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Writing and Irish
* Writing as " William Irish ", Cornell Woolrich published Waltz into Darkness ( 1947 ), set in 1880 New Orleans.
John Cage's Roaratorio: an Irish circus on Finnegans Wake combines a collage of sounds mentioned in Finnegans Wake, with Irish jigs and Cage reading his Writing for the Second Time through Finnegans Wake, one of a series of five writings based on the Wake.
Writing in the Daily Telegraph, Ed West has asserted that Kathy Beirne's story is " largely invented " according to Kathy's Real Story, a book by Hermann Kelly, a Derry born journalist on the Irish Daily Mail and former editor of The Irish Catholic.
Journalist Bruce Arnold, chief critic of the Irish Independent, argued that " Writing, for example, is not really served at all by the archaic institution for conferring honours on artists, known as Aosdána, which really does little to help the other arts either.
Writing in Irish now encompasses a broad range of subjects and genres, with more attention being directed to younger readers.
* James Hardiman, Ancient Irish Deeds and Writing, chiefly relating to Landed Property, from the twelfth to the seventeenth century.
In a discussion with the Irish critic and writer Terence de Vere White she said: " Writing, for me, is a search for God.
Other notable projects included the page New Irish Writing for the Irish Press, which provided a forum for aspiring Irish authors, publishing most of the most important names in Irish fiction, many for the first time, including Dermot Bolger, Ita Daly, Anne Enright, Neil Jordan, Claire Keegan, John McGahern, Bernard MacLaverty, Eilis Ni Dhuibhne, Joseph O ' Connor, Colm Tóibín and William Wall.
A facsimile of the 1886 edition of Castle Daly ... appeared in Volume 5 of Irish Women's Writing, 1838-1888.
* Declan Kiberd: " Elizabeth Bowen: The Dandy in Revolt " in Éibhear Walshe: Sex, Nation and Dissent in Irish Writing ( 1997 )
Writing in 1846, Larcom remarks that the ' large ' and ' small ' acres had no fixed ratio between them and that there were various other kinds of acre in use in Ireland, for example: the Irish acre ; English acre ; Cunningham acre ; plantation acre and statute acre.
Writing in The New York Times, Charles Poore reported that Bradbury " writes in a style that seems to have been nourished on the poets and fabulists of the Irish Literary Renaissance ," praising him as being " wonderfully adept at getting to the heart of his story without talking all day long about it and around it.
Writing for the Irish Independent, Irish journalist Kevin Myers has criticised the craic spelling as being " pseudo-Gaelic " and a " bogus neologism ".
Writing of him in 1973, Irish historian Francis John Byrne stated his belief that:
* Radner, Joan N., " Writing history: Early Irish historiography and the significance of form ", Celtica, volume 23, pp. 312 – 325.
Writing in 1921 the Irish historian, Fr.
* Anne C. Fogarty: " The Ear of the Other: Dissident Voices in Kate O ' Brien's As Music and Splendor and Mary Dorcey's A Noise From the Woodshed " in Éibhear Walshe ( editor ): Sex, Nation and Dissent in Irish Writing ( 1997 )
* Irish Writers on Writing featuring Kate O ' Brien.

Writing and Times
`` We, the Subscribers, do agree, that as soon as a convenient Number of Persons have subscribed to this, or a similar Writing, We will present a petition to the Hon'ble General Court of the Commonwealth of Massachusetts, praying for an Act incorporating into a Body politic the subscribers to such Writing with Liberty to build such a Bridge, and a Right to demand a Toll equal to that received at Malden Bridge, and on like Terms, and if such an Act shall be obtained, then we severally agree each with the others, that we will hold in the said Bridge the several shares set against our respective Names, the whole into two hundred shares being divided, and that we will pay such sums of Money at such Times and in such Manners, as by the said proposed Corporation, shall be directed and required ''.
" Writing in 2007, Neil Lewis of The New York Times remarked that, " To this day, each side in the epic he-said, she-said dispute has its unmovable believers ".
* Breckman, Warren,Times of Theory: On Writing the History of French Theory ,” Journal of the History of Ideas, vol.
Writing to The Times, Hayek said, " May one who has devoted a large part of his life to the study of the history and the principles of liberalism point out that a party that keeps a socialist government in power has lost all title to the name ' Liberal '.
Writing in The New York Times in 1994, Neil Strauss referred to " Forever Changes " as " a cocktail of lush strings and innocent pop ballads, ( it ) remains one of the best pop albums of the 60's and has influenced many current bands.
Writing in the New York Times in 1990, Richard Bernstein noted " The term ' politically correct ,' with its suggestion of Stalinist orthodoxy, is spoken more with irony and disapproval than with reverence.
Writing for the New York Times shortly after the flight, however, journalist Arthur Krock described mixed feelings in the United States due to fears of the spaceflight's potential military implications for the Cold War, and the Detroit Free Press wrote that " the people of Washington, London, Paris and all points between might have been dancing in the streets " if it were not for " doubts and suspicions " about Soviet intentions.
Writing with Rachel Caspari, their Race and Human Evolution ( 1997, Simon & Schuster ) was very favorably reviewed in professional journals and in the New York Times, where it was recommended reading.
Writing in The Times Literary Supplement Philip Stead was more generous to Dr. No, although he thought that Fleming was offering " too opulent a feast " with the book, although he manages to pull this off, where " a less accomplished writer, lacking Mr. Fleming's quick descriptive gift and his powers of making his characters talk with such lucid and natural style, would never have got away with this story.
" Writing in The New York Times, Anthony Boucher — described by a Fleming biographer, John Pearson as " throughout an avid anti-Bond and an anti-Fleming man "— was again damning of Fleming's work, saying " it's harder than ever to see why an ardent coterie so admires Ian Fleming's tales ".
Writing in the New York Times, Carter B. Horsley said of the River House: " Erected in 1931 when its area still teemed with tenements, it was mocked in the famous and popular 1936 movie, ' Dead End ' that was Lillian Hellman's adaptation of Sidney Kingsley's play.
Writing in The New York Times, Anthony Boucher – described by a Fleming biographer, John Pearson, as " throughout an avid anti-Bond and an anti-Fleming man " – was damning in his review, saying that From Russia, with Love was Fleming's " longest and poorest book ".
Writing in the New York Times on the occasion of Nielsen's 125th anniversary in 1990, Andrew Pincus explained that 25 years earlier Leonard Bernstein had believed the world was ready to accept the Dane as the equal of Sibelius.
His writing has appeared in Harper's, Orion, The New York Times Magazine, Granta, The Sun, and Manoa, and in Best American Essays, The Best American Spiritual Writing, and the " best of " collections from Outside, National Geographic, The Paris Review, Witness, and The Georgia Review.
Writing in 2005, the New York Times language columnist William Safire attributed the term ( in its modern usage ) to conservative blogger Andrew Sullivan, who wrote on June 1, 2003: I have a new term for those on the fringes of the religious right who have used the Gospels to perpetuate their own aspirations for power, control and oppression: Christianists.
Writing on Vigo's career in The New York Times, Andrew Johnston ( critic ) stated: " The ranks of the great film directors are short on Keatses and Shelleys, young artists cut off in their prime, leaving behind a handful of great works that suggest what might have been.
Writing in the Los Angeles Times ( January 4, 1970 ), Don Heckman pointed out this dichotomy.
Writing about Lewis-Smith's hoax phone calls in The Times Higher Education, Sally Feldman observed that " He chooses his victims carefully, pricking the pompous and the powerful in the very best traditions of satire.
Writing in The Times, Richard Morrison stated that " even by the bleak standards of Sixties architecture, Euston is one of the nastiest concrete boxes in London: devoid of any decorative merit ; seemingly concocted to induce maximum angst among passengers ; and a blight on surrounding streets.
Writing in the The New York Times, Goodman said, " The writers try everything, including some business involving raiders of a lost orb, without much of a payoff.
Writing in The Times in 1855, Henry Morley called Farren " one of the most finished actors by whom the stage has been adorned in the present century.
Writing in the New York Times a few days after the system premiered, film critic Bosley Crowther wrote:
Writing in The Times Literary Supplement, Alexander Fiske-Harrison reviewed her final novel in 2000, Gemini, and through that her entire oeuvre of historical fiction: " Although Dunnett ’ s writing style is not the neutral prose of genre fiction and it can be opaque and hard to read, especially in the early works, at times, this works with the almost melodramatic content to produce a powerful, operatic mixture ...

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