" Writing in The Guardians sister paper, The Observer Maurice Richardson pondered if there had been " a deliberate moral reformation " of Bond.

" Writing in The Guardians sister paper, The Observer, Philip French noted that " this curiously muted film ends up making no contribution of its own and inviting damaging comparisons with the original, hyper-confident Thunderball ".

" Writing in The Guardians sister paper, The Observer, Maurice Richardson thought that " our Casanovaesque cad-clubman secret agent is mellowing a bit now "; Richardson liked the format, saying that " the short form suits him quite well " although the downside is that " if it checks the wilder fantasies it cuts short the love-affairs ".

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