He found that if he was tired enough at night, he went to sleep simply because he was too exhausted to stay awake.

It was dark early, because of the storm.

I had come to New Orleans two years earlier after graduating college, partly because I loved the city and partly because there was quite a noted art colony there.

She softly let herself into the bed, and took her regular side, away from the door, where she slept better because Keith was between her and the invader.

And he knew that the men talked about him behind his back, saying that he was one up on everybody else -- including the pilot of the plane with the swastika on it -- because he was chemically incapable of fear.

Keith was on his feet because he didn't care at all about life any more: Penny on her feet, proudly, because she cared too much.

Back in the house a hoodlum named Red Buck, sore because Billy had been allowed to leave unscathed, jumped from a bunk and swore he was going after him to kill him right then.

That night he dreamed a dream violent with passion, in which he and the Woman, now the teacher, did everything except engage in the act ( and this probably only because he had never engaged in the act in reality ), and when he awoke the next morning his heart was afire.

Jack walked off alone out the road in the searing midday sun, past Robert Allen's three-room, tarpapered house, toward the field where the other boys were playing ball, thinking of what he would do in order to make Miss Langford have him stay in after school -- because this was the day he had decided when he thought he saw the look in her eyes.

That should do it, he thought, because Miss Langford had said she was going to be strict about school work.

This is puzzling to an outsider conscious of the classic tradition of liberalism, because it is clear that these Democrats who are left-of-center are at opposite poles from the liberal Jefferson, who held that the best government was the least government.

Sometimes I guessed it was because the rain squall had changed direction.

It was also subtly familiar, for it was the odor of the human body, but multiplied innumerable times because of the fact that the aborigines never bathed.

Their writings assume more than dramatic or patriotic interest because of their conviction that the struggle in which they were involved was neither selfish nor parochial but, rather, as Washington in his last wartime circular reminded his fellow countrymen, that `` with our fate will the destiny of unborn millions be involved ''.

Often it is recognized that all the details of the pattern may not be essential to the outcome but, because the pattern was empirically determined and not developed through theoretical understanding, one is never quite certain which behavior elements are effective, and the whole pattern becomes ritualized.

They never troubled themselves about us while we were playing, because the fence formed such a definite boundary and `` Don't go outside the gate '' was a command so impossible of misinterpretation.

They, perhaps, gave the pitch of their position in the preface where it was said that Eisenhower requested that the Commission be administered by the American Assembly of Columbia University, because it was non-partisan.

`` I hated the war '', he said, `` but thought I ought to go because I was, perhaps, one of those who hadn't done enough to prevent it ''.

I fled, however, not from what might have been the natural fear of being unable to disguise from you that the things about my bridegroom -- in the sense you meant the word `` things '' -- which you had been galvanizing yourself to tell me as a painful part of your maternal duty were things which I had already insisted upon finding out for myself ( despite, I may now say, the unspeakable awkwardness of making the discovery on principle, yes, on principle, and in cold blood ) because I was resolved, as a modern woman, not to be a mollycoddle waiting for Life but to seize Life by the throat.

The Alan Parsons Project was an English progressive rock band, active between 1975 and 1990, consisting of singer Eric Woolfson and keyboardist Alan Parsons surrounded by a varying number of session musicians.

Behind the revolving lineup and the regular sidemen, the true core of the Project was the duo of Parsons and Woolfson.

Woolfson was a lawyer by profession, but also a composer and pianist.

Woolfson, a songwriter and composer, was working as a session pianist ; he had also composed material for a concept album idea based on the work of Edgar Allan Poe.

If the film industry was becoming a director's medium, Woolfson felt the music business might well become a producer's medium.

Woolfson sang lead on many of the group's hits ( including " Time " and " Eye in the Sky ") and the record company pressured Parsons to use him more, but Parsons preferred " real " singers, which Woolfson admitted he was not.

The one occasion where the band was introduced as " The Alan Parsons Project " in a live performance was at Night of the Proms 1990 ( at the time of the group's break-up ), featuring all Project regulars except Woolfson who was present but behind the scenes, while Parsons stayed at the mixer except during the last song, where he played acoustic guitar.

The CD notes that Welles never met Parsons or Eric Woolfson, but sent a tape to them of the performance shortly after the album was manufactured in 1976.

The two years that McIntosh spent making the album was turned into a reality TV show The Steph Show, produced by Tom Nichols and Arnon Woolfson.

It was intended to be based on the I, Robot stories written by Isaac Asimov, and Woolfson actually spoke with Asimov, who was enthusiastic about the idea.

The last Alan Parsons Project album, which was released simply as a solo album by Eric Woolfson.

Although generally considered better musically than its predecessor, Vulture Culture, it was not as successful commercially, perhaps due to much fewer vocals from Eric Woolfson ( he only appears on a small section of the title track ).

In Woolfson v Strathclyde BC, the House of Lords held that it was a decision to be confined to its facts ( the question in DHN had been whether the subsidiary of the plaintiff, the former owning the premises on which the parent carried out its business, could receive compensation for loss of business under a compulsory purchase order notwithstanding that under the rule in Salomon, it was the parent and not the subsidiary that had lost the business ).

Several defendants in the Summerdale police burglary trial made statements indicating their guilt at the time of their arrest, Judge James B. Parsons was told in Criminal court yesterday.

Parsons was a successful producer and accomplished engineer.

Parsons would produce and engineer songs written by the two, and the Alan Parsons Project was born.

The song " The Raven " featured lead vocals by the actor Leonard Whiting, and, according to the 2007 remastered album liner notes, was the first rock song to use a digital vocoder, with Alan Parsons speaking lyrics through it.

Although the studio version of Freudiana was produced by Parsons ( and featured the regular Project backing musicians, making it an ' unofficial ' Project album ), it was primarily Woolfson's idea to turn it into a musical.

In 2010 Eye to Eye: Alan Parsons Project Live in Madrid was released on CD.

Most of the Project's titles, especially the early work, share common traits ( likely influenced by Pink Floyd's The Dark Side of the Moon, on which Parsons was the audio engineer in 1973 ).

This score was partly in the Project style, recorded by most of the Project regulars, and produced and engineered by Parsons.

It was not presented in the United States until 1970, when a short-lived April production at the Phyllis Anderson Theatre off Broadway starred Barbara Harris as Jenny and Estelle Parsons as Begbick.

The project was led by Dr Jeff Peakall and Dr Daniel Parsons at the University of Leeds in collaboration with the University of Southampton, Memorial University ( Newfoundland, Canada ), and the Institute of Marine Sciences ( Izmir, Turkey ).

" Smile ", composed originally for Modern Times ( 1936 ) and later set to lyrics by John Turner and Geoffrey Parsons, was a hit for Nat King Cole in 1954.