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Page "Damon Albarn" ¶ 32
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Their and style
Their unorthodox style led to the team adopting an unofficial motto coined by 1st baseman Tony Clark ; " Anybody, Anytime.
Their common style is named after the state temple mountain of Pre Rup.
Their art, though varying in style and technique, was the antithesis of the type of Academic art in which Beaux was trained and of which her teacher William-Adolphe Bouguereau was a leading master.
Their style is a combination of Hispano-Mauresque and Art Deco.
Their style of crime fiction came to be known as " hardboiled ", which encompasses stories with similar attitudes concentrating not on detectives but gangsters, crooks, and other committers or victims of crimes.
Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style ; matters came to a head when Bowie, enraged, accused, " You're fucking up my album.
Their style over time has shifted between punk, art rock, post-punk, and New Wave.
Their opponents were Tottenham Hotspur, who were a cut above everyone else having won the First Division title with ease and style.
Their 1969 album The Gilded Palace of Sin was a modernized version of the Bakersfield style of country music made popular by Buck Owens, and the band appeared on the album cover wearing Nudie suits emblazoned with all sorts of hippie accoutrements.
Their style was sometimes referred to as " noisecore " or " noisegrind ", described by Giulio of Cripple Bastards as " the most anti-musical and nihilistic face of extreme music at that time.
Their style of dress reflected their Swabian German roots and traditions and was adapted to their life in America.
Their new style of psychology, later dubbed functional psychology, had a practical emphasis on action and application.
Their emphasis on the sense of dynamics and ensemble arrangement has been seen as producing an individualistic style that transcends any single music genre.
Their 2001 release Get Ready largely departed from their more electronic style and focused on the more guitar oriented music.
Their style was originally called " real punk " or street punk ; Sounds journalist Garry Bushell is credited with labelling the genre Oi!
Their next release in 1966, "( You're My ) Soul and Inspiration " was a Phil Spector sound-alike song, produced by Bill Medley, who was able to fully simulate the Spector style of production.
Their novels, which were written and structured in the genre's 1930s style, feature protagonists antithetical to James Bond.
Their trade-mark weapon is a small rod with two handles and a plunger at one end, giving it a syringe style.
Their midtempo performance style was a cross between rhythm and blues and rock and roll.
Their style is still markedly distinguishable from Jerome's.
Their first submission, The Magic Quest, was a short adventure intended to demonstrate the style of game.
Their uniforms will often have a military style and a fancy hat.
Their characters — Fiona and Charles — were a pair of lovestruck, dated cinema idols engaging in stilted, extraordinarily polite dialogues, in scenes that were parodies of Sir Noël Coward's style, most particularly that of Dame Celia Johnson and Trevor Howard in Brief Encounter.
Their sound proved influential and inspiring to a whole wave of post-punk groups delving into the intense, gloomy style that would eventually come to be known as gothic rock.
Their High Attic linguistic style suggests a dating around the 6th century, possibly before the time of St. Romanos the Melodist.

Their and is
Their own easier, slower tempo is especially dear to Southerners ; ;
Their gait is impossible to convey in words.
Their rebellion against authoritarian society is not far removed from the violence of revolt characteristic of the juvenile delinquent.
Their artistic rationale is given to the witness of unreason.
It is different with his volume The Swedes And Their Chieftains ( Svenskarna och deras Hovdingar ), a history intended for the general reader and particularly suited for high school students.
Their great error is to mingle the responses typical of each of the three types of change.
Their meeting at San Francisco is nominally scheduled as a conference of the California Democratic Council directorate.
Their burgeoning popularity may be a result of the closing of the 52nd Street burlesque joints, but curiously enough their atmosphere is almost always familial -- neighborhood saloons with a bit of epidermis.
Their main asset is an abundance of unsaturated fatty acids, so necessary for maintaining the good health of the circulatory system.
Their cost is not beyond the hopes of the American pocketbook, the range being about $150 to $1,000, depending on size.
If you really insist on knowing their names, an excellent book on the North American species is Bumblebees And Their Ways by O. E. Plath.
Their sum is X, the total number of successes, which in this experiment has the value Af.
Their experience is quite in contrast with that of children of upper- and upper-middle-class native-born parents, who are more likely to regard education as good for its own sake and to discount the vocational emphases in the curriculum.
Their amplitude sometimes is as little as two feet from trough to crest.
Their characteristic experience is that of the individual at an altar or a shrine rather than that of a continuing social group with a distinctive kind of fellowship.
Their presence is not as frightening as the discontent which creates their opportunity.
Their view is that last-minute changes the Mayor is proposing to make in the Democratic ticket only emphasize the weakness of his performance as Mayor.
Their secondary hero is another pro, Willie Chisholm, who drank his lunch during another Open and tried to blast his way out of a rock-strewn gully.
Their heights, that is.
Their father is Charles B. Armour.
Their mother is Mrs. Camilla Alsop Wendell.
Their names are Mantle and Maris, their team is the Yankees, and their threat is real.
Their Eisenhower is insubstantial.

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