The two operas of Schoenberg's pupil Alban Berg, Wozzeck ( 1925 ) and Lulu ( incomplete at his death in 1935 ) share many of the same characteristics as described above, though Berg combined his highly personal interpretation of Schoenberg's twelve-tone technique with melodic passages of a more traditionally tonal nature ( quite Mahlerian in character ) which perhaps partially explains why his operas have remained in standard repertory, despite their controversial music and plots.

The two operas of Schoenberg's pupil Alban Berg, Wozzeck and Lulu ( left incomplete at his death ) share many of the same characteristics described above, though Berg combined his highly personal interpretation of Schoenberg's twelve-tone technique with melodic passages of a more traditionally tonal nature ( quite Mahlerian in character ).

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