Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed " a Dorian-northwest Greek component, a Cretan-Minoan component, and a Syro-Hittite component.

* Walter Burkert, 1985.

* Burkert, Walter, 1985.

* Walter Burkert, 1985.

* Burkert, Walter.

* Burkert, Walter, Greek Religion 1985.

* Burkert, Walter, 1977 ( tr.

A scholar of Greek mythology Walter Burkert writes in Greek Religion, " Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos.

* Burkert, Walter, Greek Religion 1985.

* Burkert, Walter, The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age, 1998

* Burkert, Walter, ( 1977 ) 1985.

* Burkert, Walter, 1985.

Walter Burkert notes that in Phaistos she appears in connection with an initiation cult.

Nymphs are personifications of the creative and fostering activities of nature, most often identified with the life-giving outflow of springs: as Walter Burkert ( Burkert 1985: III. 3. 3 ) remarks, " The idea that rivers are gods and springs divine nymphs is deeply rooted not only in poetry but in belief and ritual ; the worship of these deities is limited only by the fact that they are inseparably identified with a specific locality.

Walter Burkert observes that " Frenzied women from whose lips the god speaks " are recorded in the Near East as in Mari in the second millennium BC and in Assyria in the first millennium BC.

" Walter Burkert finds that " the second element da-remains hopelessly ambiguous " and finds a " husband of Earth " reading " quite impossible to prove.

Conversely, Walter Burkert suggests that the Hellene cult worship of Poseidon as a horse god may be connected to the introduction of the horse and war-chariot from Anatolia to Greece around 1600 BC.

" In cult, Poseidon was identified with Erechtheus ," Walter Burkert noted ; " the myth turns this into a temporal-causal sequence: in his anger at losing, Poseidon led his son Eumolpus against Athens and killed Erectheus.

Walter Burkert detects in the Polyphemus episode a subtext that " seems to offer us something more ancient: threatened by the man-eater, men conceal themselves in the skins of slaughtered animals, and thus, disguised as animals, escape the groping hands of the blinded monster.

* Burkert Walter ( 1985 ).

* Burkert, Walter, Greek Religion ( 1985 )

As Walter Burkert points out in his book, Greek Religion, " Even the gods who are not his natural children address him as Father, and all the gods rise in his presence.

The similarity of names between Hestia and Vesta is, however, misleading: " The relationship hestia-histie-Vesta cannot be explained in terms of Indo-European linguistics ; borrowings from a third language must also be involved ," scholar Walter Burkert has written.

Lucas edited the film on a KEM machine in his Mill Valley house by day, with Walter Murch editing sound at night ; the two would compare notes when they changed over.

" Walter Burkert notes that the story of Io was told in the ancient epic tradition at least four times of which we have traces: in the Danais, in the Phoronis — Phoroneus founded the cult of Hera, according to Hyginus ' Fabulae 274 and 143 — in a fragment of the Hesiodic Aigimios, as well as in similarly fragmentary Hesiodic Catalogue of Women.

In his book Greek Religion, Walter Burkert notes the connection with the motif of far-off Dilmun: " Thus Achilles is transported to the White Isle, which may refer to Mount Teide on Tenerife, whose volcano is often snowcapped and as the island was sometimes called the white isle by explorers, and becomes the Ruler of the Black Sea, and Diomedes becomes the divine lord of an Adriatic island ".

Revisiting his notes in 1987 to draft a detailed reply to the abbreviated public version of Cahill's report, Walter McCrone chose the wrong sample to illustrate a " typical " black ink particle, selecting one which had been found only loosely attached to the ink.

Though Jerome and Eusebius ( both citing Castor of Rhodes ), and as even late as 1812 John Lemprière euhemeristically asserted that he was the first king of Argos, and Robert Graves that he was a descendant of Iapetus, most modern mythologists understand Inachus as one of the river gods, all sons of Oceanus and Tethys and thus to the Greeks part of the pre-Olympian or " Pelasgian " mythic landscape ; in Greek iconography, Walter Burkert notes, the rivers are represented in the form of a bull with a human head or face.

Walter Burkert notes that though the story of Hippodamia's abduction figures in the Hesiodic Catalogue of Women and on the chest of Cypselus ( c. 570 BCE ) that was conserved at Olympia, and though preparations for the chariot-race figured in the east pediment of the great temple of Zeus at Olympia, the myth of the chariot race only became important at Olympia with the introduction of chariot racing in the twenty-fifth Olympiad ( 680 BCE ).

Walter Burkert notes that though the story of the contest for Hippodamia's hand figures in the Hesiodic Megalai Ehoiai and on the chest of Cypselus ( ca.

Walter Burkert suggests a raucous, burlesque character to the mysteries of the Cabeiri and notes an inscription at Lemnos indicates parapaizonti, the one who " jests along the way ".

Walter Burkert notes the presence of Tethys in the episode of Iliad XIV that the Ancients called the " Deception of Zeus ", where Hera, to mislead Zeus, says she wants to go to Oceanus, " origin of the gods " and Tethys " the mother ".

While Walter had many influences within music, in his Of Music and Making ( 1957 ) he notes a profound influence from the philosopher Rudolf Steiner.

** Walter Mosley ( notes writer ) for Richard Pryor ... And It's Deep Too!

On September 19, 2001, Sergeant Major of the Army Jack L. Tilley presented Mauldin with a personal letter from Army Chief of Staff General Eric K. Shinseki, a hardbound book with notes from other senior Army leaders and several celebrities to include Walter Cronkite, Tom Brokaw and Tom Hanks.

In 1786, a new edition of Thomas Hutchinson's Anabasis of Xenophon was called for, and Porson was asked by the publisher to supply notes, which he did in conjunction with Walter Whiter.

There are translations into modern German by B. Obermann ( 1886 ), and into English verse by W. Alison Phillips — Selected poems of Walter van der Vogelweide, with introduction and notes ( London, 1896 ).

In his History of the First Trinity Boat Club, Walter Rouse Ball notes: " The third day was the occasion of a sad tragedy.

In keeping with the bank's tradition, the front of the notes depict an image of Sir Walter Scott ; the image on the 2007 series is based on the portrait of Scott painted by Henry Raeburn.

Eight different handwriting experts ( Albert S. Osborn, Elbridge W. Stein, John F. Tyrrell, Herbert J. Walter, Harry M. Cassidy, Wilmer T. Souder, Albert D. Osborn, and Clark Sellers ) were called by the prosecution to the witness stand, where they pointed out similarities between words and letters in the ransom notes and in Hauptmann's writing specimens ( which included documents written before he was arrested, such as automobile registration applications ).

Eight different handwriting experts ( Albert S. Osborn, Elbridge W. Stein, John F. Tyrrell, Herbert J. Walter, Harry M. Cassidy, Wilmer T. Souder, Albert D. Osborn, and Clark Sellers ) were called by the prosecution to the witness stand, where they pointed out similarities between words and letters in the ransom notes and in Hauptmann's writing specimens ( which included documents written before he was arrested, such as automobile registration applications ).

In his review of Prévost's book, Walter Horn notes that while Prévost offers often scathing opinions of many people, Rowe is singled out for multiple barbs, and " one can hardly fail to wonder whether there's something of a personal nature lurking behind the barrage of what are superficially theoretical complaints.

He adds that their charges merely show that Stone " was a good reporter ", and notes that Walter Lippmann is quoted in Spies as having professional contacts with " a Soviet journalist with whom he traded insights and information.

Leading banker Walter Leaf described these Treasury notes as " essentially a War Loan free of interest, for an unlimited period, and as such was a highly profitable expedient from the point of view of the Government ".

* Program notes by Bonnie H. Campbell for the Cedille Records " Twilight of the Romantics: Chamber Music by Walter Rabl and Josef Labor " ( CD 90000 088 )

Walter Becker and Donald Fagen themselves commented on the album art in their liner notes to the reissued The Royal Scam, saying that album possessed " the most hideous album cover of the seventies, bar none ( excepting perhaps Can't Buy a Thrill ).