*: "' You worship that which you don ’ t know.

Andre Previn said, " You know, Stan Kenton can stand in front of a thousand fiddles and a thousand brass and make a dramatic gesture and every studio arranger can nod his head and say, ‘‘ Oh, yes, that ’ s done like this .’’ But Duke merely lifts his finger, three horns make a sound, and I don ’ t know what it is!

" You don ’ t need a celibate body, you need a celibate mind "

It was silence-breaking rather than rabble-rousing .” He stated “ You don ’ t have to love it.

In fact, one of the first scenes with Oskar Schindler, with Liam Neeson, was a scene where I'm saying, You don ’ t understand how hard it is, I have to order so many-so many meters of barbed wire and so many fencing posts and I have to get so many people from A to B.

In the English-language debate, Layton criticized Michael Ignatieff's poor attendance record in the House of Commons, saying " You know, most Canadians, if they don ’ t show up for work, they don ’ t get a promotion!

That ’ s why I basically said, ' You don ’ t have the visas yet.

You don ’ t think I could lay down all that bullshit sober, do you?

" In criticizing Newt Gingrich for secretly having an affair with a staffer while Gingrich, as House Speaker, was simultaneously impeaching President Bill Clinton for lying under oath about his affair with White House intern Monica Lewinsky, DeLay said, " I don ’ t think that Newt could set a high moral standard, a high moral tone, during that moment .... You can ’ t do that if you ’ re keeping secrets about your own adulterous affairs.

Jake publicly replied, " You may grace your readers with the meek tones of plum-mouthed middle englanders, but don ’ t send them round to my studio I ’ ll make [...] mince meat out of them, ha ha ha.

She was quoted as saying that “ You don ’ t need the vote to raise hell !” Her opposition to women taking an active role in politics was based on her belief that the neglect of motherhood was a primary cause of juvenile delinquency.

You probably don ’ t care.

Holmes Norton specialized in freedom of speech cases, and her work included winning a Supreme Court case on behalf of the white racist National States ' Rights Party, a victory she put into perspective in an interview with one of the District of Columbia Bar's website editors: " I defended the First Amendment, and you seldom get to defend the First Amendment by defending people you like ... You don ’ t know whether the First Amendment is alive and well until it is tested by people with despicable ideas.

When Dunstan decides to leave, she screams out “ You don ’ t love me !” Dunstan flees the scene, only to be called back by one of the Staunton servants, and when Dunstan returns, Leola is wrapped up in her bed after having slit her wrists and bled all over the bathroom.

Harry asks Tobias, “ You don ’ t want us, do you, Toby ?” Tobias delivers what the author refers to in the script notes as Tobias ’ s “ aria .” Tobias answers that he does not really want Harry and Edna to stay there but that because they are friends, Harry and Edna have the right to be there.

You know I don ’ t like to be hurt.

You don ’ t just get together and write a great song, especially with Nothingface.

“ The way she did it, she put people down … Today, … You don ’ t ridicule or berate people to try to make your point.

While other artists, such as Snoop Dogg, don a Toronto Maple Leafs jersey because of its resemblance to cannabis, " in the video for his single Anything For You, shot on location in Jamaica, the white Canadian reggae artist Snow is seen wearing the same jersey ( Maple Leafs ), perhaps in an attempt to proclaim his Canadian roots among the all black cast of this video ".

" Of his live performances, McCready has said, " I can kind of get into a meditative state when I ’ m playing, something I don ’ t get any other way ... You might see me staring up in the sky with my eyes closed.

My own story doesn ’ t seem very interesting to me ... You don ’ t want to be who you are onstage everyday.

" You don ’ t have any idea when its going to emerge, and when it ’ s not going to emerge.

* LOBEL: You just don ’ t want to smack her.

You feel an intense fear when you think of dying, or you may think of it more often than normal, or can ’ t get it out of your mind.

You ’ re not serving your own life well.

You ’ re wasting your life.

You ’ re sucked in all the time, and you ’ re being lied to in a very documentary-like setting.

You shouldn ’ t even have two days off after the season.

( p. 238 ) “ Do you see now why it feels so good to be a critical mind ?” asks Latour: no matter which position you take, “ You ’ re always right !” ( p. 238-239 )

Philippians: An Ancient Thank You Letter – A Study of Paul and His Ministry Partners ’ Relationship.

You declaim bitterly against the luxury of priests, the ambition of bishops, the tyranny of the Roman Pontiff, and the babbling of the sophists ; against our prayers, fasts, and Masses ; and you are not content to retrench the abuses that may be in these things, but must needs abolish them entirely ... Look around on this ‘ Evangelical ’ generation, and observe whether amongst them less indulgence is given to luxury, lust, or avarice, than amongst those whom you so detest.

Sally is awed by Ben ’ s apparently glamorous life, but Ben wonders if he made the right choices and considers how things might have been (" The Road You Didn't Take ").

Four months after publishing his first article in Marc ’ Aurelio, the highly influential biweekly humour magazine, he joined the editorial board, achieving success with a regular column titled Will You Listen to What I Have to Say?

" In reply to the question on whether this meant they intended to create a military dictatorship, O ’ Connor said: " You can take it that way if you like.

In Jacques Dupuis ’ Who Do You Say I Am ?, he argues that, within the one person of Jesus Christ, we can distinguish between his two natures, human and divine, and thus between the operations of his uncreated divine nature and his created finite human nature.

“ You ain ’ t the kind of Kit Carson I ’ m looking for .”

A vote trade is like a legislative ‘ I Owe You ’ ( IOU ).

Director John Cassavetes told him after he completed Boxcar Bertha: " You ’ ve just spent a year of your life making a piece of shit.

In the autumn of 1971 Sinatra and Hazlewood ’ s duet " Did You Ever?

* Noel, Hans ( 2010 ) " Ten Things Political Scientists Know that You Don ’ t " The Forum: Vol.

He told The Paris Review, " You can ’ t learn to write in college.

You ’ ve got a series of judges, an audience that comes in looking for a certain shtick that they want to see and that ’ s what they ’ re going to cheer for.

You ’ re in, though it ’ s luxurious, you ’ re in an environment that supplies you with everything but human contact.