Lyrically, Waits ' songs frequently present atmospheric portrayals of grotesque, often seedy characters and places — although he has also shown a penchant for more conventional ballads.

In 1971, Waits moved to the Echo Park neighborhood of L. A. ( at the time, also home to musicians Glenn Frey of the Eagles, J. D. Souther, Jackson Browne, and Frank Zappa ) and signed with Herb Cohen at the age of 21.

The album also features Bette Midler singing a duet with Waits on " I Never Talk to Strangers.

The song " Blue Valentines " was also unique for Waits in that it featured a desolate arrangement of solo electric guitar played by Ray Crawford, accompanied by Waits ' vocal.

In 1978, Waits also appeared in his first film role, in Paradise Alley as Mumbles the pianist, and contributed the original compositions "( Meet Me in ) Paradise Alley " and " Annie's Back in Town " to the film's soundtrack.

During this period, Waits appeared in a series of minor movie roles, including a cameo role in Wolfen ( 1981 ) as an inebriated piano player, and his song " Jitterbug Boy " also appeared on the movie's soundtrack.

Waits also contributed two songs to the documentary Streetwise ( 1984 ), " Rat's Theme " and " Take Care of All My Children ".

" Swordfishtrombones also introduced instruments such as bagpipes (" Town with No Cheer ") and marimba (" Shore Leave ") to Waits ' repertoire, as well as pump organs, percussion ( sometimes reminiscent of the music of Harry Partch ), horn sections ( often featuring Ralph Carney playing in the style of brass bands or soul music ), experimental guitar, and obsolete instruments ( many of Waits ' albums have featured a damaged, unpredictable Chamberlin, and more recent albums have included the little-used Stroh violin ).

Waits developed his acting career with several supporting roles and a lead role in Jim Jarmusch's Down by Law in 1986, which also featured two of Waits's songs from Rain Dogs in the soundtrack.

In the same year, Waits also contributed vocals to the song " Harlem Shuffle " on The Rolling Stones ' album Dirty Work.

Waits also collaborated with photographer Sylvia Plachy in the same year ; her book Sylvia Plachy's Unguided Tour includes a short Waits record to accompany the photographs and text.

" Waits also contributed vocals to a duet with singer Bob Forrest on the song " Adios Lounge " on the Thelonious Monster album Beautiful Mess.

1992 also saw Waits featuring in Francis Ford Coppola's film Bram Stoker's Dracula, as the possessed lunatic Renfield.

The album also includes the traditional hymn " I Know I've Been Changed ", performed as a duet by Hammond and Waits.

That same year, Waits was also a judge for the 2nd annual Independent Music Awards to support independent artists ' careers.

Waits was also a judge for the 10th annual Independent Music Awards.

Waits continued to appear in movie acting roles, the most significant of which was his uncredited cameo as a disabled veteran in Terry Gilliam's The Fisher King.

Popular artist Tom Waits, whose 1988 movie " Big Time " which features a mixture of music and recitations in a character that appear to be a further, earlier inspiration, Waits even sports the same hair style that Richards would later adopt for his character.

The following year, Waits was extremely busy working on movie soundtracks, acting, and contributing to a number of music projects by other artists.

At this time, Waits made a return to acting after a five-year break, marked at first by the re-release of his 1993 Jim Jarmusch-directed short Coffee and Cigarettes: Somewhere in California, costarring Iggy Pop, compiled in Coffee and Cigarettes.

Wilson worked first as a model in Australia and in Europe, before she moved to Los Angeles in 1991 to study acting with Arthur Mendoza at the Actors Circle Theatre and with Tom Waits at the TomKat Repertory Group.

With it, Waits broke onto Billboards Top 100 Albums chart for the first time in his career ( a feat Waits would not repeat until 1999 with the release of Mule Variations ).

Burke's career was revived with the July 23, 2002 release of Don't Give Up on Me on Fat Possum Records and produced by Joe Henry, where he sang songs written specifically for the album by various leading recording artists, including Bob Dylan, Brian Wilson, Van Morrison, Elvis Costello and Tom Waits.

In 2006, Enigk reignited his solo career by recording and releasing the LP World Waits on his own label, Lewis Hollow Records.

Reininger's voice, which was compared to David Bowie's during Tuxedomoon's early career, has been described as evolving into " Tom Waits " and a wolf from Tex Avery's " Baron Brown ," by music critic Rod Smith.

Dylan attended New York University film school and began his career directing music videos for clients including Tom Waits, Elvis Costello, Tom Petty, Lita Ford, Public Image Limited, and Lenny Kravitz.

It features " Making Monsters For My Friends " and " It's Not For Me to Know " originally recorded by Dee Dee Ramone on his album I Hate Freaks Like You which he did with I. C. L. C, and " The Crusher " from Dee Dee Ramone's short rap career as Dee Dee King, as well as a cover of Tom Waits ' " I Don't Want to Grow Up " and a cover of Johnny Thunders song " I Love You.

Johnson's last home run of his career came on September 27, 1975 off of Indians pitcher Rick Waits at Fenway Park.

This had been followed three years later by " Twins ", a segment featuring actors Steve Buscemi and Joie and Cinqué Lee, and then in 1993 with the Short Film Palme d ' Or-winning " Somewhere in California ", starring musicians Tom Waits and Iggy Pop.

* David Coulter, Multi-Instrumentalist and Producer / Music Supervisor ; ex-member of Test Dept and The Pogues, has played Musical Saw on numerous albums and live with a who's who of Contemporary Popular Music: Damon Albarn, Gorillaz, Tom Waits, Hal Willner, Richard Hawley, Jarvis Cocker, Marianne Faithfull, Tim Robbins, The Tiger Lillies.

Waits has a distinctive voice, described by critic Daniel Durchholz as sounding " like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car.

Although Waits ' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries.

Waits lives in Sonoma County, California with his wife, Kathleen Brennan, and three children.

After Waits ' parents divorced in 1960, he lived with his mother in Whittier, and then moved to National City, in San Diego County, near the Mexico – United States border.

Waits, who taught himself how to play the piano on a neighbor's instrument, often took trips to Mexico with his father, who taught Spanish ; he would later say that he found his love of music during these trips through a Mexican ballad that was " probably a Ranchera, you know, on the car radio with my dad.

Waits received increasing critical acclaim and gathered a loyal cult following with his subsequent albums.

In 1975, Waits moved to the Tropicana Motel on Santa Monica Boulevard and released the double album Nighthawks at the Diner, recorded in a studio with a small audience in order to capture the ambience of a live show.

In reaction to these hardships, Waits recorded Small Change ( 1976 ), which finds him in a much more cynical and pessimistic mood, lyrically, with many songs such as " The Piano Has Been Drinking ( Not Me ) ( An Evening with Pete King )" and " Bad Liver and a Broken Heart ( In Lowell )".

Around this time, Waits had a relationship with Rickie Lee Jones ( who appears on the sleeve art of the Blue Valentine album ).

The same year, he began a long working relationship with Francis Ford Coppola, who asked Waits to provide music for his film One from the Heart.

For Coppola's film, Waits originally wanted to work with Bette Midler ; she was unavailable due to prior engagements, however.

Waits ended up working with singer / songwriter Crystal Gayle as his vocal foil for the album.

Despite having shared a manager with Beefheart in the 1970s, Waits says, " I became more acquainted with him when I got married.

" Waits would later describe his relationship with Brennan as a paradigm shift in his musical development.

One from the Heart received its official theatrical release in 1982, with Waits appearing in a cameo as a trumpet player as well as receiving an Oscar nomination for Original Song Score ( eventually losing out to Victor Victoria, by Henry Mancini and Leslie Bricusse ).

This marked the first in a series of collaborations between Waits and Coppola, with Waits appearing in cameos in Coppola's movies The Outsiders ( 1983 ), Rumble Fish ( 1983 ), and The Cotton Club ( 1984 ), and a major role in Bram Stoker's Dracula.