In this poem, Arjuna the protagonist is preparing for battle when he realizes that the enemy consists of members of his own family and decides not to fight.

One, the Catalepton, consists of fourteen short poems, some of which may be Virgil's, and another, a short narrative poem titled the Culex (" The Gnat "), was attributed to Virgil as early as the 1st century AD.

The epic poem consists of 12 books in hexameter verse which describe the journey of Aeneas, a prince fleeing the sack of Troy, to Italy, his battle with the Italian prince Turnus, and the foundation of a city from which Rome would emerge.

The poem consists of six untitled books, in dactylic hexameter.

The poem, also known as the Infinitati Sacrum, consists of two parts, the " Epistle " and " The Progress of the Soule ".

The poem consists of 103 cantos and relates the tragedy of a space ship which, originally bound for Mars with a cargo of colonists from the ravaged Earth, after an accident is ejected from the solar system and into an existential struggle.

The poem consists of some 60 fornyrðislag stanzas.

A didactic, homiletic poem, “ Patience ” consists of 530 lines.

The Hymn to Liberty or Hymn to Freedom (, Ýmnos is tin Eleftherían ) is a poem written by Dionýsios Solomós in 1823 that consists of 158 stanzas, which is used as the national anthem of Greece.

The poem consists of three parts, with an additional footnote.

It consists of the following pieces: The Battle of Agincourt, an historical poem in ottava rima ( not to be confused with his ballad on the same subject ), and The Miseries of Queen Margaret, written in the same verse and manner ; Nimphidia, the Court of Faery, a most joyous and graceful little epic of fairyland ; The Quest of Cinthia and The Shepherd's Sirena, two lyrical pastorals ; and finally The Moon Calf, a sort of satire.

After the success of the full-length symphonic poem ( most of which consists of rousing and turbulent passages, evoking the national struggle of the Finnish people ), Sibelius published a stand-alone version of the hymn as the last of twelve numbers in his Masonic Ritual Music, Op.

" The scene consists of a long take, starting from the cleaning lady's entire poem, following Gaston downstairs and outside.

It consists of any stanzaic form in which the first line of the first stanza is the second line of the second stanza and so on until the poem ends with the line with which it began.

This book consists of three sections: a journal of gardening and visitors ; a section of more finished poems, filled with a landscape of Western Sonoma County ; and a single, long poem written in sparse triplets to reflect a white-tail kite ’ s hovering flight.

The poem consists of ten cantos, with a variable number of stanzas ( 1102 in total ), written in the decasyllabic ottava rima, which has the rhyme scheme ABABABCC.

Following the usual form for Asimov collections, it consists of eleven short stories and a poem surrounded by commentary describing how each came to be written.

The poem consists of several sections, each beginning with a letter of the Greek alphabet.

Each line within the poem consists of only eight syllables.

According to Monique R. Morgan's " Narrative Means to Lyric Ends in Wordsworth's Prelude ," " Much of the poem consists of Wordsworth ’ s interactions with nature that ' assure him of his poetic mission.

The poem, written in the ottava rima stanza rhythm, consists of 68 cantos and a half.

In one of its dozens of iterations, the epic poem consists of approximately 500, 000 lines, and while Kyrgyz historians consider it to be the longest epic poem in history, the Sanskrit epic Mahabharata and the Tibetan Epic of King Gesar are both longer.

There are 1330 poems in 133 chapters ( each chapter consists of 10 poem ).

The poem consists of the lament of the scop Deor, who lends his name to the poem, which was given no formal title.

Catullus 51 follows Sappho 31 so closely that some believe the later poem to be, in part, a direct translation of the earlier poem, and 61 and 62 are certainly inspired by and perhaps translated directly from lost works of Sappho.

In 1908 a Dramatic Symphony, opus 51, written by Joseph Holbrooke setting Trench's poem Apollo and the Seaman was performed, under Thomas Beecham.

The real debut occurred at the end of the same year with the publishing of the poem without the title ( Palce wrzeciona dźwięków …) in Tygodnik Powszechny (# 51 ).

It may be significant that a poem which looks like an envoi to Lesbia ( Catullus 11 ) is written in the Sapphic metre ; the only other poem in the collection composed in this metre is poem 51, which looks like it could be the first poem written to her.

Catullus 51 is a poem by the Roman famous love poet Gaius Valerius Catullus ( c. 84 – c. 54 BC ).

If Ekkehart IV's account, much discussed among scholars, is true, which seems to be confirmed by another monk of St. Gall, Herimannus, the author of the later ( ca 1075 ) life of St Wiborada of St Gall where he cites verse 51 of the Waltharius, the poem was written by Ekkehard, generally distinguished as Ekkehard I, for his master Geraldus in his schooldays, probably therefore not later than 920, since he was probably no longer young when he became deacon ( in charge of ten monks ) in 957.

In the initial stanzas of the poem Asagarth is the capital of Asaland, a section of Asia to the east of the Tana-kvísl or Vana-Kvísl river ( kvísl is " fork "), which Snorri explains is the Tanais, or Don River, flowing into the Black Sea.

The poem was written in Sapphic stanzas, a verse form popularly associated with his compatriot, Sappho, but in which he too excelled, here paraphrased in English to suggest the same rhythms.

There were probably another three stanzas in the original poem but only nine letters of them remain.

In one of two stanzas in the poem Grímnismál that mentions the bridge, Grímnir ( the god Odin in disguise ) provides the young Agnarr with cosmological knowledge, including that Bilröst is the best of bridges.

Fenrir is mentioned in three stanzas of the poem Völuspá, and in two stanzas of the poem Vafþrúðnismál.

The poem Lokasenna ( Old Norse " Loki's Quarrel ") centers around Loki flyting with other gods ; Loki puts forth two stanzas of insults while the receiving figure responds with a single stanza, and then another figure chimes in.

Loki appears in both prose and the first six stanzas of the poem Reginsmál.

The stanzas of the poem then begin: Loki mocks Andvari, and tells him that he can save his head by telling Loki where his gold is.

Loki is referenced in two stanzas in Völuspá hin skamma, found within the poem Hyndluljóð.

The original lyrics authored by Wybicki were a poem consisting of six stanzas and a chorus repeated after all but last stanzas, all following an ABAB rhyme scheme.

Further in the poem, Njörðr is again mentioned as the father of Freyr in stanzas 38, 39, and 41.

In the late flyting poem Lokasenna, an exchange between Njörðr and Loki occurs in stanzas 33, 34, 35, and 36.

Shelley's Ode to the West Wind, written in fourteen line terza rima stanzas, is a major poem in the form, but perhaps the greatest odes of the 19th century were Keats's Five Great Odes of 1819 which included Ode to a Nightingale, Ode on Melancholy, Ode on a Grecian Urn, Ode to Psyche, and To Autumn.

Related to the use of interlocking stanzas is their use to separate thematic parts of a poem.

One of the most common manifestations of stanzaic form in poetry in English ( and in other Western European languages ) is represented in texts for church hymns, such as the first three stanzas ( of nine ) from a poem by Isaac Watts ( from 1719 ) cited immediately below ( in this case, each stanza is to be sung to the same hymn tune, composed earlier by William Croft in 1708 ):

A sestina ( ; or ; also known as sestine, sextine, sextain or sesta rima ) is a structured 39-line poem consisting of six stanzas of six lines each, followed by a three-line stanza, known either as an envoi or tornada.

In this variant the standard end-word pattern is repeated for twelve stanzas, ending with a three-line envoi, resulting in poem of 75 lines.

Although the poem has four stanzas, only the first is commonly sung today.

Valhalla is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, Heimskringla, also written in the 13th century by Snorri Sturluson, and in stanzas of an anonymous 10th century poem commemorating the death of a Eric Bloodaxe known as Eiríksmál as compiled in Fagrskinna.

Valhalla is referenced at length in the Poetic Edda poem Grímnismál, and Helgakviða Hundingsbana II, while Valhalla receives lesser direct references in stanza 33 of the Völuspá, where the god Baldr's death is referred to as the " woe of Valhalla ", and in stanzas 1 to 3 of Hyndluljóð, where the goddess Freyja states her intention of riding to Valhalla with Hyndla, in an effort to help Óttar, as well as in stanzas 6 through 7, where Valhalla is mentioned again during a dispute between the two.