Critic William Kuhn argued that much of his fiction can be read as " the memoirs he never wrote ", revealing the inner life of a politician for whom the norms of Victorian public life appeared to represent a social straitjacket – particularly with regard to his allegedly " ambiguous sexuality.

Critic William Baer notes that throughout his career " he constantly rose to the challenge of his own aspirations ", adding that " he was a pioneer and visionary who greatly affected the history of both stage and cinema ".

Critic William Michael Rossetti considered Leaves of Grass a classic along the lines of the works of William Shakespeare and Dante Alighieri.

He gave assistance to William Beloe in one or two articles in the British Critic, and probably wrote also in the Analytical Review and the Critical Review.

* F. H. Armstrong, " William Lyon Mackenzie, First Mayor of Toronto: A Study of a Critic in Power ", Canadian Historical Review 48 ( 1967 )

Also that year, the Boston Critic dedicated a special issue to Lowell on his seventieth birthday to recollections and reminiscences by his friends, including former presidents Hayes and Benjamin Harrison and British Prime Minister William Ewart Gladstone as well as Alfred Tennyson and Francis Parkman.

Critic William Burrill dismissed the game's visuals as " Dim Boy graphics are nothing to write home about ".

Critic William Winter said, “ He was followed as a marvel.

Critic Stephen Burt at the Boston Review commented: " William Carlos Williams and Emily Dickinson together taught Armantrout how to dismantle and reassemble the forms of stanzaic lyric — how to turn it inside out and backwards, how to embody large questions and apprehensions in the conjunctions of individual words, how to generate productive clashes from arrangements of small groups of phrases.

Critic Harold Bloom remarked several years later that Fields ', " croaking his ghastly dirge to the uncertain sound of his dulcimer, is a parodic version of the Bard of Sensibility, a figure out of the primitivism of Thomas Gray or William Blake.

" William Graham Sumner: Critic of Progressive Liberalism.

" William Graham Sumner as a Critic of the Spanish American War.

Critic William Ruhlman agreed though did not consider the album as strong.

Critic William Ruhlman agreed, writing that the album " is a highly referential work from an artist who started where most end and has been earnestly seeking the right direction ever since.

* 1985 – William Dudley for The Mysteries, The Real Inspector Hound, The Critic, The Merry Wives of Windsor and Mutiny

Critic William Fulwiler argues that Edgar Rice Burroughs ' At the Earth's Core was one of Lovecraft's primary inspirations for " The Nameless City ", citing " the reptile race, the tunnel to the interior of the earth, and the ' hidden world of eternal day '" as elements common to both tales.

* William Grimes, Hayden Carruth, Poet and Critic, Dies at 87, New York Times, 30 September 2008

Critic Lawrence van Gelder, writing for The New York Times, did not like the film.

Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".

Stroman is the recipient of five Tony Awards, two Lawrence Olivier Awards, five Drama Desk Awards, eight Outer Critic Circle Awards, a record four Astaire Awards and the Lucille Lortel Award.

Critic Alexander Woollcott wrote of Bogart's early work that he " is what is usually and mercifully described as inadequate.

Critic Lev Grossman described it as " a deeply unsettling existential horror story, a nightmare you'll never be sure you've woken up from.

Critic Simon Reynolds described this movement as " a rash of blurry, neo-psychedelic bands ".

Critic Stephen Thomas Erlewine has described Francis's writing as containing " bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture ".

Critic John Sutherland ( 1989 ) described the work as " the most sensationally successful of all the sensation novels.

Critic Stephen Farber has described the film as " One of the most skillful and entertaining summaries of Marilyn's endlessly fascinating rise and fall.

Critic Louis Vauxcelles described the work with the phrase " Donatello parmi les fauves!

Critic Henry Sheehan described the film as a retelling of Peter Pan from the perspective of a Lost Boy ( Elliott ): E. T.

Critic Billy Stevenson described the film as Moore's " most astonishing ", arguing that it represents an effort to conflate film-making and labor, and that " it's this fusion of film-making and work that allows Moore to fully convey the desecration of Flint without ever transforming it into a sublime or melancholy poverty-spectacle, thereby distancing himself from the retouristing of the town-as-simulacrum that occupies the last and most intriguing part of the film.

" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.

Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".

Critic Ned Chaillett has described Sink the Belgrano !, a critical take on the Falklands War, which premiered at the Half Moon Theatre, in Stepney, on 2 September 1986, as " a diatribe in punk-Shakespearean verse "; and Berkoff himself described it as " even by my modest standards ... one of the best things I have done ".

Critic and poet Kenneth Rexroth described Ciardi as ".

As Conservative Health Critic, Fletcher described himself as a supporter of the Canada Health Act but also indicated a willingness to permit greater private-sector involvement.

NDP Justice Critic Joe Comartin argued that this change addressed the legitimate concerns of Canadians, while removing what he described as " the radical, extreme over-reaction " of the Conservatives.

Film Critic David Robinson described Linder's screen persona as " no grotesque: he was young, handsome, debonair, immaculate ... in silk hat, jock coat, cravat, spats, patent shoes, and swagger cane.

Critic Stephen Thomas Erlewine described the hair metal – leaning album as " unbearable ".

Critic Nathan Morley described " Accidents " as the band's masterpiece.

Critic Tzvetan Todorov described Bénichou ’ s special interest as “ the thought of poets .” More generally, though, Paul Bénichou ’ s work contributed to the understanding of the creative writer's place in modernity, and illuminated the role of writers in legitimating the institutions and values of modern society.

Critic Marc Bernardin described the episode as Star Treks " smartest time-travel experiment " and a fan favorite.

" Critic Andre Meyer of CBS News thought the material on the album was " stronger " than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the " jittery R & B vibe that made Destiny's Child so potent.

Joe Bob Briggs, The Drive-In Movie Critic, described Wishman as, " The greatest female exploitation film director in history.