Hungarian émigré Peter Lorre — who had starred in Lang's M — was top-billed, though he did not play the lead.

Like The Stranger, Fritz Lang's The Woman in the Window ( 1945 ) was a production of the independent International Pictures.

Lang's follow-up, Scarlet Street ( 1945 ), was one of the few classic noirs to be officially censored: filled with erotic innuendo, it was temporarily banned in Milwaukee, Atlanta, and New York State.

Scarlet Street was a semi-independent — cosponsored by Universal and Lang's own Diana Productions, of which the film's costar, Joan Bennett, was the second biggest shareholder.

Lang's fears would be realized following his departure from Austria, as under the Nuremburg Laws he would be identified as a Jew even though his mother was a converted Roman Catholic, and he was raised as such.

According to Lang, propaganda minister Joseph Goebbels called Lang to his offices to inform him that The Testament of Dr Mabuse was being banned but that he was nevertheless so impressed by Lang's abilities as a filmmaker ( especially Metropolis ), he was offering Lang a position as the head of German film studio UFA.

Lang's Dr. Mabuse the Gambler ( 1922 ) was a hugely popular film when it was released.

It was the first serious attempt made at restoring Metropolis to Lang's original vision, and until Kino's restoration in 2002 and 2010, it was the most complete version of the film in existence.

Fritz Lang's film Metropolis was an early special effects spectacular, with innovative use of miniatures, matte paintings, the Schüfftan process, and complex compositing.

It was written by Lang and his wife Thea von Harbou and was Lang's first sound film, although he had directed more than a dozen films previously.

Jack Lang's victory in Reid was unexpected ; he was elected on a minority of the votes thanks to preferences given to him by the Liberal Party In federal parliament, he is often cited as being the most effective of the opposition to the government of his old rival, Prime Minister Ben Chifley, despite voting for the latter's Bank Act in 1947.

There was an Expressionist style in the cinema, important examples of which are Robert Wiene's The Cabinet of Dr. Caligari ( 1920 ), The Golem: How He Came into the World ( 1920 ), Fritz Lang's Metropolis ( 1927 ) and F. W. Murnau's Nosferatu, a Symphony of Horror ( 1922 ) and The Last Laugh ( 1924 ).

Buñuel's interest in films was intensified by a viewing of Fritz Lang's Der müde Tod: " I came out of the Vieux Colombier completely transformed.

Merecedes pilot Hermann Lang's average race speed of about was not beaten at Indianapolis Indy 500 for three decades.

It also shows how closed-unsinking was derived, using Lang's TreeMaker software for prototyping arbitrarily complex origami designs.

It was the only thing in his life for which he felt guilt.

His looting of the orderly room had taken only a minute or two and the vicinity was still clear of guerrillas.

It was pitiful to see the thin ranks of warriors, old and young, wheeling and twisting their ponies frantically from side to side only to be tumbled bleeding from their saddles by the relentless slam, slam of the cruelly efficient Hawkinses.

The fire had gone down, and the man was only a shadow against the trees.

There was only one place where Jake Carwood's description had gone badly awry: the peace and quiet.

It was the only thing about her that was the least bit hard to remember.

under the circumstances I was only too willing to confess all.

only the counter at one end was lighted by a long fluorescent tube suspended directly above it.

On a shelf in the office behind the counter was a small radio dialed permanently on a station which broadcast only vulgar commercials and cheap popular music.

Once, pressing him, I learned that his job was only part-time, in the afternoons when nothing went on in the hall.

Though only a relatively short walk separated it from my own part of town, its character was wholly foreign to me.

The river was only a few blocks away but an unbroken line of piers prevented me from seeing it.

Although it was dark as usual I could see that the hall had only recently contained a great many people.

This desire, I went on, growing voluble as my conviction was aroused, had mounted at such a rate recently that I now found its realization necessary not only to my physical but also to my spiritual wellbeing.

The only reason we brought you was to get Miller out.

The only thing which would have attracted attention was that two wore the uniform of prison guards, three the striped suits of convicts.

He had belonged to this land and, perhaps, had desecrated it -- and this was the only material symbol that remained of him.

There was only one place where the mountain might receive her -- that unnamed, unnameable pool harbored in its secret bosom.

Now, he could only play the last card in what was probably the world's coldest deck.

He was only vaguely aware of the sluicing rain.

He paused only long enough to ascertain that Jess's buckskin was still missing and that his own gray was all right, then climbed through a back window and dropped to the ground outside.

There was no lock on the door, only an iron hook which he unfastened.

Again he stood in the darkness listening, but there was only the scrape of a shod hoof on a plank floor.

The film they did after his return was an inconsequential bit of nothing titled Out Of This World, a satire on the Sinatra bobby-soxer craze.

Each successive movement in his growing was recorded on the unreeling film inside her.

Never a `` quick study '', he now made no attempt to learn his `` lines '' and many a mile of film was wasted, many a scene -- sometimes involving as many as a thousand fellow thespians -- was taken thirty, forty, fifty times because Miss Poitrine's co-star and `` helpmate '' had never learned his part.

Our last joint venture, Sainted Lady, a deeply religious film based on the life of Mother Cabrini, and timed so that its release date would coincide with the beatification of America's first saint in November, 1938, was a fiasco from start to finish.

By the time the film was released we were three million dollars over-spent, war was imminent and the public apparently had forgotten all about Mother Cabrini.

) The film was called The Diet of Worms, which I felt was just what Letch deserved.

It was a `` potboiler '' made on a `` shoestring '' and not the sort of film I like, as all I had to do was look blank and scream a great deal.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

Rudyard Kipling's scorn for the `` jargon '' of psychical research was altered somewhat when he wondered `` how, or why, had I been shown an unreleased roll of my life film ''??

This discovery of Melies was vastly more important than his sometimes dazzling, magician's tricks produced on film.

It was Porter, however, who produced the very first movie whose name has lived on through the half century of film history that has since ensued.

Before he was forty Griffith had created the art of the film.

Motion picture cameras had been installed to film the audience, the reservation list was being checked out name by name, and a special detail was already at work in the parking lot scrutinizing automobiles for a possible lead.

When arrested, he had the submarine secrets on a roll of candid camera film as well as anti-submarine secrets in Christmas gift wrapping, it was testified.

He said that drawings of the Dreadnought and printed details about the ship were found reproduced in an undeveloped roll of film taken from Lonsdale when he was arrested with the two civil servants outside the Old Vic theater Saturday afternoon, Jan. 7.

And it was interesting to observe that B.B.C.'s television film on Christmas Eve was The Bells Of St. Mary's.

Another source of NBC pride was its rare film clip of Bix Beiderbecke, but this view of the great trumpeter flew by so fast that a prolonged wink would have blotted out the entire glimpse.

Winning the 1951 Best Picture Oscar and numerous other awards, the film was directed by Vincente Minnelli, featured many tunes of Gershwin, and concluded with an extensive, elaborate dance sequence built around the An American in Paris symphonic poem ( arranged for the film by Johnny Green ), costing $ 500, 000.