere with the New York Philharmonic, though, Sun Splendor was never published in any of its forms – as a piano solo, duet, or orchestral piece – and the only recording currently available is that of the original performance, housed in the New York Philharmonic Archives.
Řezníček's works include orchestral works ( five symphonies, suites, serenades, overtures ), a violin concerto ( 1922 ), operas ( Till Eulenspiegel ( 1902 ), Ritter Blaubart – A Fairy-Tale Opera in Three Acts ( composed 1915 – 1917 and recorded by the Berlin Radio Symphony Orchestra in 2002 ), Spiel oder Ernst ( 1930 )), chamber music ( the first of his four string quartets ( composed in 1921 ) received its world premiere recording from the Franz Schubert Quartet of Vienna in 1996 ).
When orchestral protocol made it impossible for him to premiere the piece since Philadelphia's principal oboist had seniority, de Lancie gave the rights to perform the premiere to a young oboist friend at the CBS Symphony in New York, Mitch Miller, who later became famous as a music producer and host of a sing-along TV show.
Skempton's first major success came in 1991 after the premiere of Lento ( 1990 ), an orchestral piece that gained a larger audience for the composer.
Manns accepted the work for performance and gave the premiere on 3 March 1900, whilst later that same year the orchestral variations on Three Blind Mice were also heard ( Queen's Hall Promenade Concert, conducted by Henry Wood, 8 November 1900 ).
In 1958 he performed the demanding solo part in the New York City premiere of his Fantasia-Tahmeel for darabukha and string orchestra ( probably the first orchestral work to feature this instrument ), with an orchestra under the direction of Leopold Stokowski.

orchestral and Planets
He is most famous for his orchestral suite The Planets.
Holst and wife Isobel bought a cottage in Thaxted, Essex and, surrounded by medieval buildings and ample rambling opportunities, he started work on the suite that became his best known work, the orchestral suite The Planets.
A well-known use of col legno for orchestral strings is the Gustav Holst's " Mars " movement from The Planets suite.
Gustav Holst employed the instrument in his 1918 orchestral work The Planets, particularly in the final movement, " Neptune, the Mystic ".
Meyer's original plan for the score was to adapt Gustav Holst's orchestral suite The Planets.
In music, a suite is an ordered set of instrumental or orchestral pieces normally performed in a concert setting rather than as accompaniment ; they may be extracts from a ballet ( Nutcracker Suite ), incidental music to a play ( L ' Arlésienne Suites ), opera, film ( Lieutenant Kije Suite ) or video game ( Symphonic Suite the Another Story of Shining Force ), or they may be entirely original movements ( Holberg Suite, The Planets ).
Among English composers of the early-20th century there was some vogue for the use of a " bass oboe ", for example in Gustav Holst's orchestral suite The Planets ( 1916 ), as well as in several works of Frederick Delius ( A Mass of Life, 1904-1905 ; Dance Rhapsody No. 1, 1908 ), Arnold Bax's Symphony No. 1 ( 1921 ), Havergal Brian's Gothic Symphony ( 1919-1927 ) and Symphony No. 4 ( Das Siegeslied ), and supposedly in the original instrumentation of Ralph Vaughan Williams ' A London Symphony ( 1912-1913 ).
The Air Force Song and " Jupiter " from Gustav Holst's orchestral suite The Planets are also included, based on their use in The Right Stuff.
In 1942, MacMillan conducted the Toronto Symphony Orchestra ( TSO ) in a recording of the orchestral suite The Planets, by Gustav Holst, recorded on 78 RPM < span class =" plainlinks "> phonograph records, for RCA Victor.
* The Planets, a suite of orchestral music by Gustav Holst
Gustav Holst's " Neptune, the mystic ", part of the orchestral suite The Planets written between 1914 and 1916, is an early example of music to have a fade-out ending during performance.
" The concept was inspired by Gustav Holst's nearly century-old orchestral suite " The Planets.

orchestral and suite
At a classical bass audition, the performer typically plays a movement from a Bach suite or a movement from a bass concerto and a variety of excerpts from the orchestral literature.
In 1954, RCA Victor asked Steiner to prepare and conduct an orchestral suite of music from Gone with the Wind for a special LP, which was later issued on CD .< ref >
Nash wrote humorous poems for each movement of the Camille Saint-Saëns orchestral suite The Carnival of the Animals, which are sometimes recited when the work is performed.
His balletic adaptation of the orchestral suite Sheherazade, staged in 1910, drew the ire of the composer's widow, Nadezhda Rimskaya-Korsakova, who protested in open letters to Diaghilev published in the periodical Rech.
In 1961, Bernstein prepared a suite of orchestral music from the show, titled Symphonic Dances from West Side Story:
The orchestral version clarifies the harmonic language of the suite and brings sharpness to its classical dance rhythms.
32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1916.
His expressive execution of a pas de deux from The Sleeping Beauty ( Tchaikovsky ) was a tremendous success ; in 1910 he performed in Giselle, and Fokine's ballets Carnaval and Scheherazade ( based on the orchestral suite by Rimsky-Korsakov ).
Such works include the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition.
The music was subsequently converted into an orchestral suite.
After the Franco-Prussian War of 1870 – 71, in which Bizet served in the National Guard, he had little success with his one-act opera Djamileh, though an orchestral suite derived from his incidental music to Alphonse Daudet's play L ' Arlésienne was instantly popular.
Originally The Jewish Girl's Song from his 1906 incidental music to Belshazzar's Feast, it later became the " Solitude " section of the orchestral suite derived from the incidental music.
The complete score, lasting over 80 minutes, is Nielsen's longest work apart from his operas but is now often performed as the shorter orchestral suite consisting of the Oriental March, Hindu Dance and Negro Dance.
His public début came in 1931 with his orchestral suite Les offrandes oubliées.
He arranged his orchestral suite L ' ascension (" The Ascension ") for organ, replacing the orchestral version's third movement with an entirely new movement, Transports de joie d ' une âme devant la gloire du Christ qui est la sienne (" Ecstasies of a soul before the glory of Christ, which is its own glory ").
In the eighteenth century, the term ouverture or overture may refer to the entire suite, as it does with the orchestral suites of J. S.

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