The Abbey was founded in 1904 by a group that included Yeats with the aim of promoting indigenous literary talent.

William Butler Yeats was occasionally critical of Poe and once called him " vulgar ".

Ruickbie, Hutton, and others further argue that much of what has been published of Gardnerian Wicca, as Gardner's practice came to be known by, was written by Blake, Yeats, Valiente and Crowley and contains borrowings from other identifiable sources.

In the 20th century a loose ballad-like six-foot line with a strong medial pause was used by William Butler Yeats.

John " Jack " Butler Yeats ( 29 August 1871 – 28 March 1957 ) was an Irish artist and Olympic medallist.

His brother was William Butler Yeats.

Yeats was born in London, England.

He was the youngest son of Irish portraitist John Butler Yeats, and the brother of the Nobel Prize winning poet William Butler Yeats.

Mrs Salter recorded W. B. Yeats as saying " It's my belief that if you psychical researchers had been about when God Almighty was creating the world, he couldn't have done the job ".

William Butler Yeats was generally critical of Poe, calling him " vulgar.

William Butler Yeats ( ; 13 June 186528 January 1939 ) was an Irish poet and playwright, and one of the foremost figures of 20th century literature.

Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years.

Yeats was a very good friend of Indian Bengali poet Nobel laureate Rabindranath Tagore.

Yeats was born and educated in Dublin, but spent his childhood in County Sligo.

An Anglo-Irishman, William Butler Yeats was born in Sandymount, County Dublin, Ireland.

His father, John Butler Yeats ( 1839 – 1922 ), was a descendant of Jervis Yeats, a Williamite soldier and linen merchant who died in 1712.

At the time of his marriage, John Yeats was studying law but abandoned his studies to study art at Heatherley's Art School in London.

" Though he had difficulty with mathematics and languages ( possibly because Yeats was tone deaf ,) he was fascinated by biology and zoology.

It was during this period that he started writing poetry, and, in 1885, Yeats ' first poems, as well as an essay entitled " The Poetry of Sir Samuel Ferguson ", were published in the Dublin University Review.

During 1885, Yeats was involved in the formation of the Dublin Hermetic Order.

During séances held from 1912, a spirit calling itself " Leo Africanus " apparently claimed it was Yeats ' Daemon or anti-self, inspiring some of the speculations in Per Amica Silentia Lunae.

Gonne was eighteen months younger than Yeats and later claimed she met the poet as a " paint-stained art student.

There was a constant stream of visitors such as Robert Browning, Stevenson, Henley, Coventry Patmore, George Meredith, Francis Thompson, Stephen Phillips, W. B. Yeats, G. K. Chesterton, Sir Shane Leslie, Sir Ronald Storrs and others more or less renowned.

In later life, Yeats paid tribute to Blake by describing him as one of the " great artificers of God who uttered great truths to a little clan ".

Nearly twenty years later, Yeats recalled the night with Gonne in his poem " A Man Young and Old ":

As a young man he enjoyed being cutting about William Butler Yeats, but remained on good enough terms to visit him in later years at Rapallo.

His wife, a spiritualist, practised it, and Yeats put large chunks of it into his prose work, A Vision and much of his later poetry.

Yeats, who hated MacBride for capturing his muse Maud Gonne, and who later heard negative reports of MacBride's treatment of Gonne in their marriage, from Gonne herself, gave him the following ambivalent eulogy in his poem " Easter, 1916 ":

In the 20th century, William Butler Yeats used the form in several of his best later poems, including " Sailing to Byzantium " and " Among School Children ".

Symons contributed poems and essays to the Yellow Book, including an important piece which was later expanded into The Symbolist Movement in Literature, which would have a major influence on William Butler Yeats and T. S. Eliot.

He later parted ways with Yeats and Gregory, something he later regretted, but remained on warm terms with Lady Gregory till the end of his life.

William Butler Yeats later made reference to this work in his poem The Curse of Cromwell.

The three books were originally published separately and later brought together in a single volume, entitled Autobiographies ( the title itself is in conscious imitation of Yeats ), edited by Lucien Jenkins.

* Northrop Frye, in his highly influential Anatomy of Criticism, formulated a theories of cycles influenced by Giambattista Vico and Oswald Spengler, and later commented: " I noticed that the acceptance of theories of recurrence seemed to accompany either neurotic obsession, as in Nietzsche, or projected forms of self-interrogation of the most dubious kind, as in Yeats ' Vision.

Yeats, the Irish poet, stayed at The Chantry House in his later years with his mistress Edith Shackleton Heald

During the riots caused by the Abbey Theatre's production of The Playboy of the Western World, Colum, with Arthur Griffith, was the leader of those inciting the protests, which, as he later remarked, cost him his friendship with Yeats.

For a while, Tynan was a close associate of William Butler Yeats ( who may have proposed marriage and been rejected, around 1885 ), and later a correspondent of Francis Ledwidge.

Yeats initially found MacLeod acceptable and Sharp not, and later fathomed their identity.

The study of Blake, with Ellis, proved an intellectual investment for Yeats the son on which he drew in later years.

In addition to the title poem, the last epic-scale poem that Yeats ever wrote, the book includes a number of short poems that Yeats would later collect under the title Crossways in his Collected Poems.

It includes the play The Countess Kathleen and group of shorter lyrics that Yeats would later collect under the title of The Rose in his Collected Poems.

In addition to his work on Milton, Rajan's later criticism addresses issues of meaning, intention, and context in a broad array of writers including Spenser, Yeats, Marvell, Keats, and Macaulay.

His first collection of poems, 20 Poems ( 2001, ISBN 1-929812-05-1 ) was praised, first from Oxford University don, John Carey, who compared the poet to W. B. Yeats and later by Yale critic Harold Bloom.

Others may prefer to think of him, despite his academic standing, as anti-intellectual or lacking in complexity in a period when modernist poetry, from TS Eliot to the later works of William Butler Yeats, tended to be esoteric and difficult.