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Tom and Stoppard's
The best-known is Tom Stoppard's 1966 play Rosencrantz and Guildenstern Are Dead which retells many of the events of the story from the point of view of the characters Rosencrantz and Guildenstern as well as giving them a backstory of their own.
The New York Times reviewed the play saying it is " scarcely more than an extended comedy sketch, lacking the portent and linguistic complexity of Tom Stoppard's Rosencrantz and Guildenstern Are Dead.
Heidi Weiss of the Chicago Sun-Times said of the play " Far more surreal and twisted than Tom Stoppard's Rosencrantz and Guildenstern are Dead, 12 Ophelias is a reminder of just how morphable and mysterious Shakespeare's original remains.
As with many of Tom Stoppard's works, the play has a love for cleverness and language.
Shortly after the end of Rocky Horror Show on Broadway, Curry was back on Broadway with Tom Stoppard's Travesties, which ran in London and New York from 1975 to 1976.
From May to August 2011, Curry was scheduled to portray the Player in a Trevor Nunn stage production of Tom Stoppard's Rosencrantz and Guildenstern are Dead at the Chichester Festival Theatre and then in London.
* In Tom Stoppard's play Jumpers, the philosopher George Moore attempts a practical disproof with bow and arrow of the Dichotomy Paradox, with disastrous consequences for the hare and the tortoise.
Paarfi's old-fashioned, elaborate, and highly verbose writing is explicitly based on Dumas ', though with a dialogue style that is, at times, based on Tom Stoppard's wordgames in Rosencrantz & Guildenstern Are Dead ( according to Pamela Dean's introduction to Five Hundred Years After ).
Vincent Canby of The New York Times described the play as " Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and, new for him, emotion " but many New York reviews were mixed or unfavourable, citing anachronisms and a lack of realism in Stoppard's conception.
Barker gained his first acting successes at the Oxford Playhouse and later in various roles in the West End including Tom Stoppard's The Real Inspector Hound.
* Tom Stoppard's Rosencrantz & Guildenstern Are Dead premiered at the Edinburgh Festival Fringe in 1966.
Characters may find themselves trapped in a routine or, in a metafictional conceit, trapped in a story ; the titular characters in Tom Stoppard's Rosencrantz & Guildenstern Are Dead, for example, find themselves in a story ( Hamlet ) in which the outcome has already been written.
Tom Stoppard's Travesties, with Anthony Sher was next, and in 1994 the musical She Loves Me played, with Ruthie Henshall and John Gordon Sinclair.
During a radio interview in Birmingham to promote a British tour of Tom Stoppard's play Dirty Linen in the early 1980s, Cleveland confided an embarrassing incident in dress rehearsal.
In November 2006, Hawke starred as Mikhail Bakunin in Tom Stoppard's The Coast of Utopia, a nine-hour long production, at the Lincoln Center in New York.
In Tom Stoppard's play The Real Thing, the playwright protagonist, Henry, frets over his forthcoming appearance on Desert Island Discs, worrying about whether he should be honest and admit his admiration for pop music ( particularly pop music derided by critics ) or pretend to favour more conventionally admired music.
In scene 2 of Tom Stoppard's 1993 play Arcadia, one character refers to another character who attends Oxford as " Brideshead Regurgitated.
" Et in Arcadia ego, the Latin phrase which is the title of the major section ( Book One ) of Brideshead Revisited, is also a central theme to Tom Stoppard's play.
In the film version of Tom Stoppard's Rosencrantz & Guildenstern Are Dead the two lead characters play the game Questions in a Real Tennis court, scoring points as if playing the game.
She created the role of The Actress in Terry Johnson's Insignificance at the Royal Court in London and appeared in a brief 1989 Los Angeles production of Tom Stoppard's Hapgood.
* In Tom Stoppard's On the Razzle, Scaramouche is the nom de plume used by sales clerk Weinberl in his letters while answering " lonely hearts advertisements ".
* Et in Arcadia ego was the originally planned title of Tom Stoppard's play, Arcadia, in which the phrase is used erroneously by one character ( whose misuse is acknowledged by two other characters ).
* Pater, along with several of his colleagues, appears as a minor character in Tom Stoppard's play The Invention of Love.

Tom and Real
* The Real Thing by Tom Stoppard ( Plymouth Theatre, December 1983 )
Such disparate writers as Joyce Carol Oates with Accursed Inhabitants of the House of Bly ( 1994 ), Louis Auchincloss with The Ambassadress ( 1950 ), Tom Stoppard with The Real Thing ( 1982 ), and Alan Hollinghurst with The Line of Beauty ( 2004 ) were explicitly influenced by James's works.
All of his studio albums and EPs charted on the Billboard 200, and many of his singles —" Eazy-Duz-It ", " We Want Eazy ", " Real Muthaphuckkin G's ", and " Just tah Let U Know "— also charted in the U. S. On March 30, 1995, four days after Eazy-E's death, Tom Elerwine, a Daily Arts editor for The Michigan Daily covered Eazy's career in a feature story.
Additionally, Tom Fischer has released a book entitled " Only Death Is Real: An Illustrated History of Hellhammer and early Celtic Frost 1981-1985 " which documents the early days of the said bands in great photographic and written detail.
* Tom Stoppard-The Real Thing
* Tom Stoppard – The Real Inspector Hound
* 1984: The Real Thing by Tom Stoppard
" Tom Stoppard's The Real Inspector Hound, the framing diegetic situation is here equally a theatre.
* Moon, theatre critic from the Tom Stoppard play The Real Inspector Hound
Among them: Trace, Steve Hackett, Third Eye Blind, The Clash, Elvis Costello, Jon Brion, Blur, Marco Benevento, Fiona Apple, Kraftwerk ( Orchestron ), Money Mark, Ani DiFranco, Michael Penn, Steve Fisk, Tom Waits, Nan Vernon, Hala Strana, TISM, The Real Tuesday Weld, and Mark Mothersbaugh of Devo — who mixed in parts of the " Banjo Sing-Along " disc on a later remix of Devo's 1981 single, " Beautiful World.
In September 2004 ( 28 / 29 ) Russell Simins and Judah Bauer would join Tom Waits and Larry Taylor for a performance on the David Letterman TV show playing Make It Rain from the album Real Gone.
Tom Stoppard's play The Real Inspector Hound parodies many elements of The Mousetrap, including the surprise ending.
He starred in Ronald F. Maxwell's Gettysburg ( 1993 ) and Tom DiCillo's The Real Blonde ( 1987 ).
* The Real Blonde ( 1997 ): Caulfield had a starring role in Tom DiCillo's The Real Blonde ( 1997 ) opposite Matthew Modine and Catherine Keener.
Gallagher appeared on Broadway with Glenn Close in Tom Stoppard's The Real Thing, but first achieved fame for his role in Steven Soderbergh's Sex, Lies, and Videotape ( 1989 ).
During 2005 and 2006 the tenor's stage roles ranged from Tamino in The Magic Flute at the Teatro Real in Madrid and at ENO, to the Madwoman in Benjamin Britten ’ s Curlew River at the Edinburgh Festival, Count Almaviva in Rossini ’ s The Barber of Seville at Covent Garden and Tom Rakewell in Igor Stravinsky's The Rake's Progress.
The plot is a spoof of the traditional country-house whodunit, familiar to mystery fiction fans from classics such as Agatha Christie's And Then There Were None, a form also parodied for the stage in Tom Stoppard's The Real Inspector Hound.
Meantime, on the London stage in the spring of 2010, Stephens received outstanding reviews for his performance as Henry in a revival of Tom Stoppard's The Real Thing, directed by Anna Mackmin at the Old Vic Theatre in London.
Real Gone is an album by Tom Waits, released October 3, 2004 in Europe, and October 5 in United States on the ANTI-label.
1998 Programme. Black Comedy was revived as a double-bill with Tom Stoppard's The Real Inspector Hound at the Comedy Theatre by Warehouse Productions on April 22, 1998 directed by Greg Doran with the following cast:

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