Bates was more fortunate, as the song's popularity was well established by the time of her death in 1929.

Moyers was inspired to focus on the song's power after watching a performance at Lincoln Center, where the audience consisted of Christians and non-Christians, and he noticed that it had an equal impact on everybody in attendance, unifying them.

Not to be outdone by Cleese, Idle was heard saying during the song's close: " I'd just like to be the last person at this meeting to say ' fuck '.

( In earlier seasons, the " Gossip Girls " and " Gloom, Despair .." sketches would both end with a repeat of the song's chorus, but in later years that practice was eliminated.

It was adopted as an anthem by the groups of disaffected Mexican urban youth known in the 1980s as bandas ; one banda named itself PND, after the song's initials.

The song " Show Me Love " was prominently used in the 1998 Lukas Moodysson film Fucking Åmål, and the song's title was used as the film's title in English-speaking countries.

A new, more uptempo arrangement of the theme song was introduced for the third season, but this did not assuage the song's critics, and elicited criticism from some who liked the original version.

" hook in " Earth Angel ," which was also the song's subtitle, was borrowed from the # 9 R & B hit of the same name by the Swallows.

This theory was not shared by Ross Fitzgerald, who argued that the defeat of the strike only several months before the song's creation would have at least been in Paterson's mind " subconsciously " and thus was likely as an additional inspiration for the song.

The passage in which Meursault accepts his impending execution was read over the end of the song " Asa Phelps Is Dead " by The Lawrence Arms ; read by guitarist Chris McCaughan, the excerpt parallels certain themes in the song's lyrics by bassist Brendan Kelly.

The song's lyrics reflect the invasion of France by foreign armies ( from Prussia and Austria ) that were underway when it was written.

Due to constant airplay of the song's music video on MTV, Nevermind was selling 400, 000 copies a week by Christmas 1991.

) The second single, " Can't We Talk It Over in Bed ", did not chart, but was released in 1989 by Grayson Hugh, the song's arranger, as " Talk It Over " becoming a Top 20 Pop hit.

Opus Dei retained some of the original song's English lyrics, but was delivered in a musical style that left the meaning of the lyrics open to further interpretation.

In a documentary programme about that album ( as part of the Classic Albums TV series ), lead singer Bruce Dickinson wanders through the avenues of Portmeirion and describes how the song was written and how the band's manager obtained permission from Patrick McGoohan to use dialogue from the show in the song's introduction.

She obliged, and he raped her at knifepoint ( many journalists mistakenly state she was raped at gunpoint, possibly due to the song's title ).

Despite the song's name, Poison Ivy wasn't the inspiration for this song but, due to the lyrics describing a girl with a very similar attitude to Ivy, it was quickly associated to the character.

For example, one episode depicts characters dancing to Will Smith's " Gettin ' Jiggy wit It " mere weeks after the song's release, whereas the sequence itself was designed and animated months earlier.

The song's overtly political content, Gillespie said it was about " American international terrorism ", made it controversial.

The song's video was shown on Beavis and Butt-Head, where the band was described as " chicks " who are " cool.

* Show producer Robert Rafelson played piano heard in the song's intro.

The song's wistful folk-style sound, with Robert Plant on lead vocals, acoustic guitar by Jimmy Page and mandolin by John Paul Jones, contrasts with the heavy electric-amplified rock on four of the album's other tracks.

In the U. S. A., Atco Records ' initial releases of Goodbye and of " Badge " as a single gave the song's writing credit to Eric Clapton alone, with publishing credit to Robert Stigwood's company Casserole ( BMI ),.

He " fell in love with it " and the song's vocals, Robert Smith's guitar work, and the keyboards, which he describes as " haunting.

In 1982, Marrow met producer William Strong from Saturn Records, who recorded his first single, " Cold Wind Madness ", also known as " The Coldest Rap ", which became an underground success, becoming popular even though radio stations did not play it due to the song's hardcore lyrics.

Michael Jackman, writer for Detroit's " Metro Times ," did an interview with Meatmen singer Tesco Vee, who said that the song's origins dated to the late 1970s and early 1980s in Detroit, when hardcore punk bands, unable to get booked in bars and in a city lacking all-ages clubs, would do " punk nights " at gay men's bars, creating what Vee called a " worlds collide " sort of thing.

One of these Daves, Dave Capisano, is unfamiliar to McCulloch, who sings " I hardly know him ", then looks vaguely uncomfortable for the rest of the song's lyricless measure.

With help from Radio 1 breakfast show host Simon Mayo, who gave the song regular airplay and also used the chorus within a jingle, it became a hit, some 12 years after the song's original appearance in Life Of Brian, reaching number 3 in the UK charts and landing Idle a set on Top of the Pops in October 1991.

He wrote " Simple Song of Freedom " in 1969, which was recorded by Tim Hardin, who sang only three of the song's four verses.

" Writer Ariel Swartley views the song's verses as depicting the narrator as something of an " adolescent loser ... ruining his chances with the girl: he can't stop telling her about the humiliations, about the girls who led him on, about the waitress that got tired of him.

Although McCartney has never elaborated his claims, a delay may have been due to a disagreement between McCartney and George Martin regarding the song's arrangement, or the opinion of the other Beatles who felt it did not suit their image.

Although Mark Hoppus sings the song's two verses, Tom DeLonge, who sings the choruses, wrote this song about his parents ' divorce during his teen years.

This was due to the song's influence on The Kinks, who, like the Who at the time, were produced by Shel Talmy, with the Kinks on the Pye label and the Who on Brunswick.

In the film, the four Beatles are first seen by themselves, performing the initial chorus and verses, and then are joined by the audience who appear as the last chorus concludes and coda begins ; the audience sings and claps along with the Beatles through the song's conclusion.

While she was performing background on The Drifters's recording of " Mexican Divorce ," Warwick's voice and star presence were noticed by the song's composer, Burt Bacharach, a Brill Building songwriter who was writing songs with many other songwriters, including lyricist Hal David.

The song's success in the U. S. was championed by WMEX jock and friend of Chapin's Jim Connors who in part inspired the song.

Indie rocker Stephen Malkmus mentions Stoke-on-Trent in " Pink India ", released on his self-titled solo album, singing that the song's protagonist, Mortimer, is a " rook " in The Great Game, who " came from Stoke-on-Trent.

The interval act was provided by Dana International, who performed a cover of the Stevie Wonder song " Free ", which caused some controversy in Israel due to the song's lyric.

Because of that, the song's name had to be changed for the Mexican audience, who knew the song as Subete a mi Moto.

Because of its use by " Rise, O Voices of Rhodesia ", the " Ode to Joy " melody is controversial in Zimbabwe, where its annual playing at foreign embassies on Europe Day initially caused shock to Zimbabwean government officials who, according to historian Josephine Fisher, had not previously been aware of the song's use by the Council of Europe.

This differentiates from a singer-composer, who composes the song's melody.

The story of the song's genesis was narrated in 1847 by Anton Schmid, who was Custodian of the Austrian National Library in Vienna:

It charted considerably high in initial airplay because of the anticipation for the album, but many critics and listeners who had pigeonholed Morissette as an angry woman were surprised by the song's calm and serene feel.

The song's lyrics tell of Charlie, a man who gets aboard an MTA subway car.

Many remixes for the song have been made by artists including Beyoncé Knowles, Mary J. Blige, P. Diddy, Lil Wayne and many others who rapped their own verses over the song's instrumentals.