They crawled through the north fence and came on toward him, and now he saw that both were young, not more than nineteen or twenty.

They were dirty, their clothes were torn, and the girl was so exhausted that she fell when she was still twenty feet from the front door.

They were running from something.

They were a pair of lost, whipped kids, Morgan thought as he went to bed.

They passed ranches that were framed dark gray against the black hills.

They were tethered, army style, on stable lines.

They bawled questions that were not answered in the uproar.

They were about a mile off ; ;

They weren't sleeping, of course, but they thought they were doing him a favor by pretending.

They expected greater things from him, regardless of how trying the circumstances, and they were disappointed.

They were going to town, and they were both excited.

They were free.

They were in a fight, outweighed in both numbers and money.

They were sitting on their heels, rider-fashion, over by the still empty calf wagon.

They were considering it gravely, neither seeming to like what he planned.

They were silent for a little while, each looking glum.

They were all good men.

They were headed straight for each other on a collision course.

`` They were supposed to meet Thor at nine PM for a conference concerning the ad campaign for their soap, a new angle based on this SX-21 stuff ''.

They were married over the week-end, though he was easily sixty and she could not have been even thirty.

They were west of the Sabine, but only God knew where.

They were engulfed by the weird silence, broken only by the low, angry murmur of the river.

They were already swollen to bursting.

They are the only poems that he rearranged as a group between their first appearance ( in Satires Of Circumstance ) and the publication of the Collected Poems.

They are used in The Hobbit in a few names like Elrond or Bolg, in The Lord of the Rings for names ( like Galadriel or Aragorn ) and several poems (" Namárië "), and in The Silmarillion almost all names, including the title and a few sentences,

They wrote almost entirely within the trobar leu style ; only two poems, one by Lombarda and another Alais, Yselda, and Carenza, are usually considered to belong to the more demanding trobar clus.

They consist of 420 poems with musical notation.

They include poems dedicated to Schücking, often on the theme of ageing ( e. g. " Kein Wort ", " O frage nicht "), and poems of self-analysis such as " Der Spiegelbild " (" The Image in the Mirror ") and " Die Taxuswand " (" The Yew Hedge "), which looks back to her unhappy love affair with Straube.

They published their own quarterly, entitled ' New Numbers ', containing poems such as Brooke's " The Soldier ".

They include poems by Simias and Theocritus.

They are very short, only forty lines in all ; but they have a unique interest as being the only love poems by a Roman woman that have survived.

They are part of an unfinished set of lyrical nature poems known as the " Hymns of the Marshes ", which describe the vast, open salt marshes of Glynn County on the coast of Georgia.

These demands were rejected by German songs and poems, including Nikolaus Becker's Rheinlied, which contained the verse: " Sie sollen ihn nicht haben, den freien, deutschen Rhein ..." ( They shall not have it, the free, German Rhine ).

They would write poems in the style of each other, about each other, and even embed overt messages to one another in their verse.

They originally published their poems and novels under masculine pseudonyms, following the custom of the times practised by female writers.

They included Memoirs of the civil wars after the death of Caesar, used by Suetonius and Plutarch ; bucolic poems in Greek ; translations of Greek speeches ; occasional satirical and erotic verses ; essays on the minutiae of grammar.

They consist of six elegiac poems addressed to a lover called Cerinthus.

They started meeting with other poets at the Eiffel Tower restaurant in Soho to discuss reform of contemporary poetry through free verse and the tanka and haiku and the removal of all unnecessary verbiage from poems.

They have been likened to miniature tone poems.

They are written throughout in dodecasyllabic metre, and those published deal mainly with biblical themes, though there are also poems on such subjects as the deaths of Christian martyrs, the fall of the idols and the First Council of Nicaea.

They played rock and roll music, using poems mostly written by Māris Melgalvs.

They were key in producing the first major English collection of the Baroness ’ s poems, Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven ( 2011 ) and a biography, Baroness Elsa: Gender, Dada and Everyday Modernity ( 2002 ).

He describes his poetry as the following: “ They ’ re called poems but in reality they ’ re lines given to me to hang on to .” He has written many poems, including " Baby Boom Che " and " Rant and Roll ".

They occasionally retained the invocation of the Prince or to abstract entities such as Hope or Love as a cypher for an authority figure the protagonists ( s ) of the poem could appeal to, or, in the some poems by d ' Orléans, to address actual royalty.

His longer works include a monograph on Saussure, Stars, Tigers and the Shape of Words and self-published book-length commentaries on poems by Wordsworth ( Field Notes: ' The Solitary Reaper ' and others ) and Shakespeare ( They That Haue Powre to Hurt ; A Specimen of a Commentary on Shake-speares Sonnets, 94 ).