These paintings were part of a diptych completed in 1936 depicting the history of medicine in the African American community and Beauford Delaney served as assistant.

These skillfully rendered paintings encouraged fan Glenn Bray to ask Barks if he could commission a painting of the ducks (" A Tall Ship and a Star to Steer Her By ", taken from the cover of Walt Disney's Comics and Stories # 108 by Barks ).

These paintings include Norwood Under the Snow, and Lordship Lane Station, views of The Crystal Palace relocated from Hyde Park, Dulwich College, Sydenham Hill, All Saints Church, Upper Norwood, and a lost painting of St. Stephen's Church.

These albums ( except the last ) were also known for using contemporary paintings as cover art, featuring the work of Joan Miró on Time Further Out, Franz Kline on Time in Outer Space, and Sam Francis on Time Changes.

These themes find expression in paintings such as The Sick Child ( 1885 ), Love and Pain ( 1893 – 94 ), Ashes ( 1894 ), and The Bridge.

These paintings have been interpreted as reflections of the artist's sexual anxieties, though it could also be argued that they are a better representation of his turbulent relationship with love itself and his general pessimism regarding human existence.

These paintings were used to help teach the Japanese about Christianity.

These rooms are decorated in fine woods as their names imply, and also house a selection of fine paintings.

These groups were for long the most frequently painted ; works such as Michelangelo's Sistine Chapel ceiling are therefore history paintings, as are most very large paintings before the 19th century.

These paintings are now in the collection of the State of Washington History Museum.

These paintings are famous for a variety of qualities which have been much imitated by students and discussed at great length by connoisseurs and critics.

These paintings are estimated to be 17, 300 years old.

These " modernist " landmarks include the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the expressionist paintings of Wassily Kandinsky starting in 1903 and culminating with his first abstract painting and the founding of the Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque and others in the years between 1900 and 1910.

These recordings were completed in only a matter of days, and along with a few drawings and one of Curt's paintings taken from the wall to serve as cover art ( a dish of three boiled eggs, a green pepper, and a bottle of Tabasco sauce ), were all sent to SST shortly before the band returned to the road en route to their next gig.

These include the Palestrina Pietà and the paintings The Manchester Madonna and The Torment of Saint Anthony, newly acquired by the Kimbell Art Museum, USA ( previously attributed to " Workshop of Domenico Ghirlandaio ", and having had two previously unsuccessful attempts at attribution to the hand of Michelangelo ).

These paintings are classical, influenced by French classical artists such as Claude Lorrain and Nicolas Poussin.

These types of paintings were far more demanding than the informal portraits upon which Anguissola had based her early reputation, as it took a tremendous amount of time and energy to render the many intricate designs of the fine fabrics and elaborate jewelry associated with royal subjects.

These ambitious works are some of the largest paintings in the history of Cubism.

These paintings — especially the Hell panel — are painted in a comparatively sketchy manner which contrasts with the traditional Flemish style of paintings, where the smooth surface — achieved by the application of multiple transparent glazes — conceals the brushwork.

These paintings epitomized, both in subject and scale, the type of painting with which Ingres was determined to make his reputation, but, as Philip Conisbee has written, " for all the high ideals that had been drummed into Ingres at the academies in Toulouse, Paris, and Rome, such commissions were exceptions to the rule, for in reality there was little demand for history paintings in the grand manner, even in the city of Raphael and Michelangelo.

These paintings made Holbein an international artist.

These paintings formed a nucleus of the Pushkin museum's collections of Western art.

These are just another couple of characters to roll.

These men are not callous.

These things are important to almost all Persians and perhaps most important to the most ordinary.

These are traversed by another line of vaults, and thus rooms, arched on all four sides, are formed.

These songs ( practically all Persian music, for that matter ) are limited to a range of two octaves.

These are not, however, differences in federal structure.

These my grandmother left in their places ( they are still there, more persistent and longer-lived than the generations of man ) and planted others like them, that flourished without careful tending.

These are like the initial ways in which the world forces itself upon the self and thrusts the self into decision and choice.

These are suggestive of Selma Lagerlof.

These assumptions lead to an organization with one man at the top, six directly under him, six under each of these, and so on until there are six levels of personnel.

These ways are absolutely irreconcilable because they offer two different recipes for man's redemption from chaos.

These responses are explicable in terms of characteristics inherent in the crisis.

These discoveries are of present interest chiefly to the scientific community ; ;

These are personality factors ; ;

These are, if the research is done with subtlety and skill, researchable topics, but the research is missing.

These moments are historical events in the lives of individual authors with which the student of comparative literature must be frequently concerned.

These lives are in themselves outside of the moral order and are unburdened with moral responsibility.

These conceptions and the manner in which they were transposed into poetry or engendered by poetic form are intrinsic to western life from the time of Aeschylus to that of Shakespeare.

These biographical analogies are obvious, and far too much time has been spent speculating on their possible implications.

These women whose organization grew out of the old suffrage movement are dedicated to Thomas Jefferson's dictum that one must cherish the people's spirit but `` Keep alive their attention ''.

These are, of course, the same people whose support he has only now rejected to seek the independent vote.

These are New York, Pennsylvania, Michigan, Maryland, Missouri, New Jersey, Illinois and Minnesota.

These men are spenders.