They crawled through the north fence and came on toward him, and now he saw that both were young, not more than nineteen or twenty.

They were dirty, their clothes were torn, and the girl was so exhausted that she fell when she was still twenty feet from the front door.

They were running from something.

They were a pair of lost, whipped kids, Morgan thought as he went to bed.

They passed ranches that were framed dark gray against the black hills.

They were tethered, army style, on stable lines.

They bawled questions that were not answered in the uproar.

They were about a mile off ; ;

They weren't sleeping, of course, but they thought they were doing him a favor by pretending.

They expected greater things from him, regardless of how trying the circumstances, and they were disappointed.

They were going to town, and they were both excited.

They were free.

They were in a fight, outweighed in both numbers and money.

They were sitting on their heels, rider-fashion, over by the still empty calf wagon.

They were considering it gravely, neither seeming to like what he planned.

They were silent for a little while, each looking glum.

They were all good men.

They were headed straight for each other on a collision course.

`` They were supposed to meet Thor at nine PM for a conference concerning the ad campaign for their soap, a new angle based on this SX-21 stuff ''.

They were married over the week-end, though he was easily sixty and she could not have been even thirty.

They were west of the Sabine, but only God knew where.

They were engulfed by the weird silence, broken only by the low, angry murmur of the river.

They were already swollen to bursting.

They often cast a critical, jaundiced insider's eye toward the auto industry.

They have also now started a critical psychology blog.

They can be calculated from the critical properties and ( noting that is the molar volume at the critical point ) as:

Various Soviet directors were more concerned with artistic success than with economical success ( They were paid by the academy, and so money was not a critical issue ).

They were followed by the critical and commercial hit Planet of the Apes.

* Critical events or event chains: The single events or the event chains that have the most potential to affect the projects are the “ critical events ” or “ critical chains of events .” They can be determined by the analysis.

They are involved in the catabolism of very long chain fatty acids, branched chain fatty acids, D-amino acids, polyamines, and biosynthesis of plasmalogens, i. e. ether phospholipids critical for the normal function of mammalian brains and lungs.

They play a special role in the cilia of renal epithelial cells, and are thought to be critical for normal renal cell development and function and are sorted out and localized to the cilia of renal epithelial cells by the aforementioned intraflagellar transport mechanism.

They are also used in the description of critical phenomena and quantum phase transitions, such as in the BCS theory of superconductivity.

They long were idolized, but historians in recent decades have become much more critical, especially regarding Disraeli.

They remained undetected in an observation post through the firefight and proved critical in co-ordinating multiple Coalition air strikes to prevent the al-Qaeda fighters from overrunning the downed aircraft, to devastating effect.

They assert that any relaxation of direct control or authority introduces the possibility of dissent or division at critical moments, especially if what is being decentralized is decision-making among human beings.

They use carefully structured questioning techniques and provide scripted instructions to allow callers or bystanders to begin definitive care for such critical problems as airway obstructions, bleeding, childbirth, and cardiac arrest.

They are becoming critical reagents both for basic research and for clinical diagnosis.

It made some moneymaking films like Bob Fosse's Cabaret, Woody Allen's Take the Money and Run, and Sydney Pollack's They Shoot Horses, Don't They ?, while other films like Song of Norway and Candy, were critical and box-office disasters upon release despite them both being heavily promoted while still in production.

They evolve at a critical state built up by a history of irreversible and unexpected events.

They were often moralising in tone and critical of contemporary courtly society.

They also share common use of spectroscopy ( infrared, ultraviolet, and nuclear magnetic resonance ) to examine critical evidence.

They were extremely critical of the Vedas and thought that Vedas suffered from three faults-untruth, self-contradiction and tautology.

They also released the full-length Yoshimi Battles the Pink Robots to much critical acclaim.

They also have large exit pupils making centering less critical and the narrow field of view works well in those applications.

They received critical acclaim for their live performances in the 1980s and 1990s, combining hard rock, multi-layered melodies, with Johnny Lennie ’ s flamboyant stage presence and clever lyricism.