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Page "Meyer Lansky" ¶ 13
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We and wanted
Initially, Milne thought Shepard's style was not what he wanted, but used him to illustrate his book of poems When We Were Very Young.
" We did not know that the Yugoslavs, under the pretext of ' defending ' your country against an attack from the Greek fascists, wanted to bring units of their army into the PRA Republic of Albania.
We are told that he was " plain and powerful in preaching, fervent in prayer ", " a discerner of other men's spirits, and very much master of his own ", skilful to " speak a word in due season to the conditions and capacities of most, especially to them that were weary, and wanted soul's rest "; " valiant in asserting the truth, bold in defending it, patient in suffering for it, immovable as a rock ".
Translated excerpts from Hezbollah's original 1985 manifesto read :< div > We are the sons of the umma ( Muslim community ) ...... We are an ummah linked to the Muslims of the whole world by the solid doctrinal and religious connection of Islam, whose message God wanted to be fulfilled by the Seal of the Prophets, i. e., Prophet Muhammad.
We wanted to get rid of the bullshit, strip it down to rock ' n ' roll.
We wanted the fun and liveliness back.
DMC said later, “ We wanted to be the Dynamic Two, the Treacherous Two — when we heard that shit, we was like, ‘ We ’ re gonna be ruined !’ ”
Moore recalled that " we wanted to aim high, do something different and big ... We knew we had to have a strong Picard story arc, so what are the profound things in a man's life he has to face?
Abdel Rahman was screening for the film Hassan We Na ’ ima, and wanted to present Hosny as his new discovery in the role of Na ’ ima.
Mark Crowe notes, " We wanted to do two things for the player.
We also wanted the player to feel as if he really was the character on the screen.
We wanted to find 2 × 7, but instead we calculated ( 2 / 10 )× 7 = 0. 2x7 = 1. 4.
We wanted to blitz to stop the run early in the game.
Ethan said, " We wanted something that would generate a certain narrative feeling – like a modern Raymond Chandler story, and that's why it had to be set in Los Angeles ... We wanted to have a narrative flow, a story that moves like a Chandler book through different parts of town and different social classes ".
Romero stated, " We had a film company doing commercials and industrial films so there were a lot of people from the advertising game who all wanted to come out and be zombies, and a lot of them did ".
( Noel Neill and Jack Larson, in DVD commentary, said their standard answer when questioned about this was, " We wanted to keep our jobs!
Angela Santomero, one of its producers, said, " We wanted to learn from Sesame Street and take it one step further ".
Said Turner: " We wanted to play blues, boogie-woogie and Roy Brown, Jimmy Liggins, Roy Milton.
Thatcher also clarified that she wanted the Soviet leader to do what he could to stop it, telling Gorbachev " We do not want a united Germany ".
We rewrote most of the dialogue, all of us, which was also unusual, and Mr. Welles always wanted our input.

We and show
We may further grant to those of her ( Poetry's ) defenders who are lovers of poetry and yet not poets, the permission to speak in prose on her behalf: let them show not only that she is pleasant but also useful to States and to human life, and we will listen in a kindly spirit ; ;
We then outline the theory of the interaction of paramagnetic dipoles with nuclei and show that the theory is in excellent agreement with experiment.
We shall show that the polynomials Af behave in the manner described in the first paragraph of the proof.
We wish to show that the range of Af is exactly the subspace Af.
We first show that the function is single-valued in some neighborhood.
We must now show that on some component of the graph there exist two points for which the corresponding diagonal points in the C-plane are on opposite sides of C.
We now shall show that any involution with these characteristics is necessarily of the type we have just described.
We are abstracting from the fact of strikes here, but it should be obvious that the extent to which the public-limit price is raised by a given increase in the basic wage rate is also a function of the show of resistance put up by the industry.
We may show, first, that there cannot possibly be an alternative other than the three typically represented by Bultmann, Barth, and Buri.
We can all breathe more easily this morning -- more easily and joyously, too -- because Joshua Logan has turned the stage show, `` Fanny '', into a delightful and heart-warming film.
We now consider how the choice of description language affects the value of K, and show that the effect of changing the description language is bounded.
We show this by contradiction by making a program that creates a string that should only be able to be created by a longer program.
We have to distinguish between the spectra of di-atomic molecules, which exhibit a pronounced fine structure, and those of larger ( usually tri-atomic ) molecules that don ’ t show such fine structure.
We will show that the difference quotient for is always equal to:
She lost her job on The Dinah Shore Show when, as she said, " We were shooting all night, and into the next day, and time just got away from me, and I didn't realize that I was supposed to be on the set working as Dinah's double on her show, Chevy Theatre.
We will now show that the nontrivial converse is also true.
We can show a waveform is periodic by finding some period T for which the following equation is true:
We must show m
We can only show a sighted person a piece of yellow paper or a yellow scrap of cloth and say " That is yellow.
We show how to treat these below.
We can show that
#* Proof: We show if p
We can also show that the possible values of the observable A in any state must belong to the spectrum of A.
Say instead we wish to prove proposition p. We can proceed by assuming " not p " ( i. e. that p is false ), and show that it leads to a logical contradiction.
Merrily We Roll Along ( 1981 ), with a book by George Furth, is one of Sondheim's more " traditional " scores and was thought to hold potential to generate some hit songs ( Frank Sinatra and Carly Simon each recorded a different song from the show ).

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