Its plan consists of a rectangle with a portico extending to the south and Wyatt's rectangular extension to the north.

The east and west faces also have nine bays in the original part of the building, plus an additional three bays to the north on Wyatt's extension.

The nine-bay three-storey east front is mostly Elizabethan in style and has Wyatt's single-storey extension protruding from its centre.

At the rear of the ground floor in Wyatt's extension is the Council Chamber.

In January and February 1554, Wyatt's rebellion broke out ; it was soon suppressed.

In 1743, a factory was opened in Northampton with fifty spindles on each of five of Paul and Wyatt's machines.

The plot was discovered, and Wyatt's supporters were hunted down and killed.

Wyatt was estranged from his own wife, and unverifiable romantic legends about Anne and him abound, particularly in the writings of Wyatt's grandson.

In the Tower, Dudley's stay coincided with the imprisonment of his childhood friend, Princess Elizabeth, who was sent there on suspicion of involvement in Wyatt's Rebellion.

In 1554, Charing Cross was the site of the final battle of Wyatt's Rebellion.

Wyatt's army had come from Kent, and with London Bridge barred to them, had crossed the river by what was then the next bridge upstream, at Hampton Court.

Morgan Earp was standing on Fremont Street to Wyatt's right, and Doc Holliday anchored the end of their line in Fremont Street, a few feet to Morgan's right.

None of Wyatt's poems were published during his lifetime — the first book to feature his verse was printed a full fifteen years after his death.

Wyatt's professed object was to experiment with the English tongue, to civilise it, to raise its powers to those of its neighbours.

Thomas Warton, the eighteenth century critic, considered Wyatt ' confessedly an inferior ' to his contemporary Henry Howard, and that Wyatt's ' genius was of the moral and didactic species and be deemed the first polished English satirist '.

According to Wyatt's grandson, after an argument over her during a game of bowls with the King, Wyatt was sent on, or himself requested, a diplomatic mission to Italy.

Elizabeth bore Sir Thomas three sons, Henry ( who died in early infancy ), Francis ( born in 1540 and took the surname of Darrell ), and Edward, who was later executed for his part in the Wyatt's Rebellion of 1554, led by his legitimate half-brother, Sir Thomas Wyatt, the younger. Sir Thomas left Elizabeth properties in Dorset.

After the execution of Catherine Howard, there were rumours that Wyatt's wife, Elizabeth, was a possibility for wife number six, despite the fact that she was still married to Wyatt.

Long after Thomas Wyatt's death, his only legitimate son, Thomas Wyatt the younger, led a thwarted rebellion against Henry's daughter, Queen Mary I, for which he was executed.

Thomas Wyatt's great grandson was Virginia Governor Francis Wyatt.

Queen Mary I was inclined to spare their lives, but Thomas Wyatt's rebellion against her plans to marry Philip of Spain led to the young couple's execution, a measure that was widely seen as unduly harsh.

Thomas Wyatt's Rebellion in early 1554, in which the Duke of Suffolk took part, was a result of this dislike.

Wyatt's original estimate for the work was £ 23, 000, but the need to repair structural defects discovered during the work led to costs escalating to more than £ 61, 000.

Although Wyatt's poem is often used to suggest George was hated due to his arrogance there is nothing to support this.

His son Sir Thomas Finch ( died 1563 ), was also knighted for his share in suppressing Sir Thomas Wyatt's insurrection against Queen Mary I, and was the son-in-law of Sir Thomas Moyle, some of whose lands Finch's wife inherited.

This is not to say that Wyatt's role in the construction of Fonthill was by any means minor to Beckford's, the former having been not only the author of the design of the building ( based on Beckford's ideas ), but he was ultimately a master at combining the different volumes and scales in the building, and in doing so he achieved a faux effect of layered historical development in the building by combining different stylistic architectural elements.

On the first floor of James Wyatt's building, the senior library, looking east

Wyatt's principal draughtsman was Joseph Dixon, who, according to Farington, had been with him from the time of the building of the Pantheon.

For his design for the building, architect Charles Bulfinch was inspired by two buildings of London: William Chambers's Somerset House, and James Wyatt's Pantheon.

The building was reconstructed and Wyatt's new dome was added.

When Thomas Wyatt the younger instigated what became known as Wyatt's rebellion, John Ponet, the highest-ranking ecclesiastic among the exiles, allegedly participated in the uprising.

Thomas Wyatt the younger led a force from Kent to depose Mary in favour of Elizabeth, as part of a wider conspiracy now known as Wyatt's rebellion, which also involved the Duke of Suffolk, the father of Lady Jane.

Lake's creative biography and later Hollywood portrayals boosted Wyatt's profile as a western lawman, when in fact his brother Virgil had far more experience as a sheriff, constable, and marshal.

Ike said he feared that Wyatt wanted to kill him because he knew of Wyatt's role.

On January 20, 1882, Dake deposited $ 2, 985 into an account in Wyatt's name at Hudson & Company in Tombstone, and authorized Wyatt to employ a posse to track down the Cowboys.

On February 2, Virgil and Wyatt resigned from their positions as Deputy U. S. Marshals in a letter published in The Daily Epitaph, though Dake refused Wyatt's resignation.

When the Cowboys maimed Virgil and murdered Morgan, Wyatt's actions in taking revenge captured people's attention.

He married Elizabeth Brooke ( 1503 – 1550 ), the sister of George Brooke, 9th Baron Cobham, in 1522, and a year later she gave birth to a son, Thomas Wyatt, the younger, who led Wyatt's rebellion many years after his father's death.

Wyatt's sonnets first appeared in Tottel's Miscellany in 1557.

The Egerton Manuscript, originally an album containing Wyatt's personal selection of his poems and translations, preserves 123 texts, partly in the poet's hand.

However, as Richard Harrier's The Canon of Sir Thomas Wyatt's Poetry ( 1975 ) shows, the problem of determining which poems aren't Wyatt's is much simpler.

Compared with the indubitable standard presented in Wyatt's 156 unquestionably ascribable poems, fewer than 30 of these 129 poems survive scrutiny.