In late 1970s, Hammond re-joined fellow The Sound of Music alumna Heather Menzies ( who played Louisa von Trapp ) for one episode of the TV adaptation of Logan's Run.

In 2005, McGovern returned to the Broadway stage as Marmee opposite Sutton Foster's Jo in the musical adaptation of Louisa May Alcott's Little Women.

In 2005, Foster starred as Jo March opposite Maureen McGovern as Marmee in the musical adaptation of the Louisa May Alcott classic Little Women, for which she was nominated for her second Tony Award.

Novello made his stage debut in 1921 in Deburau by Sacha Guitry with Robert Loraine, Madge Titheradge and Bobbie Andrews, and among other stage engagements, in the next years he played Bingley in an adaptation of Pride and Prejudice with Ben Webster as D ' Arcy and Mary Jerrold as Elizabeth, in a cast that included Ellen Terry, May Whitty and Joyce Carey.

* Harvey ( Hallmark ), a 1972 adaptation of the Mary Chase play for the Hallmark Hall of Fame

In 1935, a Peter Creswell adaptation aired on National Programme, under the title The Witty and pleasant conceited Comedy called The Taming of the Shrew, starring Godfrey Tearle and Mary Hinton.

Alfred Hitchcock had agreed to do a film for MGM, and they had chosen an adaptation of the novel The Wreck of the Mary Deare by Hammond Innes.

Most notably, Cyril Ritchard played Captain Hook in the 1954 musical adaptation which starred Mary Martin as Peter Pan.

( playing Émile Zola ), The Wreck of the Mary Deare ( with Gary Cooper ), The L-Shaped Room ( with Leslie Caron ), and a made-for-TV adaptation of Charles Dickens's David Copperfield ( with an all-star cast including Laurence Olivier, Michael Redgrave, Ralph Richardson and Edith Evans ).

Horrocks's voiceovers have been used on Chicken Run ( 2000 ), Christmas Carol: The Movie ( 2001 ), Corpse Bride ( 2005 ), Garfield: A Tail of Two Kitties ( 2006 ) and Tinker Bell ( 2008 ) ( in which she was Fairy Mary ; she reprises the role in the Tinker Bell sequels ), and on radio as Fenchurch in the audio adaptation of Douglas Adams ' science fiction series The Hitchhiker's Guide to the Galaxy for BBC Radio 4.

In 1994 Felicity Kendal and Paul Eddington reunited in the Channel Four adaptation of Mary Wesley's The Camomile Lawn.

She came out of retirement in the 1950s, and appeared on U. S. television in several plays, including a TV adaptation of Dodsworth on CBS's Prudential Playhouse, alongside Mary Astor and Walter Huston.

Examples of this are Frankenstein ( 1910 ), a film adaptation of Mary Shelley's novel, and Dr. Jekyll and Mr. Hyde ( 1920 ), based on the psychological tale by Robert Lewis Stevenson.

Four of Ellis ' works have been made into films ; notably, Less Than Zero was rapidly adapted for screen, and a starkly different Less Than Zero film was released in 1987, and Mary Harron's adaptation of American Psycho was released to predominantly positive reviews in 2000.

Extracts from the play were also used in Laurence Olivier's 1955 filmic adaptation of Richard III, starring Olivier himself as Richard, Cedric Hardwicke as Edward, John Gielgud as George and Mary Kerridge as Queen Elizabeth.

In 1996, another adaptation, directed by Canadian director David Wellington, starred William Hutt as James, Martha Henry as Mary, Peter Donaldson as Jamie, Tom McCamus as Edmund and Martha Burns as Cathleen.

In 1821, he appeared in Boston with Mary Ann Duff in The Distrest Mother, by Ambrose Philips, an adaptation of Racine's Andromaque.

In Charlotte Mary Yonge's 1856 adaptation, Tom resists his natural urges to play impish pranks, renounces his ties to Fairyland, and pronounces himself a Christian.

* The British children's writers Mary Norton and Rumer Godden used homunculus motifs in their work, expressing various post-war anxieties about refugees, persecution of minorities in war, and the adaptation of these minorities to a " big " world.

Among the memorable performances ( including some from before Papp had the Delacorte for his Shakespeare ) were George C. Scott's Obie-award winning Richard III in 1958 ; Colleen Dewhurst's Kate, Lady Macbeth, Cleopatra ( opposite George C. Scott's Mark Antony ), and Gertrude ; the Prince Hamlet of Stacy Keach opposite Dewhurst's Gertrude with James Earl Jones ' King Claudius, Barnard Hughes's Polonius and Sam Waterston's Laertes ; Sam Waterston's Hamlet ( opposite the Gertrude of Ruby Dee ) with the Laertes of John Lithgow and Andrea Marcovicci's Ophelia ; the Benedick and Beatrice of Sam Waterston and Kathleen Widdoes in Much Ado About Nothing with Barnard Hughes's Keystone Kops version of Dogberry ; the early work of Meryl Streep as Isabella in Measure for Measure ; Mary Beth Hurt as Randall Duk Kim's daughter in Pericles ; James Earl Jones as King Lear ( 1973 ) with Rosalind Cash and Ellen Holly as his wicked daughters ; Raul Julia as Edmund in Jones ' 1973 King Lear, as Osric to Keach's Hamlet, and as Proteus ( in a musical adaptation of Two Gentlemen of Verona which transferred to a Broadway run ).

In 1823, Booth did the role in New York in the English adaptation by Ambrose Philips with Mary Ann Duff as Hermione.

She played Elizabeth Lavenza in Danny Boyle's production of Nick Dear's adaptation of Danny Boyle's stage production of Mary Shelley's Frankenstein for the National Theatre from 22 February to 2 May 2011.

In 1949, MGM filmed the second adaptation with Margaret O ' Brien as Mary, Dean Stockwell as Colin and Brian Roper as Dickon.

In 1987, Hallmark Hall of Fame filmed a TV adaptation of the novel starring Gennie James as Mary, Barret Oliver as Dickon, and Jadrien Steele as Colin.

Mary Shelley herself attended a performance of Presumption, the first successful stage adaptation of her novel.

On 31 December 2011, Eccleston played the role of Pod Clock in an adaptation of Mary Norton's children's novel The Borrowers on BBC One.

* Haunted Waters, an adaptation for teen readers, by Mary Pope Osborne, 1994 ( reissued 2006 )

Among the most successful were the 1955 and 1956 telecasts of Peter Pan, a 1954 musical adaptation of J. M. Barrie's 1904 play, starring Mary Martin, and Cyril Ritchard.

There is a chapter about her in Julie Powell ’ s book Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen and appears as herself in the film adaptation.

Following the success of The Godfather, The Conversation and The Godfather Part II, Coppola began filming Apocalypse Now, an adaptation of Conrad ’ s Heart of Darkness set in Cambodia during the Vietnam War ( Coppola himself briefly appears as a TV news director ).

During the autumn, Fellini researched and developed a treatment based on a film adaptation of Mario Tobino ’ s novel, The Free Women of Magliano.

For Intervista, produced by Ibrahim Moussa and RAI Television, Fellini intercut memories of the first time he visited Cinecittà in 1939 with present-day footage of himself at work on a screen adaptation of Franz Kafka ’ s Amerika.

The American Hospital Association ’ s “ Advisory Committee to the Central Office on ICDA ” developed the needed adaptation proposals, resulting in the publication of the International Classification of Diseases, Adapted ( ICDA ).

In London he also starred in The Far Pavilions, the West End musical adaptation of M. M. Kaye ’ s novel, at the Shaftesbury Theatre.

Koppenaal and Glanzer ( 1990 ) attempted to explain these phenomena as a result of the subjects ’ adaptation to the distractor task, which therefore allowed them to preserve at least some of the functions of the short-term memory store.

* Review of Chaykin and Mignola ’ s Fafhrd and the Gray Mouser adaptation at The Daily Cross Hatch, from May 17, 2007

For example, Medicare promoted the adaptation of prospective payments based on DRG ’ s, which prevents unscrupulous providers from setting their own exorbitant prices.

Notable innovations from Dryden's adaptation include music by Henry Purcell and the character of Phaedra, who flirts with Sosia but is eventually won over by Mercury ’ s promises of wealth.

These constant shifts in the perception of Cleopatra are well represented in a review of Estelle Parsons ’ adaptation of Shakespeare ’ s Antony and Cleopatra at the Interart Theatre in New York City.

According to the official site for Jeunet, financing is in place for his next project: TS Spivet, the adaptation of Reif Larsen ’ s book: The Selected Works of T. S.

Originally made for German television, Jailbait was based on a play by Franz Xaver Kroetz who violently disagreed with Fassbinder ’ s adaptation, calling it pornographic.

The song is based on Johann Sebastian Bach ’ s Praeambulum 1 C-Major ( BWV 924 ) from the Klavierbuechlein fuer Wilhelm Friedemann Bach though Sting gave little comment on this adaptation.

In the film adaptation of Umberto Eco ’ s The Name of the Rose ( 1986 ), the innocent simpleton Salvatore ( Ron Perlman ) is seen to die horribly, burnt at the stake.

In the film adaptation of Dan Brown ’ s Angels and Demons ( 2009 ), the third of four kidnapped cardinals is burned to death, after previously being branded with the ambigram “ fire ”; later in the film the main villain commits self-immolation in St Peter ’ s Basilica.

The customary ‘ grid ’ type subdivision planning so common to most Midwestern cities is impractical of adaptation when looking at a map of the present city.

Other projects followed, of which one was their BBC sketch comedy series A Bit of Fry & Laurie ; another project was Jeeves and Wooster, an adaptation of P. G. Wodehouse ’ s stories, in which Laurie played Jeeves ’ s employer, the amiable twit Bertie Wooster.

Laurie ’ s later film appearances include Sense and Sensibility ( 1995 ), adapted by and starring Emma Thompson ; the Disney live-action film 101 Dalmatians ( 1996 ), where he played Jasper, one of the bumbling criminals hired to kidnap the puppies ; Elton ’ s adaptation of his novel Inconceivable, Maybe Baby ( 2000 ); Girl From Rio ; the 2004 remake of The Flight of the Phoenix ; and the three Stuart Little films.

These approaches suggest that it is consistent with maximizing swingers ’ strategy to begin from " soft " swinging and only later engage in " harder " swinging, and that also the search for ever new sexual experiences delays long-period hedonic adaptation and hence increases swingers ’ long-period wellbeing.