Under Rebay's guidance, Guggenheim sought to include in the collection the most important examples of non-objective art available at the time, such as Kandinsky's Composition 8 ( 1923 ), Léger's Contrast of Forms ( 1913 ) and Delaunay's Simultaneous Windows ( 2nd Motif, 1st Part ) ( 1912 ).
Under Rebay's guidance, Guggenheim sought to include in the collection the most important examples of non-objective art available at the time, such as Kandinsky's Composition 8 ( 1923 ), Léger's Contrast of Forms ( 1913 ) and Robert Delaunay's Simultaneous Windows ( 2nd Motif, 1st Part ) ( 1912 ).
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