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The shorts were intended to satirize suggestions that early Batman comics implied a homosexual relationship between the eponymous title character and his sidekick Robin, a charge most infamously leveled by Fredric Wertham in his 1954 book, Seduction of the Innocent.
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shorts and were
Since the shorts were produced during the rise of film noir in cinema, the change was usually represented as a stylized sequence: Clark Kent's silhouette is clearly seen behind a closed door's pebble glass window ( or a shadow thrown across a wall ) as he strips to his Superman costume.
Often slow-moving and overbearing with " cuteness ", Jones ' early cartoons were an attempt to follow in the footsteps of Walt Disney's shorts ( especially with such cartoons as Tom Thumb in Trouble and the Sniffles cartoons ).
Jones ' shorts from this period starring these characters represent some of his earliest classics that were strictly intended to be funny.
Jones also produced the 1979 film The Bugs Bunny / Road Runner Movie which was a compilation of Jones ' best theatrical shorts ; Jones produced new Road Runner shorts for The Electric Company series and Bugs Bunny's Looney Christmas Tales ( 1979 ), and even newer shorts were made for Bugs Bunny's Bustin ' Out All Over ( 1980 ).
Kaye's rubber face and fast patter were an instant hit, and rival producer Robert M. Savini cashed in almost immediately by compiling three of Kaye's old Educational Pictures shorts into a makeshift feature, The Birth of a Star ( 1945 ).
Although England's first away kits were blue, England's traditional away colours are red shirts, white shorts and red socks.
In 1898 some ghost films were made, the Shirō Asano shorts Bake Jizo ( Jizo the Spook / 化け地蔵 ) and Shinin no sosei ( Resurrection of a Corpse ).
Although the earliest British films were of everyday events, the early 20th century saw the appearance of narrative shorts, mainly comedies and melodramas.
In addition to the new episodes, the classic 1950s and 1960s shorts were re-run as part of the series, but with newly recorded soundtracks, with the voices re-recorded and the original music replaced by Jerry Gerber's score from the 1988 series.
In the original theatrical shorts, they were originally sent to visit Donald for only one day ; in the comics, the three were sent to stay with Donald on a temporary basis, until their father came back from the hospital ( the boys ended up sending him there after a practical joke of putting firecrackers under his chair ).
In both the comics and animated shorts, the boys ' parents were never heard from or referred to again after these instances, with the boys ending up permanently living with Donald.
In early comic books and shorts, the caps of Huey, Dewey, and Louie were colored randomly, depending on the whim of the colorist.
Between December 1916 and August 1918, a total of 37 Katzenjammer Kids silent cartoon shorts were produced by William Randolph Hearst's own cartoon studio International Film Service, which adapted well-known comic strips owned by Hearst for animation.
( Sennett's corporate bosses retained the Keystone trademark and produced a cheap series of comedy shorts that were " Keystones " in name only: they were unsuccessful, and Sennett had no connection with them.
After this, thousands of Vitaphone shorts ( 1926 – 30 ) were made, many featuring bands, vocalists and dancers, in which a musical soundtrack played while the actors portrayed their characters just as they did in silent films: without dialogue.
In a recent interview with PC Magazine, Valve CEO and co-founder Gabe Newell said that they wanted to make a Half-Life feature film themselves, rather than hand it off to a big-name director like Sam Raimi, and that their recent Team Fortress 2 " Meet The Team " machinima shorts were experiments in doing just that.
shorts and intended
Groening had been called to pitch a series of animated shorts for The Tracey Ullman Show, and had intended to present an adaptation of his Life in Hell comic strip.
Groening had been called in to pitch a series of animated shorts for The Tracey Ullman Show, and had intended to present an adaptation of his Life in Hell comic strip.
Groening had been called in to pitch a series of animated shorts for The Tracey Ullman Show and had intended to present an adaptation of his Life in Hell comic strip.
In the 1990s, Horace was intended to star in a new TV series to be created for The Disney Afternoon, titled Maximum Horsepower, intended to explain his disappearance from the shorts after the 1930s ended.
He had asked Groening to pitch an idea for a series of animated shorts, which Groening initially intended to present as his Life in Hell series.
Bart's use of the phrase " Eat my shorts " was intended to reflect his adoption of catchphrases he had heard on TV ; the creative team had told Vitti that he should not come up with original taglines for the character.
They are often used as ordinary shorts, but were originally intended as beachwear ; the " board " refers to surfers ' surfboards.
Family Guy was originally intended to be a series of shorts on MADtv, much in the same way The Simpsons had begun on The Tracey Ullman Show a decade earlier.
The festival was intended for a German audience and presents recent German and international shorts and documentaries.
When Johnny Savage is forced by his suspicious father ( Brian Doyle-Murray ) to quit the show, Corky takes over his roles, which were clearly intended for a young, masculine actor: a lusty young frontiersman, a heartbroken soldier, and a little boy wearing a beanie and shorts.
Having seen one of cartoonist Matt Groening's Life in Hell comic strips, Brooks asked Groening to pitch an idea for a series of animated shorts, which Groening initially intended to present as his Life in Hell series.
The shorts were intended to be shown between WCW Monday Nitro pro wrestling matches, but the C. E. O.
It was originally intended for use in sports, mainly as what athletes wore over competition clothing ( such as running shirt and shorts or a swimsuit ) and would take off before competition.
Brooks had asked Groening to pitch an idea for a series of animated shorts, which Groening initially intended to present as his Life in Hell series.
Independent animators such as Bill Plympton, Don Hertzfeldt, and Nina Paley have also found audiences and commercial success with animated shorts and feature films that are primarily intended for adults.
shorts and early
Through a series of mergers and acquisitions, many of Paramount's early cartoons, shorts, and feature films are owned by numerous entities.
The short was one of a few shorts to be made with an early two-strip Technicolor process, including one featuring Curly without Healy or the other Stooges, Roast Beef and Movies ( 1934 ).
The shorts themselves were built around recycled film footage of production numbers cut from MGM musicals, such as Children of Pleasure, Lord Byron of Broadway, and the unfinished March of Time ( all 1930 ), which had been filmed in early Technicolor.
: From the 1970s until the early 2000s, Looney Tunes shorts appeared via various public service TV channels throughout the region as part of children's blocks or in-betweeners.
Even the embryonic art of the motion picture turned to Pierrot before the century was out: he appeared, not only in early celluloid shorts ( Georges Méliès's The Nightmare, The Magician ; Alice Guy's Arrival of Pierrette and Pierrot, Pierrette's Amorous Adventures ; Ambroise-François Parnaland's Pierrot's Big Head / Pierrot's Tongue, Pierrot-Drinker ), but also in Emile Reynaud's Praxinoscope production of Poor Pierrot ( 1892 ), the first animated movie and the first hand-colored one.
He was captivated by movies from an early age, particularly the westerns of Howard Hawks and John Ford, as well as 1950s low budget horror films, such as The Thing from Another World and high budget science fiction like Forbidden Planet and began filming horror shorts on 8 mm film even before entering high school.
Starting in 1939, Goofy was given his own series of shorts which were popular in the 1940s and early ' 50s.
The concept of matching animation to classical music was used as early as 1928 in Disney's cartoon series, the Silly Symphonies, but he wanted to go beyond the usual slapstick, and produce shorts where " sheer fantasy unfolds ... action controlled by a musical pattern has great charm in the realm of unreality.
The use of budget-cutting animation measures in animation dates at least to the 1920s ; a handful of the Bosko cartoons in the early years of the Looney Tunes series used several visible tricks ( such as mirror images and repeated scenes ) to give the shorts the comparable appearance of the Disney shorts of the same era, even though they were produced on a budget of just over half of their Disney counterparts ( Disney himself was known to recycle animation in his early years as well ); meanwhile, Max Fleischer took the obvious shortcut of recording the entire soundtrack in one session after the animation was completed in his 1930's cartoons ; he also made frequent use of " mumbling " to avoid the need to synchronize animating mouths to voices.
Club colours are green shirts with white shorts, though during the early years of its existence green and white shirts with vertical stripes were used.
The early animated films by Walt Disney, such as the Silly Symphonies shorts and especially Fantasia, which featured several interpretations of classical pieces, were built around music.
Even the DuckTales characters it reused had no counterpart in early Disney shorts or even the Carl Barks comics.
The Golden Age of US animation is a period in the United States animation history that began with the advent of sound cartoons in 1928 and continued into the early 1960s when theatrical animated shorts slowly began losing to the new medium of television animation.
Jones teamed with Les Goldman to form Sib Tower 12 Productions to work with MGM on the Tom and Jerry series in the mid-1960s ; his shorts were not as popular as the Hanna-Barbera originals but more so than the Gene Deitch shorts produced overseas in the early 1960s.
It later emerged that Hutton had faced massive cash shorts as early as 1985, and the firm's management had tried to put it up for sale as early as 1986.