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Weber's and main
Many scholars have described rationalisation and the question of individual freedom in an increasingly rational society, as the main theme of Weber's work.
In one of his novels, entitled Invitatie la vals, referring to Carl Maria von Weber's " Invitation to the Dance " ( later orchestrated by Berlioz ), a comparison is made between the novel's main character and Manon Lescaut.
There are two main forms of patrimonialism in Weber's analysis of traditional authority ( domination ).
Weber's overarching argument was that with modernity, traditional bureaucratic patrimonial forms of government eventually gave way to modern capitalist bureaucratic rationalism as the main principle of both government and governance.
Weber's main work was in algebra, number theory, and analysis.

Weber's and concern
" Weber's concern is that the director would push Christian to re-create Ivanova's character while playing Honor and " Ivanova ’ s command style is totally different from Honor ’ s.

Weber's and was
Weber's 1876 Christmas presents to his parents, when he was thirteen years old, were two historical essays entitled " About the course of German history, with special reference to the positions of the Emperor and the Pope ," and " About the Roman Imperial period from Constantine to the migration of nations.
Weber was put in charge of the study and wrote a large part of the final report, which generated considerable attention and controversy and marked the beginning of Weber's renown as a social scientist.
From 1893 to 1899 Weber was a member of the Alldeutscher Verband ( Pan-German League ), an organisation that campaigned against the influx of the Polish workers ; the degree of Weber's support for the Germanisation of Poles and similar nationalist policies is still debated by modern scholars.
Also in 1893 he married his distant cousin Marianne Schnitger, later a feminist activist and author in her own right, who was instrumental in collecting and publishing Weber's journal articles as books after his death and her biography of him is an important source for understanding Weber's life.
Weber's ordeal with mental illness was carefully described in a personal chronology that was destroyed by his wife.
This chronicle was supposedly destroyed because Marianne Weber feared that Max Weber's work would be discredited by the Nazis if his experience with mental illness were widely known.
Weber's thinking was strongly influenced by German idealism and particularly by neo-Kantianism, to which he had been exposed through Heinrich Rickert, his professorial colleague at the University of Freiburg.
Though the influence of his mother's Calvinist religiosity is evident throughout Weber's life and work, and though he maintained a deep, lifelong interest in the study of religions, Weber was open about the fact that he was personally irreligious.
Weber's methodology was developed in the context of a wider debate about methodology of social sciences, the Methodenstreit.
Weber's position was close to historicism, as he understood social actions as being heavily tied to particular historical contexts and its analysis required the understanding of subjective motivations of individuals ( social actors ).
Another reason for Weber's decision was that Troeltsch's work already achieved what he desired in that area: laying the groundwork for a comparative analysis of religion and society.
The Religion of China: Confucianism and Taoism was Weber's second major work on the sociology of religion.
The Religion of India: The Sociology of Hinduism and Buddhism was Weber's third major work on the sociology of religion.
Weber's most influential work was on economic sociology, political sociology, and the sociology of religion.
The theme of a religious basis of economic discipline is echoed in sociologist Max Weber's work, but both de Tocqueville and Weber argued that this discipline was not a force of economic determinism, but one factor among many that should be considered when evaluating the relative economic success of the Puritans.
This approach was most notably portrayed in Max Weber's concepts of traditional authority and modern rational-legal authority.
Adorno was chiefly influenced by Max Weber's critique of disenchantment, Georg Lukács's Hegelian interpretation of Marxism, as well as Walter Benjamin's philosophy of history.
Topelius initially thought of writing a trivial entertainment, but having heard extracts from the opera project at a concert in 1851, he realized that Pacius was writing a grand opera on the theme of salvation, following the early Romantic style of Carl Maria von Weber's Der Freischütz ( 1821 ) and Oberon ( 1826 ).
This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others.
Weber's shorter piano pieces, such as the Invitation to the Dance, was later orchestrated by Berlioz, while his Polacca Brillante was later set for piano and orchestra by Liszt.

Weber's and understanding
According to Weber's theses, social research cannot be fully inductive or descriptive, because understanding some phenomenon implies that the researcher must go beyond mere description and interpret it ; interpretation requires classification according to abstract " ideal ( pure ) types ".
He contrasted Durkheim with Weber's approach-interpretative sociology-focused on understanding agency and motives of individuals.
" Weber's argument can be understood as an attempt to deepen the understanding of the cultural origins of capitalism, which does not exclude the historical materialist origins described by Marx.
This discusses the essential concepts of Weber's sociology: " ideal type ," " empathic understanding ," " imaginary experiment ," " value-free analysis ," and " objectivity of sociological understanding ".
Jürgen Habermas has argued that to understand rationalization properly requires going beyond Weber's notion of rationalization and distinguishing between instrumental rationality, which involves calculation and efficiency ( in other words, reducing all relationships to those of means and ends ), and communicative rationality, which involves expanding the scope of mutual understanding in communication, the ability to expand this understanding through reflective discourse about communication, and making social and political life subject to this expanded understanding.
In a sociological sense, neo-Marxism adds Max Weber's broader understanding of social inequality, such as status and power, to Marxist philosophy.

Weber's and rationalisation
Weber's analysis of modernity and rationalisation significantly influenced the critical theory associated with the Frankfurt School.
It is argued that this work should not be viewed as a detailed study of Protestantism, but rather as an introduction into Weber's later works, especially his studies of interaction between various religious ideas and economic behaviour as part of the rationalisation of the economic system.

Weber's and disenchantment
Weber's work regarding the relationship between economics and religion and the cultural " disenchantment " of the modern West is perhaps most iconic of the approach set forth in the classic period of economic sociology.
Weber's major works in economic sociology and the sociology of religion dealt with the rationalization, secularisation, and so called " disenchantment " which he associated with the rise of capitalism and modernity.

Weber's and associated
An historical assumption is that New Product Development is conducted in a departmental stage process ( that can be traced back to the classical theory of the firm, e. g. Max Weber's bureaucracy or Henri Fayol's administration principles ), i. e. New Product Development activities are closely associated with certain department of a company.
In particular, Thurstone showed that if Fechner's law applies and the discriminal dispersions associated with stimuli are constant ( as in Case 5 of the LCJ outlined below ), then Weber's law will also be verified.

Weber's and with
The Protestant Ethic formed the earliest part in Weber's broader investigations into world religion: he would go on to examine the religions of China, the religions of India and ancient Judaism, with particular regard to the apparent non-development of capitalism in the corresponding societies, as well as to their differing forms of social stratification.
Especially important to Weber's work is the neo-Kantian belief that reality is essentially chaotic and incomprehensible, with all rational order deriving from the way in which the human mind focuses its attention on certain aspects of reality and organises the resulting perceptions.
Weber's opinions regarding the methodology of the social sciences show parallels with the work of contemporary neo-Kantian philosopher and pioneering sociologist Georg Simmel.
But, even though Weber's research interests were very much in line with that school, his views on methodology and the theory of value diverged significantly from those of other German historicists and were closer, in fact, to those of Carl Menger and the Austrian School, the traditional rivals of the historical school.
Weber's work in the field of sociology of religion started with the essay The Protestant Ethic and the Spirit of Capitalism and continued with the analysis of The Religion of China: Confucianism and Taoism, The Religion of India: The Sociology of Hinduism and Buddhism and Ancient Judaism.
Though his research interests were always in line with those of the German historicists, with a strong emphasis on interpreting economic history, Weber's defence of " methodological individualism " in the social sciences represented an important break with that school and an embracing of many of the arguments that had been made against the historicists by Carl Menger, the founder of the Austrian School of economics, in the context of the academic Methodenstreit (" debate over methods ") of the late 19th century.
Max Weber's article has been cited as a definitive refutation of the dependence of the economic theory of value on the laws of psychophysics by Lionel Robbins, George Stigler, and Friedrich Hayek, though the broader issue of the relation between economics and psychology has come back into the academic debate with the development of " behavioral economics.
Weber's preoccupation with the importance of economic calculation led him to develop a critique of socialism as a system that lacked a mechanism for allocating resources efficiently in order to satisfy human needs.
In 1989, Schumacher signed with Willi Weber's WTS Formula Three team.
The most commonly used definition is Max Weber's, which describes the state as a compulsory political organization with a centralized government that maintains a monopoly of the legitimate use of force within a certain territory.
Weber's time in Württemberg was plagued with troubles.
Weber's constructions of rationality have been critiqued both from a Habermasian ( 1984 ) perspective ( as devoid of social context and under-theorised in terms of social power ) and also from a feminist perspective ( Eagleton, 2003 ) whereby Weber's rationality constructs are viewed as imbued with masculine values and oriented toward the maintenance of male power.
Depicting different types of “ economic man ” ( each depending on the social context ) is in fact possible with the help of cultural anthropology, and social psychology ( a branch of psychology economists have strangely ignored ), if only those types are contrived as socially and / or historically determined abstractions ( such as Weber's, Korsch's, and Fromm's concepts of Idealtypus, “ historical specification ”, and “ social character ”).
There were no Toscanini telecasts in 1950, but they resumed from Carnegie Hall on November 3, 1951, with Weber's overture to Euryanthe and Brahms ' Symphony No. 1.
Other notable recordings include Johannes Brahms ' Symphony No. 4 and Franz Schubert's third and eighth (" Unfinished ") symphonies, also with the Vienna Philharmonic, recordings of Dvořák's Concerto for piano and orchestra with Sviatoslav Richter, Carl Maria von Weber's Der Freischütz, Johann Strauss ' Die Fledermaus, Giuseppe Verdi's La Traviata and Richard Wagner's Tristan und Isolde.

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