* Matey is a West Country term for a person with whom one has an anticipated, temporary or intermittent personalised interaction restricted to specific requirements or actions, e. g. " We'd got as far as the Okehampton Bypass when we stopped to give Matey there a jump-start ".

We'd know him by his stretch pants and the flowers he'd wear twined in his hair.

We'd seen his handiwork out in the back yard, and the little his tenants had told us of him did make him sound a little special.

We'd hear Alan cussing because those negative-influence plays were just driving him nuts.

We'd just suggested that if he did an anthology of other-people-write-Amber-stories that we'd be up for it ( understatement ) and he puffed on his pipe, and said -- extremely firmly -- that he didn't want anyone else to write Amber stories but him .</ p >

We'd want him to like it.

We'd watch from the window as this little figure hurled towards the pub-we never spoke to him about it.

We'd go to war for him.

Bautista was eligible for arbitration but the Pirates declined to tender an offer, although general manager Neal Huntington stated " We'd like to get him back.

We'd misjudged him, and that century put the true all-rounder stamp on him.

We'd watch in astonishment at the riches passing him by.

" We'd be oversimplifying things in calling film noir oneiric, strange, erotic, ambivalent, and cruel ": this set of attributes constitutes the first of many attempts to define film noir made by French critics Raymond Borde and Etienne Chaumeton in their 1955 book Panorama du film noir américain 1941 – 1953 ( A Panorama of American Film Noir ), the original and seminal extended treatment of the subject.

His concerns based on show tropes sometimes prove to be worth regarding ( to the point where Gwen says, in a moment of danger, " We'd better get out of here before one of those things kills Guy !").

We'd still get letters from his lawyers ages after but nothing would ever come of it.

`` We'd like you to have a dilatation and curettage.

They went to Warner's and said, ' We'd like to do a picture ,' and Warner's said fine ... and out came The In-laws ... of all the films I've done, The In-laws is the one I get the most comments on.

We'd like the T4's axis to point to the center of the Earth, but in practice we can only orient it by gravity — and on Hawaii the direction of gravity is much affected by that 4000-meter mountain 50 km away.

We'd started out like anyone spending their first time in a studio — nervous and naive and looking for success.

We'd like a new Sandman.

** " We'd like a room with a southern explosion " ( i. e., exposure )-Any Old Port!

Most recently, Matthew Wilkening of AOL Radio ranked the song at number 87 on the list of the 100 Worst Songs Ever, commenting, " We'd like to see Morgan Spurlock spend 30 days listening to nothing but this song.

We'd just been messing around with drum machines since we were like thirteen, tapping away at them like they were arcade games, making tapes to play our mates at school.

According to MTV, " We'd been used to MCs like Run and DMC, Chuck D and KRS-One leaping on the mic shouting with energy and irreverence, but Rakim took a methodical approach to his microphone fiending.

The club itself stated that it preferred to explore temporary, rather than permanent, expansion, saying " We'd like to meet the World Cup standards for matches when it comes to expansion but then perhaps scale down the stadium to something closer to where we are right now.

We'd moved from hobbyists to being on the verge of becoming serious-we were rewarded with a record deal, like Radio Birdman had six years earlier.

We'd been around for 10 years ... no drama or fights or anything like that.

Andy Plews a spokesman for UAL's United Airlines was quoted as saying " We don't believe it's a good safety issue "..." We'd like people to use the air phones.

We'd only seen Michael Flatley in Riverdance and when we had to meet, it was like ' Michael Flatley, oh my god!

We'd like to have a screening at UPIX.

We'd skate round once, hanging on to each other, and spend the rest of the night posing, like 14-year-old girls do.

He remembers, " We'd come back and on the stove, Granny would have a big pot of porridge or as she'd called it ' burgoo '.

We'd have not only the money but the bread tickets, for rationing was still in force.

In an interview with the BBC to celebrate the 25th anniversary of the original game, Braben confirmed that the game was still in development, saying, " We'd be mad not to go back to the world of Elite and I'm very excited about it ," and adding that it would be released only " when its ready.

We'd have sold a few thousand copies over the next couple of years and we'd be able to keep touring the same circuit and perhaps break into Europe a bit more but we'd still not really have an income from the band or any real prospect of one, and therefore because of various pressures on some of us individually we'd be struggling to continue to commit ourselves fully to the band.

We'd be in real trouble then.

Band morale was low, and Westerberg later stated: " We'd much rather play for fifty people who know us than a thousand who don't care ".

This ' Pure English ' resembles the ' blue-eyed English ' later adopted by the composer Percy Grainger, and sometimes the updates of known Old English words given by David Cowley in ' How We'd Talk if the English had WON in 1066 '

She later commented, " We'd just finished the song and he walked over to me.

Davies later explained, " We'd been out there for about 20 years just recording and touring and it seemed time to have a break with no ideas as to if or when we would come back.

She later finds a Hooverville, where people made homeless by the Great Depression have come together as a community (" We'd Like To Thank You, Herbert Hoover ").

" Speaking of Milt Brown and himself working with songs done by Jimmie Davis, the Skillet Lickers, Jimmie Rodgers, and others, and songs he'd learned from his father, he said that " We'd pull these tunes down an set ' em in a dance category.

We'd sing these fancy licks and he'd keep up with us note for note in exactly the same rhythm ... almost contributing a fourth voice.

" Speaking of Milton Brown and himself — working with popular songs done by Jimmie Davis, the Skillet Lickers, Jimmie Rodgers, songs he'd learned from his father and others — Wills said that " We'd ... pull these tunes down an set ' em in a dance category.