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Page "The Replacements (band)" ¶ 9
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Their and hardcore
Their eclectic music encompassed their trademark loud and fast hardcore, but also spaghetti western, psychedelic, garage rock and rockabilly.
Their early works were made up of hardcore punk, and attracted the attention of Joe Carducci as he was starting to work with legendary punk label SST Records.
Their style of hardcore punk was coined as D-beat, a term a number of 1980s by imitators of Discharge associated with.
Their musical style is predominantly hardcore rap, although later albums include funk, soul and reggae influences.
Their debut album the following year, Milo Goes to College, was more melodic than many other hardcore records of the time.
Their musical style broke from traditional New York hardcore roots by adding aspects of rock, heavy metal and jazz, like extended guitar solos and musical interludes.
Their music has developed stylistically over the years from garage metal to hardcore punk to experimental thrash metal.
Their hard rock sound – which was often described as desert rock – contains elements of psychedelia, blues, heavy metal and other genres, such as hardcore, as well as distinctive repetitive drum beats ; typically performed with electric guitar, bass guitar and a drum kit.
Their third album Rock ' n ' Roll Highschool came out in 2000 and consisted of electronic elements, which were a departure from the band's previous hardcore sound.
Their style of less aggressive, melodic hardcore was influential to emocore, as well as post-hardcore ; they being influenced by The Faith and their 1983 EP Subject to Change.
Their comeback albums have sold well and been mostly acclaimed by music critics for their pure hardcore punk / oi!
Their style can be considered a mix of groove metal and hardcore punk.
Their song " Under 18 " decried the age-based discriminatory practices at many venues that demanded IDs for entry ; " War Between Races " demanded an end to racial violence and prejudice within the hardcore scene, and " Brother and Sisterhood " encouraged young women and girls to become active in the traditionally male-dominated hardcore punk scene.
Their style can be considered a mix of Pantera's style of groove metal and hardcore punk.
Their new label had started off with mostly post-hardcore and noise rock bands, but later incorporated emo, punk, melodic hardcore and experimental groups into their line-up.
Their music expanded over the years from West Coast hardcore to a mix of hardcore with rock and metal elements.
Their next album, RocK ' n Roll Nightmare ( also known as Lifestyles of the Rich Kids on LSD-A Rock N Roll Nightmare, stayed true to the fast tempo and hardcore sound the band was known for, but introduced elements of progressive rock and thrash metal to their sound as well as a technical musicianship that was very uncommon for punk genre at the time.
Their sound was much different than the previous incarnation, dropping the fast hardcore style for a distinct rock / funk fusion.
Their first single " Dicks Hate The Police ", released in 1980, brought them much attention and is now regarded as a classic hardcore punk record.
The Kids Will Have Their Say is the debut album by the Boston hardcore punk band SSD.
Their name, as revealed in an interview with vice magazine is associated with the hardcore punk straight edge movement, the lead singer saying "...
Jerry's Kids is one of the earliest Boston hardcore bands, formed in 1981, from Braintree, Mass .. Their first recorded output was on the Modern Method This Is Boston, Not L. A. compilation LP in 1982.

Their and punk
Their music includes spoken word pieces and elements of punk, hip hop, rock, funk, jazz, and indigenous music, among others.
Their style over time has shifted between punk, art rock, post-punk, and New Wave.
Their greatest contribution was in promoting punk music, clothing and lifestyle in their local communities.
Their shared attributes of minimalism and speed, however, had not yet come to define punk rock.
Their style was originally called " real punk " or street punk ; Sounds journalist Garry Bushell is credited with labelling the genre Oi!
Their 1977 album, Blank Generation, influenced many other punk bands.
Their politically tinged music was informed by MacGowan and Stacy's punk backgrounds, yet used traditional Irish instruments such as the tin whistle, cittern, mandolin and accordion.
Their original career produced three LPs: Another Music in a Different Kitchen, Love Bites, and A Different Kind of Tension, each supported by extensive touring in Europe and the U. S. Their trademark sound was a marriage of catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section.
Their music was influential to many later punk rock acts.
Their durability and ease of copying helped bring underground rock and punk music behind the Iron Curtain, creating a foothold for Western culture among the younger generations.
They were discovered playing in a pub in Clapham, South London by Alan Anger, punk journalist. Their name at first was The Sneekers and they were a part of the Powerpop bands that included The Pleasers.
Their second album, Back in the USA, produced by future Bruce Springsteen mentor Jon Landau, virtually provided a prototype for punk rock with its short, fast, hard-edged angry guitar rock.
Their music was based on the speed, brevity and intensity of punk, but included elements of jazz, folk, and funk.
Their debut 45 " You're Gonna Miss Me ", a national Billboard No. 55 hit in 1966, was featured on the 1972 compilation Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968, which is considered vital in the history of garage rock and the development of punk rock.
Their eclectic and ever-evolving style mixes elements of pop, ska, punk rock, folk, alternative country, and various types of world music.
Their energetic, high-velocity style and do-it-yourself ethics were influenced by punk rock.
Their combination of androgynous glam punk imagery and critical social lyrics about " culture, alienation, boredom and despair " soon gained them a loyal following and cult status.
Their style has been described as rock with a " renegade stance, what in later years would be dubbed ' punk '.
Their early work was strongly influenced by funk metal, hip-hop, punk, and alternative rock.

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