These plays often explored the altered states, like insanity, hypnosis, panic, under which uncontrolled horror could happen.

These plays, influenced by the fairy work of James Planché, are founded upon the idea of self-revelation by characters under the influence of some magic or some supernatural interference.

These men modeled their comedies on Greek plays known as New Comedy.

These themes were expanded upon in two of his most popular plays of the period — 1929's Jean de la Lune of the Moon a / k / a The Dreamer and 1932's Domino.

These rhymes seem to have come from a variety of sources, including traditional riddles, proverbs, ballads, lines of Mummers ' plays, drinking songs, historical events, and, it has been suggested, ancient pagan rituals.

These peculiarities are the most common in the plays of Plautus, and their notation should make initial readings a bit easier.

These similar characters set up the same kind of deceptions in which many of Plautus ’ plays find their driving force, which is not a simple coincidence.

These biblical plays differ widely in content.

These characters were present within commedia plays for the sole purpose of being in love with one another, and moreover with themselves.

These early plays were written for annual Athenian competitions among playwrights held around the 5th century BC.

These plays share characteristics such as:: P

These types of bands feature a near ubiquitous show format of Patterns In Motion drill ( though French curves and Band Pageantry by former FAMU director of bands William P. Foster are also common ), a large amount of stand fast time where the band plays a one or two selections in place, and a physically demanding, thoroughly choreographed full band dance routine.

These two plays were later filmed, with great success, by noted directors Elia Kazan ( Streetcar ) with whom Williams developed a very close artistic relationship, and Richard Brooks ( Cat ).

These plays, influenced by the fairy work of James Planché, are founded upon the idea of self-revelation by characters under the influence of some magic or some supernatural interference.

These were both in less than 2000 capacity venues – a special occasion for the band and the fans ( due to Incubus's mainstream success, the band now usually plays at large arenas worldwide ).

These plays were usually performed in churches because they were religious in nature.

These three plays and Le Cid are collectively known as Corneille's ' Classical Tetralogy '.

These observations suggest that the central complex not only plays a role in locomotor behavior, but fine tuning as well.

These plays varied tremendously in their politics — some faithfully reflected Stowe's sentimentalized antislavery politics, while others were more moderate, or even pro-slavery.

These allusions, rather than directly quoting or referencing a source, normally enter the text in a contorted fashion, often through humorous plays on words.

These cartoon segments were introduced by Sonia Manzano, who plays Maria on that show.

These plays are often used in the late innings of a close game in order to score an insurance, winning, or tying run.

These plays are performed as comic relief during the long, serious Noh plays.

These two plays differ from each other in some typical ways, just as a Hollywood movie of the 1950s differs from one of the 1970s.

These are just another couple of characters to roll.

These men are not callous.

These things are important to almost all Persians and perhaps most important to the most ordinary.

These are traversed by another line of vaults, and thus rooms, arched on all four sides, are formed.

These songs ( practically all Persian music, for that matter ) are limited to a range of two octaves.

These are not, however, differences in federal structure.

These my grandmother left in their places ( they are still there, more persistent and longer-lived than the generations of man ) and planted others like them, that flourished without careful tending.

These are like the initial ways in which the world forces itself upon the self and thrusts the self into decision and choice.

These are suggestive of Selma Lagerlof.

These assumptions lead to an organization with one man at the top, six directly under him, six under each of these, and so on until there are six levels of personnel.

These ways are absolutely irreconcilable because they offer two different recipes for man's redemption from chaos.

These responses are explicable in terms of characteristics inherent in the crisis.

These discoveries are of present interest chiefly to the scientific community ; ;

These are personality factors ; ;

These are, if the research is done with subtlety and skill, researchable topics, but the research is missing.

These moments are historical events in the lives of individual authors with which the student of comparative literature must be frequently concerned.

These lives are in themselves outside of the moral order and are unburdened with moral responsibility.

These conceptions and the manner in which they were transposed into poetry or engendered by poetic form are intrinsic to western life from the time of Aeschylus to that of Shakespeare.

These biographical analogies are obvious, and far too much time has been spent speculating on their possible implications.

These women whose organization grew out of the old suffrage movement are dedicated to Thomas Jefferson's dictum that one must cherish the people's spirit but `` Keep alive their attention ''.

These are, of course, the same people whose support he has only now rejected to seek the independent vote.

These are New York, Pennsylvania, Michigan, Maryland, Missouri, New Jersey, Illinois and Minnesota.

These men are spenders.