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Writing and Mary
Writing of the beauty of the Hebrew women there, he records them saying St. Mary was a relative of theirs, and notes that, " The house of St. Mary is a basilica.
Mary Wollstonecraft and Mary Shelley: Writing Lives.
Nicholas Meyer won the Saturn Award for Best Writing, Mary Steenburgen won the Saturn Award for Best Actress, and Miklós Rózsa won the Saturn Award for Best Music.
* Lady Mary Wortley Montagu-The Dean's Provocation for Writing the Lady's Dressing-Room ( on Swift's " The Lady's Dressing Room ")
Writing in the Dictionary of National Biography, the philosopher Mary Warnock opined, " Even if her campaigning did not succeed in ‘ cleaning up TV ’, still less in making it more fit to watch in other ways, she was of serious intent, and was an influence for good at a crucial stage in the development both of the BBC and of ITV.
" Against the Limits of Language: The Geometries of Anne-Marie Albiach and Susan Howe ", in Moving Borders: Three Decades of Innovative Writing By Women, Mary Margaret Sloan, ed.
* Berg, Mary G. " Writing for her Life: The Essays of Clorinda Matto de Turner ", in Reinterpreting the Spanish American Essay: Women Writers of the 19th and 20th Centuries.
* Mary Ellen Guffey, " Organizing and Writing Business Messages ," Business Communication: Process and Product, p. 160-161.
For his work on Mary Poppins, he shared Academy Award nominations for Best Picture with Walt Disney, and for Best Writing, Screenplay Based on Material from Another Medium with Don DaGradi.
* Carol Brightman, Writing Dangerously: Mary McCarthy And Her World, ( 1992 ), Harvest Books, ISBN 0-15-600067-9
Among the most important, pre-1995 monographs are: Abroad ( 1980 ) by Paul Fussell, an exploration of British interwar travel writing as escapism ; Gone Primitive: Modern Intellects, Savage Minds ( 1990 ) by Marianna Torgovnick, an inquiry into the primitivist presentation of foreign cultures ; Haunted Journeys: Desire and Transgression in European Travel Writing ( 1991 ) by Dennis Porter, a close look at the psychological correlatives of travel ; Discourses of Difference: An Analysis of Women ’ s Travel Writing by Sara Mills, an inquiry into the intersection of gender and colonialism during the 19th century ; Imperial Eyes: Travel Writing and Transculturation ( 1992 ), Mary Louise Pratt's influential study of Victorian travel writing ’ s dissemination of a colonial mind-set ; and Belated Travelers ( 1994 ), an analysis of colonial anxiety by Ali Behdad.
* Anne C. Fogarty: " The Ear of the Other: Dissident Voices in Kate O ' Brien's As Music and Splendor and Mary Dorcey's A Noise From the Woodshed " in Éibhear Walshe ( editor ): Sex, Nation and Dissent in Irish Writing ( 1997 )
* Spalding, Romalda B., The Writing Road to Reading, North, Mary E. Ed.
* Lines in the Sand: New Writing on War and Peace by Mary Hoffman ( 2003 )
* The Last AW Writing Team: Leah Laiman ( Head Writer, Jean Passanante ( co-Head Writer ), Stephen Demorest, Melissa Salmons, Laura Maria Censabella, Judy Tate, Tom Wiggin, Tom King, Maura Penders, Richard Culliton, Shelly Altman, Carolyn Culliton, Richard J. Allen, Sofia Landon Geier, Lynn Martin, Gillian Spencer, Mary Sue Price, Edwin Klein, Gordon Rayfield, Courtney Simon, Eleanor Labine

Writing and Mathilda
" Women and the Writing of History in the Early Middle Ages: The Case of Abbess Mathilda of Essen and Æthelweard.

Writing and ".
" Writing in 2007, Neil Lewis of The New York Times remarked that, " To this day, each side in the epic he-said, she-said dispute has its unmovable believers ".
Writing for the Chicago Reader, Jonathan Rosenbaum called the film " generic " and " standard issue ", stating that the audience shouldn't " expect to remember it ten minutes later ".
Writing decades after Cantor's death, Wittgenstein lamented that mathematics is " ridden through and through with the pernicious idioms of set theory ," which he dismissed as " utter nonsense " that is " laughable " and " wrong ".
Writing in Cosmos, journalist Wilson da Silva reacted to Greenpeace's destruction of a genetically modified wheat crop in Ginninderra as another sign that the organization has " lost its way " and had degenerated into a " sad, dogmatic, reactionary phalanx of anti-science zealots who care not for evidence, but for publicity ".
Writing towards the end of 1987, music critic Simon Reynolds dubbed Public Enemy " a superlative rock band ".
Writing history is the business of historians ".
In 2008, King's book On Writing was ranked 21st on Entertainment Weekly list of " The New Classics: The 100 Best Reads from 1983 to 2008 ".
Writing in 1944, the liberal Austrian economist Friedrich Hayek said of the change in political attitudes that had occurred since the Great War: " Perhaps nothing shows this change more clearly than that, while there is no lack of sympathetic treatment of Bismarck in contemporary English literature, the name of Gladstone is rarely mentioned by the younger generation without a sneer over his Victorian morality and naive utopianism ".
Writing in The Guardian on 18 October, Powell asserted that due to the Falklands War, " Britain no longer looked upon itself and the world through American spectacles " and the view was " more rational ; and it was more congenial ; for, after all, it was our own view ".
Writing in Variety, Todd McCarthy said the cast ensemble " could not be better "; he praised Spacey's " handling of innuendo, subtle sarcasm and blunt talk " and the way he imbued Lester with " genuine feeling ".
" Writing in Richardson's sister paper, The Manchester Guardian, the critic referred to Johnson's ' sex snobbery and sadism ' tag, but pointed out that whilst " the casualties take place on a somewhat narrower front than usual, they are heavy ".
" Writing in The New York Times, Anthony Boucher — described by a Fleming biographer, John Pearson as " throughout an avid anti-Bond and an anti-Fleming man "— was again damning of Fleming's work, saying " it's harder than ever to see why an ardent coterie so admires Ian Fleming's tales ".
As Stone stated, " Writing for children is not so easy ".
" In another essay in Writing and Difference entitled " Violence and Metaphysics: An Essay on the Thought of Emmanuel Levinas ", the roots of another major theme in Derrida's thought emerges: the Other as opposed to the Same " Deconstructive analysis deprives the present of its prestige and exposes it to something tout autre, " wholly other ," beyond what is foreseeable from the present, beyond the horizon of the " same ".
Writing a lipogram may be a trivial task for uncommon letters like " Z ", " J ", " Q ", or " X ", but it is much more difficult for common letters like " E ", " T " or " A ".
Writing about a study that seemed to undermine the deterrence effect, a death penalty proponent wrote, " The research didn't cover a long enough period of time ", while an opponent's comment on the same study said, " No strong evidence to contradict the researchers has been presented ".
Writing in The New York Times, Anthony Boucher – described by a Fleming biographer, John Pearson, as " throughout an avid anti-Bond and an anti-Fleming man " – was damning in his review, saying that From Russia, with Love was Fleming's " longest and poorest book ".
Writing in 1940, he called him " an exceptionally perverse, morbid writer, a case for psychoanalysis ".
For a time, until the new building was completed, embassy workers had to communicate in conference rooms in writing, using children's " Mystic Writing Tablets ".
Early in September 2004, Michael Cullen, the deputy prime minister of New Zealand, announced that Irving would not be permitted to visit the country, where he had been invited by the National Press Club to give a series of lectures under the heading " The Problems of Writing about World War II in a Free Society ".
Writing more than a century later the writer W. H. Murray agreed, complaining that the visitors spoiled the " character and atmosphere ", and rather stand-offishly suggesting that " to know Staffa one must go alone ".
" Dickinson's Bawdy: Shakespeare and Sexual Symbolism in Emily Dickinson's Writing to Susan Dickinson ".
Writing for the British Film Institute, Sergio Angelini judged that " Le Mesurier is utterly compelling throughout in an atypical role ".
Writing for The Observer, Robert Cushman thought that Le Mesurier played the role with " deeply grizzled torpor ", while Michael Billington, reviewing for The Guardian saw him as a " grey, gentle wisp of a man, full of half-completed gestures and seraphic smiles ".
" Writing in The Manchester Guardian, Roy Perrott observed that " Goldfinger ... will not let close admirers down ".

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