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Page "Bo Diddley" ¶ 21
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There and was
There was more to this than Jones had told him.
There was no one but me.
There was a ragged volley.
There was only one place where Jake Carwood's description had gone badly awry: the peace and quiet.
There was brush, and stands of pine that no grass could grow under, and places so steep that cattle wouldn't stop to graze.
There was an artificial lake just out of sight in the first stand of trees, fed by a half dozen springs that popped out of the ground above the hillside orchard.
There was no chance.
There was no moon.
There a dozen giant monitors played their seventy-five-foot jets of water against the huge seam of tertiary gravel which was the mountainside.
There was only one place where the mountain might receive her -- that unnamed, unnameable pool harbored in its secret bosom.
There was a peculiar density about it, a thick substance that could be sensed but never identified, never actually perceived.
There was some idle talk, a listless discussion of this or that small happening during the day's drive.
There was to be no gunplay.
There was a light in Black's front room, but drawn curtains prevented any view of the interior.
There was no lock on the door, only an iron hook which he unfastened.
There was raw fury in his eyes, and the veins of his neck were swollen.
There was a feeling that this mission would be canceled like all the others and that this muddy wet dark world of combat would go on forever.
There was not enough room to make the usual vertical bomb run.
There was, of course, no way for the other planes to get by them.
There was no time to pick out a penny ; ;
There was a blur just under my focus of vision, a crash ; ;
There had been a good second or two during which my muffler had been blowing out, and now I was certain I'd seen her somewhere before.
There was something about the contour of her face, her smile that was like New Orleans sunshine, the way she held her head, the way she walked -- there was scarcely anything she did which did not fascinate me.

There and gospel
There were also Alexandrian Jews such as Theophilus, whom Saint Luke the Evangelist addresses in the introductory chapter of his gospel.
There is a service at the church, where a sermon is preached: afterwards a procession takes place, and the wells are visited in succession: the psalms for the day, the epistle and gospel are read, one at each well, and the whole concludes with a hymn which is sung by the church singers, and accompanied by a band of music.
" A Wonderful Time Up There " is a boogie-woogie gospel song.
There is a vigorous Kikuyu recording industry, for both popular and gospel music, in their pentatonic scale and western music styles.
There are also several ancient translations, most important of which are in the Syriac dialect of Aramaic ( including the Peshitta and the Diatessaron gospel harmony ), in the Ethiopian language of Ge ' ez, and in Latin ( both the Vetus Latina and the Vulgate ).
There survive parts of a gospel book, by coincidence now bound up with the famous Utrecht Psalter, which are identifiable as by the same scribe as the Cuthbert Gospel, and where " the capitular uncial of the two manuscripts is indistinguishable in style or quality, so they may well be very close to each other in date ".
There was a long and somewhat controversial tradition of using manuscripts of the gospel of John, or extracts such as the opening verse, as a protective or healing amulet or charm, which was especially strong in early medieval Britain and Ireland.
There are a minority of postmillennial scholars, however, who discount the idea of a final apostasy, regarding the gospel conquest ignited by the Great Commission to be total and absolute, such that no unsaved individuals will remain after the Spirit has been fully poured out on all flesh.
There are two main varieties of shape note systems: the four-note, or fasola, system used in Sacred Harp music, and the seven-note system used in southern gospel music.
There is a possibility that Matthew and Luke copied contents from Mark's gospel.
There was a strong tradition in the early church that the apostle Matthew had written a gospel in the Hebrew language.
The Acoustic Stage in particular produced plays including The Vagina Monologues and Jeanette Buck ’ s “ There Are No Strangers Here ,” the acrobatics group Lava, a reading by Alice Walker, and, on Sundays, the Drumsong Orchestra, gospel choir, healing ritual and closing ceremony, as well as a regularly appearing comedy lineup to send campers homeward with laughter.
There are several organizations and clubs on-campus, including The Shaw Players and Company, the Student Government Association, cheerleaders, intramural and extramural sports, sororities, fraternities, gospel and university choirs.
There are also many borrowings from other European languages such as English, specially words connected to technology, modern science and finance, like app, mod, layout, briefing, designer, slideshow, mouse ( computing ), forward, commodities, commercial terms like kingsize, fast food (), delivery service, self service, drive-thru, telemarketing, franchise, merchandise, but also cultural aspects such as okay, gay, vintage, junk food, hot dog, pet, lol, nerd (, rarely ), geek ( sometimes, but also and rarely ), noob, punk, skinhead (), emo (), indie (), hooligan, cool, vibe, hype, rocker, hippie, yuppie, bobo, hipster, overdose, junkie, cowboy, mullet, country, sex appeal, drag queen, queer, bro, rapper, mc, surf, skating, gospel, praise, bullying (, but much often the closer to native pronounce ), stalking (, much often closer ), etc.
# There are no accounts in the gospel of Jesus ascending into the heavens, aside from accounts that were absent from the earliest written gospels.
There is a large variety of music to be experienced each year, including bluegrass, Celtic, world, blues, roots, Indie folk, Americana, folk rock, gospel, old time, French Canadian, contemporary singer-songwriters, and children's performers.
There may have been a single author for the gospel and the three epistles.
There follows sections of a narrative unparalleled in any other known gospel tradition, about Jesus ' encounter with " a Pharisee, a leading priest " who tries to order Jesus and the disciples out of the Temple as ritually unclean.
There is a great difference between law and gospel, works and grace, the letter and the Spirit ; and between a legal commandment and a life-giving commandment.
There is a gospel version set to Cavatina called " Beautiful "; the author is Billy Evmur and it appears in the " Dove On A Distant Oak Tree " collection.
* There was an evangelical organ style derived in part from the southern gospel movement, with composers including Fred Bock, Lani Smith, and Harold De Cou.
There are two possible relationships between Marcion's gospel and the Gospel of Luke ; either Marcion revised a previously existing Gospel of Luke to fit his own agenda or else his " Gospel of the Lord " pre-dated the Gospel of Luke as we have it today and was in fact the basis for it.
There was a wide array of symbolism attached to the dove at the time the gospel was written.
There are other facts that has helped the contextualisation of the gospel, like the Weenhayek being fishermen ( in the Pilcomayo River ) just as some of the deciples of the bible.

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