Famed French film director François Truffaut noted that early in the production, Chaplin said he would not play The Tramp in a sound film, and he considers the barber an entirely different character.

He worked as the editor of the Cahiers du cinéma periodical from 1957 to 1963, while most of his Cahiers colleagues – among them Jean-Luc Godard and François Truffaut – were beginning their careers and gaining international attention.

* Love at Twenty, a film in 5 segments directed by François Truffaut, Shintaro Ishihara, Andrzej Wajda, Renzo Rossellini and Marcel Ophüls-( International )

He co-directed the film Love at Twenty ( 1962 ) ( co-directed by François Truffaut, Marcel Ophüls, Renzo Rossellini and Andrzej Wajda ), and also acted in six films, including Crazed Fruit ( 1956 ) and The Hole ( 1957 ).

The film was made for the 1962 anthology collection, Love at Twenty, which featured shorts from the renowned directors Shintarô Ishihara, Marcel Ophüls, Renzo Rossellini and Andrzej Wajda, as well as Truffaut.

Truffaut was influential in helping to select Shintarô Ishihara, Marcel Ophüls, Renzo Rossellini and Andrzej Wajda as the other directors who would eventually participate in the project.

* François Truffaut wrote essays about Ray ( who is featured prominently in his book The Films in My Life ).

* Two Short Films by François Truffaut ( 1999 )

Category: Films directed by François Truffaut

* Georges Delerue: Music from the Films of François Truffaut ( 1997 )

Category: Films directed by François Truffaut

Category: Films directed by François Truffaut

Category: Films directed by François Truffaut

Category: Films directed by François Truffaut

Category: Films directed by François Truffaut

Films directed by François Truffaut.

One of the most famous was The Apu Trilogy ( 1955 – 1959 ) from critically acclaimed Bengali film director Satyajit Ray, whose films had a profound influence on world cinema, with directors such as Akira Kurosawa, Martin Scorsese, James Ivory, Abbas Kiarostami, Elia Kazan, François Truffaut, Steven Spielberg ,< ref name = unmaderay >

His influence can be traced in the works of many directors, including Robert Altman, Ron Howard, Masaki Kobayashi, Akira Kurosawa, John Lasseter, David Lynch, John Milius, Martin Scorsese, Steven Spielberg, Oliver Stone and François Truffaut

In Europe, Art Cinema gains wider distribution and sees movements like la Nouvelle Vague ( The French New Wave ) featuring French filmmakers such as Roger Vadim, François Truffaut, Alain Resnais, and Jean-Luc Godard ; Cinéma Vérité documentary movement in Canada, France and the United States ; Swedish filmmaker Ingmar Bergman, Chilean filmmaker Alexandro Jodorowsky and Polish filmmakers Roman Polanski and Wojciech Jerzy Has produced original and offbeat masterpieces and the high-point of Italian filmmaking with Michelangelo Antonioni and Federico Fellini making some of their most known films during this period.

In 1958 he went to France to work with François Truffaut and Jean Rouch.

* The test track built in France by SAFEGE in 1959, is a 1. 4 kilometre monorail line featured prominently in the 1966 movie adaptation of Fahrenheit 451, directed by François Truffaut.

Though it had little commercial success in the US, it was well received in Europe, particularly by critics like future filmmaker François Truffaut.

8½ inspired among others: Mickey One ( Arthur Penn, 1965 ), Alex in Wonderland ( Paul Mazursky, 1970 ), Beware of a Holy Whore ( Rainer Werner Fassbinder, 1971 ), Day for Night ( François Truffaut, 1973 ), All That Jazz ( Bob Fosse, 1979 ), Stardust Memories ( Woody Allen, 1980 ), Sogni d ' oro ( Nanni Moretti, 1981 ), Parad Planet ( Vadim Abdrashitov, 1984 ), La Pelicula del rey ( Carlos Sorin, 1986 ), Living in Oblivion ( Tom DiCillo, 1995 ), 8½ Women ( Peter Greenaway, 1999 ), Falling Down ( Joel Schumacher, 1993 ), along with the successful Broadway musical, Nine ( Maury Yeston and Arthur Kopit, 1982 ).

In his development for Auteur Theory, François Truffaut lists Bresson among the main few directors the term " Auteur " can genuinely be applied to, and later names him as one of the only examples of directors who could approach even the so-called " unfilmable " scenes, using the film narrative at its disposal.

Langlois made an important impact on the French New Wave directors François Truffaut, Jean-Luc Godard, Jacques Rivette, Claude Chabrol and Alain Resnais among others, and the generation of filmmakers that followed.

Some of the most prominent pioneers among the group, including François Truffaut, Jean-Luc Godard, Éric Rohmer, Claude Chabrol, and Jacques Rivette, began as critics for the famous film magazine Cahiers du cinéma.

Notable among these was François Truffaut in his manifesto-like article " Une Certaine tendance du cinéma français ".

Some of the most prominent pioneers among the group, including François Truffaut, Jean-Luc Godard, Éric Rohmer, Claude Chabrol, and Jacques Rivette, began as critics for the famous film magazine Cahiers du cinéma.

An eclectic group of artists, filmmakers and activists protested, to little avail, on behalf of Parajanov, among them, Yves Saint Laurent, Françoise Sagan, Jean-Luc Godard, François Truffaut, Luis Buñuel, Federico Fellini, Michelangelo Antonioni, Andrei Tarkovsky, and Mikhail Vartanov ).

The label is a translation of Nouvelle Vague, the French term first applied to the films of François Truffaut, and Jean-Luc Godard among others.

A 1954 article by Truffaut attacked La qualité française (" the French Quality ") and was the manifesto for ' la politique des Auteurs ' which Andrew Sarris later termed the auteur theory — resulting in the re-evaluation of Hollywood films and directors such as Alfred Hitchcock, Howard Hawks, Robert Aldrich, Nicholas Ray, Fritz Lang and Anthony Mann.

By arguing that films had auteurs, or authors, Truffaut sought to make films ( and their directors ) at least as important as the more widely-accepted art forms, such as literature, music, and painting.

His work is admired by many notable directors including Peter Bogdanovich, Martin Scorsese, François Truffaut, Michael Mann and Jacques Rivette.

The corresponding " right bank " group is constituted of the more famous and financially successful New Wave directors associated with Cahiers du cinéma ( Claude Chabrol, François Truffaut, and Jean-Luc Godard ).

During the sixties and seventies, Seyrig worked with such directors as François Truffaut, Luis Buñuel, Marguerite Duras, and Fred Zinnemann, as well as Alain Resnais.

His career was diverse and he composed frequently for major art house directors, most often François Truffaut ( including Jules and Jim ), but also for Jean-Luc Godard's film Contempt ( Le Mépris ), and for Alain Resnais, Louis Malle, and Bernardo Bertolucci, besides working on several Hollywood productions, including Oliver Stone's Platoon and Salvador.

As an adult Fossey acted both on stage and in film, working with French directors such as François Truffaut and Bertrand Blier.

The distributor is credited with introducing numerous films, now considered masterpieces of world cinema, to American audiences, including the films of Michelangelo Antonioni, Sergei Eisenstein, Ingmar Bergman, Federico Fellini, Akira Kurosawa, François Truffaut, Yasujirō Ozu and many other well-regarded directors.

Truffaut once said he was one of the greatest directors of the 20th century, Godard was his brother, Chabrol admired him, Wenders couldn ’ t stop taking photos of him.

" Summing up Mulligan's talents as a whole, Truffaut concluded, " If there were French directors as lucid as Mulligan, as capable of telling something more than anecdotes, the image of our country on the screen would be a bit less oversimplified.

From 1959 until 1979, Truffaut followed Léaud's character Antoine Doinel, who falls in love with Christine Darbon ( Claude Jade from Hitchcock's Topaz ) in Stolen Kisses, marries her in Bed & Board and separates from her in the last post-New Wave movie Love on the Run.

Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinéma, especially critic-turned-director François Truffaut.

In 1968, following the example of Cahiers du Cinéma critics Truffaut, Jean-Luc Godard, Claude Chabrol, and Éric Rohmer who had created the Nouvelle Vague (" New Wave ") by making their own films, Bogdanovich decided to become a director.

The film was originally offered to François Truffaut, the best-known director of the New Wave movement, who made contributions to the script.

François Truffaut was inspired by Little Fugitives spontaneous production style when he created The 400 Blows ( 1959 ), saying long afterwards: “ Our New Wave would never have come into being if it hadn ’ t been for the young American Morris Engel, who showed us the way to independent production with fine movie .”

The François Truffaut film Day for Night is about the making of a fictitious movie called Meet Pamela ( Je vous présente Pamela ) and shows the interactions of the actors as they are making this movie about a woman who falls for her husband's father.

* François Truffaut dedicated The 400 Blows to Bazin, who died one day after shooting commenced on the film.

Truffaut was immediately captivated by the fourteen-year-old adolescent, who had already appeared the previous year with Jean Marais in Georges Lampin's La Tour prends garde!

Truffaut also credits the American director, Morris Engel and his film " Little Fugitive " with helping to start the French New Wave, when he said " Our French New Wave would never have come into being, if it hadn't been for the young American Morris Engel who showed us the way to independent production with ( this ) fine movie.

In the 1950s, some of the well-known films with artistic sensibilities include La Strada ( 1954 ), a film about a young woman who is forced to go to work for a cruel and inhumane circus performer in order to support her family and eventually coming to terms with her situation, Carl Theodor Dreyer's Ordet ( 1956 ), centering around family with a lack of faith amongst it but with a son who believes that he is Jesus Christ and convinced that he is capable of performing miracles, Federico Fellini's Nights of Cabiria ( 1957 ), which deals with a prostitute's failed attempts to find love, and her suffering and rejections, and Wild Strawberries ( 1957 ), by Ingmar Bergman, whose narrative concerns an elderly medical doctor and professor whose nightmares lead him to re-evaluate his life, and The 400 Blows ( 1959 ) by François Truffaut, whose main character is a young man trying to come of age despite the abuse from his parents, schoolteachers, and society in general.

The paradox of Clair's reputation has been further heightened by those commentators who have seen François Truffaut as the French cinema's true successor to Clair, notwithstanding the occasions of their mutual disdain.

French director François Truffaut, who befriended Roché when Roché was in his final years, was so impressed by them that he went on to adapt both to the big screen.

The film was made with funds raised by François Truffaut, who liked the script, and was initially intended to be the third " Moral Tale ".

The film is beloved of French critics and filmmakers, such as François Truffaut, who described it as the " Beauty and the Beast of Westerns, a Western dream ".

In the Truffaut interview, Hitchcock also mentioned the New York Times reviewer, who wrote that the viewer had to wait almost 100 minutes for the first suspenseful moment.

While Antoine is seeking to seduce Christine in Stolen Kisses, in real life Truffaut fell in love with the actress who portrayed Christine, Claude Jade, becoming engaged to her.

These included Roman Polanski, François Truffaut ( who made Fahrenheit 451 ) and Jean-Luc Godard.