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* The Meaning of Life, Terry Eagleton, Oxford University Press, 2007, ISBN 0-19-921070-5 ISBN 978-0-19-921070-1
According to literary critic Terry Eagleton, Le Fanu, together with his predecessor Maturin and his successor Stoker, form a sub-genre of Irish Gothic, whose stories, featuring castles set in a barren landscape, with a cast of remote aristocrats dominating an atavistic peasantry, represent in allegorical form the political plight of colonial Ireland subjected to the Protestant Ascendancy
However, in the wake of the economic crisis of 2008, Greek government debt crisis, 2008 – 2012 Spanish financial crisis and European sovereign debt crisis, thinkers such as Terry Eagleton, David Harvey, and David McNally have given renewed impetus to the debate on whether Marx was right that capitalism inherently tends towards crisis ( which Marx discussed as the " contradictions of capital ").
Heaney is described by critic Terry Eagleton as " an enlightened cosmopolitan liberal ", refusing to be drawn.
The English literary critic and cultural theorist, Terry Eagleton, defines Marxist criticism this way:
Terry Eagleton, a prominent British Marxist, excoriates Fish's " discreditable epistemology " as " sinister.
Literary critic Terry Eagleton is not wholly opposed to Cultural Studies theory like Bloom, but has criticised certain aspects of it, highlighting what he sees as its strengths and weaknesses in books such as After Theory ( 2003 ).
As more material became available to scholars, including the diaries of contemporaries and hundreds of affectionate and sometimes erotic letters written by James to younger men, the picture of neurotic celibacy gave way to a portrait of a closeted homosexual, although as author Terry Eagleton has stated, "... gay critics debate exactly how repressed his ( probable ) homosexuality was ..."
Other notable published works include film scripts ( Up in the Air, Blue, War Requiem, Caravaggio, Queer Edward II and Wittgenstein: The Terry Eagleton Script / The Derek Jarman Film ), a study of his garden at Dungeness Derek Jarman's Garden, and At Your Own Risk, a defiant celebration of gay sexuality.
Terry Eagleton praised its demystification of political language but later became disenchanted with Orwell.
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