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Page "1950s" ¶ 66
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Their and sound
Their strategy was sound enough and, he reasoned, had been defeated only by Philip Spencer's unwillingness to sanction an idea he had not originated.
Their beats, created by producer Seda on Amiga 500 with Protracker, have a familiar heavy sound and are similar to U. S. old-school hip hop.
Their disappearance left some distinctive sound combinations in Proto-Italic.
Their debut album, Licensed to Ill, largely featured a rock-based sound.
Their sound is directly responsible for intentionally transforming rap music from dance-and club-oriented funk grooves like " Rapper's Delight " and " The Breaks " to an aggressive, less-danceable approach.
Their original career produced three LPs: Another Music in a Different Kitchen, Love Bites, and A Different Kind of Tension, each supported by extensive touring in Europe and the U. S. Their trademark sound was a marriage of catchy pop melodies with punk guitar energy, backed by an unusually tight and skilled rhythm section.
Their sound was influenced by 1960s garage acts ranging from the Electric Prunes, The Standells, The Chocolate Watch Band to The Easybeats.
Their aggressive sound and dark atmospheres came out as a perfect segue from Psyche's last release and brought Darrin to the audience of the 90's generation.
Their original sound ( with Fish on vocals ) is best described as guitar and keyboard led progressive rock or " neo-prog ", and would be sometimes compared with Gabriel-era Genesis.
Their sound proved influential and inspiring to a whole wave of post-punk groups delving into the intense, gloomy style that would eventually come to be known as gothic rock.
Their next album, No Comment, released in 1984, was the first to introduce the term electronic body music in association with their sound.
Their 1989 album Perfect Symmetry broke away from their NWOBHM influenced sound and became the mold for early progressive metal that Dream Theater would expand on.
Their first recording with Ruby, " Marcus Garvey ", was intended as an exclusive track for Ruby's Ocho Rios-based Hi-Power sound system, but was released as a single, giving them an immediate hit, and was followed by " Slavery Days ".
Their sound has been described as influenced by Pink Floyd and Husker Du.
Their English name derives from the humming sound made by the very fast beating of their wings.
Their only album Nordavind was released in 1995 with the use of keyboards to imitate the sound of folk instruments.
Their sound gave center stage to the signature guitar style of Albini.
Their original surname was probably Belleau, but local aboriginals may have had difficulty pronouncing the " l " sound.
Their first album, Feel Euphoria, has a harder-rocking and more experimental sound than the Neal Morse-led band, relying on Alan Morse's guitar to a greater extent.
Their major label debut, The Beautiful Letdown, under Columbia Records / Red Ink, represented the band's evolution from the predominantly lo-fi, indie rock sound of their early albums, toward a more layered, synth-influenced sound that helped launch the band to mainstream popularity.
Their gentle, easy-listening pop sound and drug-free life had become unpopular in an era increasingly consumed with the psychedelic rock of the evolving landscape of American pop culture during the late 1960s.
Their first album, S Club, had a strong 1990s pop sound, similar to many artists of their time.

Their and their
Their product had been endorsed by Good Housekeeping, the A.M.A., and the Veterinary Journal, among other repositories of higher wisdom, and before much longer if you didn't have a cake of their soap in the john, even your best friends would think you didn't bathe.
Their writings assume more than dramatic or patriotic interest because of their conviction that the struggle in which they were involved was neither selfish nor parochial but, rather, as Washington in his last wartime circular reminded his fellow countrymen, that `` with our fate will the destiny of unborn millions be involved ''.
Their President, Jefferson Davis, interpreted their Constitution to mean that it `` admits of no coerced association '', but this remained so doubtful that `` there were frequent demands that the right to secede be put into the Constitution ''.
Their writing, born of their experiments in marijuana and untrammeled sexuality, reflects the extremity of their existential alienation.
Their burgeoning popularity may be a result of the closing of the 52nd Street burlesque joints, but curiously enough their atmosphere is almost always familial -- neighborhood saloons with a bit of epidermis.
Their eyes betrayed too much of their emotions, she thought sadly.
Their locations in all parts of the United States, and their locations in the several kinds of educational and research institutions that are the principal homes of our intellectual and artistic strengths also are factors in the Trustees' minds.
Their two boys were `` well adjusted '' and, like their parents, always did the right thing at the right time and damn the consequences.
Their father, when he came back from those many business trips, just bumped their mother on the forehead with his lips and asked if anybody had thought to mix the martinis and put them in the electric icebox.
If you really insist on knowing their names, an excellent book on the North American species is Bumblebees And Their Ways by O. E. Plath.
Their appearance, next spring, coincides in an almost uncanny way with the flowering of their host plants.
Their own experience in the social system influences their work and attitudes as teachers.
Their affection for their college home has even caused President Dickey to comment on this `` place loyalty '' as something rather specially Hanoverian.
Their presence is not as frightening as the discontent which creates their opportunity.
Their names are Mantle and Maris, their team is the Yankees, and their threat is real.
Their direct descendants inherited not only their worldly fortunes, but also the mandate of their newfound power as spirits in the other half of the universe.
Their lungs improved and their skeletons became heavier and stronger, better able to cope with the increased gravitational effect of life on land.
Their metabolic rate is low and as a result, their food and energy requirements are limited.
Their bodies writhe and they raise and lash their tails which makes it difficult for the predator to avoid contact with their poison-producing granular glands.
Their lack of eyes, a morphology not well-suited for swimming, and their fossils found in association with other benthic trilobites all suggest a benthic ( bottom-dwelling ) mode of life.
Their therapy consisted of constraint-induced movement therapy which resulted in improvements of their arm function.

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