A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

Rudyard Kipling's scorn for the `` jargon '' of psychical research was altered somewhat when he wondered `` how, or why, had I been shown an unreleased roll of my life film ''??

The second half of the film `` Communism on the Map '' and the movie `` Operation Abolition '' also will be shown.

It was the first motion picture to be shown at the White House. President Woodrow Wilson supposedly said the film was " like writing history with lightning.

* When Katniss Everdeen and Peeta Mellark arrive at the Capitol in the 2012 film The Hunger Games, a pair of pink borzoi are shown on screen — an illustration of the Capitol residents ' gaudy lifestyle.

Singin ' in the Rain is another film adopted by American gay culture which used to regularly be shown during the 1980s and early 1990s for extended runs.

The idea of an " aerial torpedo " was shown in the British 1909 film The Airship Destroyer, where flying torpedoes controlled wirelessly are used to bring down airships bombing London.

The film was transmitted and then shown digitally in theaters both in Paramus, New Jersey and Los Angeles, California.

The first DCI-compliant DCP to be delivered was created by FotoKem for the Universal Pictures film Serenity, and was shown to an audience at a remote theater, although it was not distributed this way to the public.

The song " Baby Doll " was used in the film Tapeheads, with newly recorded Swedish lyrics, and was credited to ( and shown in a music video by ) a fictitious Swedish band called Cube-Squared.

Commissioned by Philips to publicise the museum, it was shown as a trade test colour film on the BBC from 1968 to 1972.

According to Robert Evans, head of Paramount Pictures at the time, Coppola also did not initially want to direct the film because he feared it would glorify the Mafia and violence, and thus reflect poorly on his Sicilian and Italian heritage ; on the other hand, Evans specifically wanted an Italian-American to direct the film because his research had shown that previous films about the Mafia that were directed by non-Italians had fared dismally at the box office, and he wanted to, in his own words, " smell the spaghetti ".

Bartov commented that in this film, the German officer corps is shown as a group of fundamentally noble and civilized men who happened to be serving an evil regime made up of a small gang of gangsterish misfits totally unrepresentative of German society, which served to exculpate both the officer corps and by extension Germany society.

The The Great Train Robbery was ground-breaking and is still shown in film schools today as an example of early editing form.

The two pieces of film were then trimmed and cemented together so that the action appeared continuous when the film was shown.

In other countries this film was shown straight through as one picture, and it inspired the creation of other multi-reel films in Europe.

France installed an import quota of 1: 7, meaning for every seven foreign films imported to France, one French film was to be produced and shown in French cinemas.

In 1989, the ban was repealed after the overthrow of the Communist government in Poland, and the film was shown in theaters for the first time later that year.

By the mid-twenties the British film industry was losing out to heavy competition from Hollywood, the latter helped by having a much larger home market-in 1914 25 % of films shown in the UK were British, but by 1926 this had fallen to 5 %.

Works such as Marjorie Rosen ’ s Popcorn Venus: Women, Movies, and the American Dream ( 1973 ) and Molly Haskell ’ s From Reverence to Rape: The Treatment of Women in Movies ( 1974 ) analyze how the women portrayed in film related to the broader historical context, the stereotypes depicted, the extent to which the women were shown as active or passive, and the amount of screen time given to women.

Capra's final film, Rendezvous in Space ( 1964 ), was an industrial film made for the Martin Marietta Company and shown at the 1964 New York World's Fair.

Producer Joel Silver also stated in an interview on The Animatrix DVD that he was shown the Ghost in the Shell film during a pitch from the Wachowski brothers to indicate the style and look they wanted for The Matrix.

" Hawks was dissatisfied with the film after being certain that dramatic films would establish his reputation, but realized what he had done wrong when Sol Wurtzel told Hawks " Look, you've shown you can make a picture, but for God's sake, go out and make entertainment.