These are just another couple of characters to roll.

These men are not callous.

These things are important to almost all Persians and perhaps most important to the most ordinary.

These are traversed by another line of vaults, and thus rooms, arched on all four sides, are formed.

These songs ( practically all Persian music, for that matter ) are limited to a range of two octaves.

These are not, however, differences in federal structure.

These my grandmother left in their places ( they are still there, more persistent and longer-lived than the generations of man ) and planted others like them, that flourished without careful tending.

These are like the initial ways in which the world forces itself upon the self and thrusts the self into decision and choice.

These are suggestive of Selma Lagerlof.

These assumptions lead to an organization with one man at the top, six directly under him, six under each of these, and so on until there are six levels of personnel.

These ways are absolutely irreconcilable because they offer two different recipes for man's redemption from chaos.

These responses are explicable in terms of characteristics inherent in the crisis.

These discoveries are of present interest chiefly to the scientific community ; ;

These are personality factors ; ;

These are, if the research is done with subtlety and skill, researchable topics, but the research is missing.

These moments are historical events in the lives of individual authors with which the student of comparative literature must be frequently concerned.

These lives are in themselves outside of the moral order and are unburdened with moral responsibility.

These conceptions and the manner in which they were transposed into poetry or engendered by poetic form are intrinsic to western life from the time of Aeschylus to that of Shakespeare.

These biographical analogies are obvious, and far too much time has been spent speculating on their possible implications.

These women whose organization grew out of the old suffrage movement are dedicated to Thomas Jefferson's dictum that one must cherish the people's spirit but `` Keep alive their attention ''.

These are, of course, the same people whose support he has only now rejected to seek the independent vote.

These are New York, Pennsylvania, Michigan, Maryland, Missouri, New Jersey, Illinois and Minnesota.

These men are spenders.

These works are among the most frequently recorded of Salieri's compositions.

These compositions were considered to be unplayable by many bassists in the early part of the 20th century, but are now frequently performed.

These composers, like many of their predecessors, both made arrangements of folk songs and incorporated traditional material into original classical compositions.

These were geometrically shaped and could be assembled in various combinations to form three-dimensional compositions.

These were two or three part compositions in which several different texts, sometimes in different vernacular languages, were sung simultaneously over a Latin cantus firmus that once again was usually adapted from a passage of Gregorian chant.

These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino.

These very large and complex compositions have been regarded ever since as among the supreme works of the grand manner of the High Renaissance, and the " classic art " of the post-antique West.

These include some of his most famous compositions, notably Praise our Lord, all ye Gentiles ( a6 ) This day Christ was born ( a6 ) and Have mercy upon me ( a6 ) which employs alternating phrases with verse and full scoring and also circulated as a church anthem.

These are all invoked in Vedanta Desika's Garuda Panchashath and Garuda Dandaka compositions.

These compositions deflagrate upon ignition producing hot gas.

These compositions are percentage by weight.

These represent the first time syncopated jazz compositions were performed on a full sized church organ.

These meteorites are thought to be from Mars because they have elemental and isotopic compositions that are similar to rocks and atmosphere gases analyzed by spacecraft on Mars.

These pieces include: early compositions for piano solo in a conservative harmonic style, many of which are lost ; a string quartet ( opus 2 ); a cello sonata ; a piano quartet ; Violin Sonata in E flat ( 1888 ); as well as a handful of late pieces.

These analyses include an early Gregorian melody, and compositions by Guillaume de Machaut, J. S. Bach, Richard Wagner, Igor Stravinsky, Arnold Schoenberg, and finally, a composition of his own.

These were compositions for one to five or more instruments.

These are all nonaqueous compositions.

These minimalist, dance-oriented compositions, like those of Neu!

These composers, inspired by Lindeman's collections and Ole Bull's Hardanger fiddling, incorporated Norwegian folk elements into their compositions.

These composers focused on using folk music in their compositions, a trend that continued well into World War II, though a process of internationalization began in the 1930s, easily heard in composers like Ludvig Irgens-Jensen, Bjarne Brustad, Harald Sæverud and Klaus Egge.

These pieces had an influence on jazz musician Bix Beiderbecke's piano compositions.

Lang's compositions, based on the Red Hot Jazz database, included " Wild Cat " with Joe Venuti, " Perfect " with Frank Signorelli, " April Kisses " ( 1927 ), " Sunshine ", " Melody Man's Dream ", " Goin ' Places ", " Black and Blue Bottom ", " Bull Frog Moan ", " Rainbow Dreams ", " Feelin ' My Way ", " Eddie's Twister ", " Really Blue ", " Penn Beach Blues ", " Wild Dog ", " Pretty Trix ", " A Mug of Ale ", " Apple Blossoms ", " Beating the Dog ", " To To Blues ", " Running Ragged ", " Kicking the Cat ", " Cheese and Crackers ", " Doin ' Things ", " Blue Guitars ", " Guitar Blues " with Lonnie Johnson, " Hot Fingers ", " Have to Change Keys to Play These Blues ", " A Handful of Riffs ", " Blue Room ", " Deep Minor Rhythm Stomp ", " Two-Tone Stomp ".

These compositions are called the riddle fugues ( or sometimes, more appropriately, the riddle canons ).

These technically challenging compositions would be learned by his contemporaries, and would serve as test pieces in solo competitions, in which the New York pianists would demonstrate their mastery of the keyboard, as well as the swing, harmonies, and improvisational skills which would further distinguish the great masters of the era.