In July of that year, Fermi submitted his doctoral thesis Un teorema di calcolo delle probabilità ed alcune sue applicazioni ( A theorem on probability and some of its applications ) to the Scuola Normale Superiore and received his Laurea from there at the unusually young age of 21.

Un vulcano di celluloide, Giuseppe Maimone Editore, Catania, 2005

* R. L. Torrijos, " Un testamento dimenticato di Galeazzo Alessi ", in Architettura, storia e documenti, 1 ( 1985: 97-100 )

It was while he was working on his second opera, Un giorno di regno, that Verdi's wife died.

* Un giorno di regno, 5 September 1840

The most usual stress schemes for the Italian hendecasyllable are stresses on sixth and tenth syllables ( for example, " Nel mezzo del cammin di nostra vita ," Dante Alighieri, first line of The Divine Comedy ), and on the fourth, seventh and tenth syllables (" Un incalzar di cavalli accorrenti ," Ugo Foscolo, Dei sepolcri ).

* 1840 – Premiere of Giuseppe Verdi's Un giorno di regno at La Scala of Milan.

he wrote Un moto di gioia – " A joyous emotion ", ( K. 579 ), probably in mid-1790.

* 1840: Un giorno di regno by Giuseppe Verdi

They included Giorgio Ronconi, who created the title role in Verdi's Nabucco ; Felice Varesi, who created the title roles in Macbeth and Rigoletto as well as Germont in La traviata ; Antonio Superchi, the originator of Don Carlo in Ernani ; Francesco Graziani, who was the original Don Carlo di Vargas in La forza del destino ; Leone Giraldoni, the creator of Renato in Un ballo in maschera and the first Simon Boccanegra ; Enrico Delle Sedie, who was London's first Renato ; Adriano Pantaleoni, renowned for his performances as Amonasro in Aida as well as other Verdi roles at La Scala, Milan ; Francesco Pandolfini, whose singing at La Scala during the 1870s was praised by Verdi ; Antonio Cotogni, a much lauded singer in Milan, London and Saint Petersburg, the first Italian Posa in Don Carlos and later a great vocal pedagogue, too ; and Giuseppe Del Puente, who sang Verdi to acclaim in the United States.

Un secolo di storia nella musica del grande chitarrista spagnolo ( 2005 )

" Un maestro di musica Italiano: Amilcare Ponchielli.

it: Un tranquillo week-end di paura

it: Un tocco di classe

* E. Amato, " Un discorso inedito di Procopio di Gaza: In Meletis et Antoninae nuptias ", Revue des études tardo-antiques 1 ( 2011-2012 ), pp. 15-69.

".. while the haunting melody of the aria ' Un bel di ' swelled, then faded from the darkening room, he took one swift glance at his companion.

it: Un cappello pieno di pioggia ( film )

* Pavia, Marco ( 1999 ): Un cranio di Bubo insularis Mourer-Chauviré & Weesie, 1986 ( Aves, Strigidae ) nelle brecce ossifere del Pleistocene di Capo Figari ( Sardegna, Italia ) cranium of B. insularis from the Pleistocene ossiferous breccia of Cape Figari ( Sardinia, Italy )".

it: Un racconto di Canterbury

Mecano also recorded many of their songs in Italian, such as: Figlio Della Luna ( Hijo De La Luna ), Croce Di Lame de Navajas (" Cross of Knives "), Un Anno Di Più Año Más (" One More Year ( is gone )"), Uno Di Quegli Amanti Amantes (" The Lovers "), Per Lei Contro Di Lei Contra Mujer, Il Cinema Cine, Vado A Nuova York Hay Marcha En Nueva York (" Though Luck in New York "), Fermati A Madrid En Madrid (" Stay in Madrid "), Mi Costa Tanto di Scordarti Cuesta Tanto Olvidarte, Responso Positivo Fallo Positivo (" Positive Sentence "), Anna e Miguel Muerta (" Still Life "), Una Rosa e Una Rosa Rosa es Una Rosa (" A Rose is a Rose "), Tu (" You ") ( Italian version ), " Dalai Lama " ( Italian version ), Il 7 Di Settembre 7 De Septiembre and " La Forza Del Destino " Fuerza del Destino.

* 1944-1945: Un mondo di armonie, rivista musicale di Alberto Semprini

Un ­ like the pre ­ vious two ex ­ ten ­ si ­ ons, this new wing has street fron ­ tage and the English ar ­ chi ­ tects Benson & Forsyth gave it an im ­ po ­ sing Bo ­ wers Whit ­ bed, Port ­ land Stone fa ­ çade and grand atrium.

“ Un vescovo e il suo popolo ,” in Bollettino Salesiano 120. 1 ( January 1996 ): 10 – 12

During World War II, he spent over a year in a prisoner-of-war camp-an experience which informs Un condamné à mort s ' est échappé ou Le vent souffle où il veut ( A Man Escaped ).

* Un condamné à mort s ' est échappé ou Le vent souffle où il veut ( 1956 )-A Man Escaped

* Un condamné à mort s ' est échappé ou Le vent souffle où il veut ( 1956 )

Director Mario Monicelli filmed a documentary Un amico magico: il maestro Nino Rota which featured interviews with Franco Zeffirelli and Riccardo Muti ( a student under Rota at Bari Conservatory ), and was followed by a German documentary Nino Rota-Un maestro della musica.

As a political supporter of the Queen and old enemy of the Minister, Dupin also hopes that D — will try to use the power he no longer has, to his political downfall, and at the end be presented with an insulting note that implies Dupin was the thief: Un dessein si funeste, S ' il n ' est digne d ' Atrée, est digne de Thyeste ( If such a sinister design isn't worthy of Atreus, it is worthy of Thyestes ).

He worked as the co-director and cameraman to Jacques Cousteau on the Oscar and Palme d ' Or-winning ( at the 1956 Academy Awards and Cannes Film Festival respectively ) documentary The Silent World ( 1956 ) and assisted Robert Bresson on A Man Escaped ( French title: Un condamné à mort s ' est échappé ou Le vent souffle où il veut, 1956 ) before making his first feature, Ascenseur pour l ' échafaud ( released in the U. K. as Lift to the Scaffold and in the U. S. originally as Frantic, later as Elevator to the Gallows ) in 1957.

* Un prologo per il cortegiano, 1739

He believed that by deliberately and outspokenly taking pride in their color, black people were automatically on the defensive: " Un tigre ne proclame pas sa tigritude, il saute sur sa proie " ( Fr.

it: Victoria: Un Impero Sotto il Sole

* Tapié, Michel ; Un art autre où il s ' agit de nouveaux dévidages du réel ' Paris, Gabriel-Giraud et fils, 1952 OCLC 1110556

The barcarole was a popular form in opera, where the apparently artless sentimental style of the folklike song could be put to good use: in addition to the Offenbach example, Paisiello, Weber, and Rossini wrote arias that were barcaroles, Gaetano Donizetti set the Venetian scene at the opening of Marino Faliero ( 1835 ) with a barcarole for a gondolier and chorus, and Verdi included a barcarole in Un ballo in maschera ( i. e., Richard's atmospheric " Di ’ tu se fidele il flutto m ’ aspetta " in Act I ).

* Un amico magico: il maestro Nino Rota ( 1999, documentary )

* Un amico magico: il maestro Nino Rota ( 1999, documentary )

Nisa put the whole team of songwriters in the lyrics, as heirs to the beautiful Eulalia: " Un castello lo dà a Nisa, un castello lo dà a Redi, un castello, ma il più bello, al maestro Olivieri lo dà " (" she gives one castle to Nisa, one castle to Redi, but the most beautiful ones goes to Maestro Olivieri ").

Un caso di produzione per il mercato trasmarino ," MAAR 36, 1980, 1-10.

Un giorno di regno, ossia il finto Stanislao ( A One-Day Reign, or The Pretend Stanislaus, but often translated into English as King for a Day ) is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto by Felice Romani, based on the play Le faux Stanislas by Alexandre Vincent Pineu-Duval.

The text he wrote and which was the basis of his speech that day was entitled Un pays qu ' il faut faire (" A Country That Must be Made ").

* Mouvements du coeur: Un hommage à la mémoire de Frédéric Chopin, 1849 – 1949 is a collaborative suite of songs for baritone or bass and piano on words of Louise Lévêque de Vilmorin in commemoration of the centenary of the death of Frédéric Chopin in 1949.

Messiaen was further influenced by Surrealism, as may be seen from the titles of some of the piano Préludes ( Un reflet dans le vent …, " A reflection in the wind ") and in some of the imagery of his poetry ( he published poems as prefaces to certain works, for example Les offrandes oubliées ).

* " Un marzo triste ", piano piece by Saúl Cosentino, 2003.

His works include solo performance pieces such as Endangered Species, TransDadaExpress, and Shofar ; radio works such as Crystal Psalms, Un Altro Ferragosto, I Dreamt John Cage Yodeling at the Zurich Hauptbahnhof, and Living Room Music ; large scale musical choreographic works such as Oh Brass on the Grass Alas, for 300 amateur brass-band musicians, and the Maritime Rites series of performances on and near water ; sound installation works such as Magic Carpet, Floor Plan, The Twentieth Century, and Gardening with John ; chamber music such as For Cornelius for piano, the trio Schtyx, the string quartet VSTO, the saxophone quartet Electric Rags II, the percussion quartet THEME PARK, a series of works for chorus SATB, and the work for chamber orchestra and video Circus Maximus ; and many collaborative dance and theater works.

* Un Bacio solo – soprano, double bass and piano

* Un seul or, for voice, flute, saxophone, electric bass, tampura, and piano

: JA 030 – Trois minutes: Un cercle d ' argent, pour piano ou orgue

: JA 045 – Un très vieux motif, pour piano

* Pensieri sull ' opera Un ballo in maschera for piano duet, Op.