Both video and sound are used in 2600 games.

Both Desilu, Too and Lucille Ball Productions work hand-in-hand with MPI Home Video in the home video re-issues of the Ball / Arnaz material not currently owned by CBS ( successor-in-interest to Paramount Television, which in turn succeeded the original Desilu company ).

Both Paramount and CIC entered the video market with Paramount Home Video ( now Paramount Home Entertainment ) and CIC Video, respectively.

Both these claims are however often rigorously disputed because the first Sony Portapak, the Videorover did not become commercially available until 1967, first in the US ( Fred Forest does not contradict this, saying it was provided to him by the manufacturers ) and that Andy Warhol is credited with showing underground video art mere weeks before Paik's papal procession screening, but here probably made on a pre-portable mains deck.

Both 1996's Spy Hard and 1998's Wrongfully Accused, a parody of James Bond films and The Fugitive, respectively, received more popularity on home video but were not well received by critics.

Both films were reissued again by Walt Disney Studios Home Entertainment in November 2010 separately, as a two-disc DVD / Blu-ray set and a combined DVD and Blu-ray four-disc ( named the " Fantasia 2 Movie Collection ") set that featured 1080p high-definition video and 7. 1 surround sound.

Both a standard receiver and a receiver with built-in digital video recorder ( DVR ) are available to subscribers.

Both a standard receiver and a DVR ( digital video recorder ) are available to subscribers for an upgrade fee.

In 1974 the band Sparks filmed a promo video for their single " This Town Ain't Big Enough for Both of Us " from the album Kimono My House.

Both games were created for Sony's PlayStation video game console.

Both of these claims are controversial as the term's common definition as used by gamers ( to describe a video game match in which players kill each other over and over, respawning after each time they die ) predates both titles by over a decade.

Both of these sketches can be seen on the video website YouTube.

Both events were released for home video.

Both films were directed by Adam Mason who first worked with him on the Mortiis video for Decadent & Desperate.

Both Tim and Chris had worked in arcade game development and claimed to be " the most experienced arcade video game design team in Britain ", until tiring of working for others and leaving to start ACG.

Both were broadcast over French radio, resulting in bootleg recordings of decent quality ; video of the second show also exists.

Both animation fans and the UCLA Film and Television Archive have worked to give the classic Fleischer cartoons the credit they deserve, and high-quality restored editions of the Fleischer cartoons have also been made available on pay-cable, home video and DVD.

Both home video formats contain no special features with a non-anamorphic widescreen transfer of the film.

Both are films, but are also books, video games, cartoons, and action figures.

Both GameSpot and IGN noted several bugs causing video and sound problems, as well as alt-tabbing causing the game to crash.

Both the video and the DVD contained all the five episodes.

Both the Blu-ray Disc format and the now-discontinued HD DVD format include the H. 264 / AVC High Profile as one of 3 mandatory video compression formats.

Both used a 2 inch tape transport design adapted from the video recording division.

Both were similar to the D1 and D2 VTR formats, using a 19 mm ( 3 / 4 ") width, with the DCT format using DCT ( discrete cosine transform ) video compression, also its namesake.

Both parts of the stage show were featured in the " Just Like Paradise " music video.

Both Pop Art and photo-realism, due to their dependence on photographic imagery, were characterized by an absence of apparent brushstrokes.

Both systems used the same photographic cards and automated film development system originally developed for Walnut, but replacing the diazo film with longer-lasting conventional silver halide films.

Both the Civil War and USGS photographic works point up an important feature of documentary photography: the production of an archive of historical significance, and the distribution to a wide audience through publication.

Both Bob Jones, Sr. and Bob Jones, Jr. believed that film could be an excellent medium for mass evangelism, and in 1950, the university established Unusual Films within the School of Fine Arts.

Both columnist Liz Smith and film critic Rex Reed have mounted vigorous campaigns to gather support for an honorary Academy Award for Day to herald her film career and her status as the top female box-office star of all time.

Both versions of the film end the same way: Kong and Godzilla crash into the ocean, and Kong is the only monster to emerge and swims home.

Both Gary and Michelle Lineker make a ' blink-and-you'll-miss-them ' appearance as diners leaving a restaurant in the 1993 Eric Idle film Splitting Heirs.

Both New Order and Joy Division were portrayed in the Michael Winterbottom film 24 Hour Party People, depicting the rise and fall of Factory Records as seen through the eyes of label founder Tony Wilson.

Both Peckinpah and McQueen needed a hit, and they immediately began working on the film in February 1972.

Both a film ( 1940 ) and a short lived 1979 television sitcom starring Sharon Gless and John Schuck ( canceled after six episodes ) were based on Turnabout .< ref >

Both the quartz and film badge type are being superseded by the TLD and electronic semiconductor type, which can have a number of sophisticated functions such as alarming at preset levels and live readout of dose accumulated.

* Both Maurice Sendak ’ s Chicken Soup with Rice and his animated film and stage production Really Rosie ( with music by Carole King ) make multiple references to the dish.

Both Shatner and test audiences were dissatisfied that Kirk was fatally shot in the back in the original ending of Generations ; an addendum inserted while Shatner's Star Trek Movie Memories memoir was being printed expresses his enthusiasm at being called back to film a rewritten ending.

Both the fair and the song are focal points of the 1944 feature film Meet Me in St. Louis starring Judy Garland, which also inspired a Broadway musical version.

Both films were equally received by film critics.

Both Binoche and director Peter Kosminsky distanced themselves from the film, with Binoche refusing to do any promotion for the film or to redub it into French.

Both the film, and Bridges ' performance as Rooster Cogburn, were critically praised.

" Both Jensen and Springarn were also confused " by the film ’ s Reconstruction setting, states Jim Hill Media, writing that “ It was something that also confused other reviewers who from the tone of the film and the type of similar recent Hollywood movies Jezebel ( film ) | Jezebel assumed it must also be set during the time of slavery .” Based on the Jensen and Springarn memos, White released the “ official position ” of the NAACP in a telegram that was widely quoted in newspapers.

Both the play and film reflect popular concerns at the time, particularly Freudian analysis.

Both Hurston and Langston Hughes claimed to like Imitation of Life, though both reversed their opinion after Sterling Allen Brown lambasted both the book and the first film in a review entitled " Imitation of Life: Once a Pancake ", a reference to a line in the first film.

Both non-CG films were also non-U. S .; Spirited Away came from Japan ( it is also the only film not originally created in the English language to win the award ) and Wallace & Gromit: The Curse of the Were-Rabbit came from Britain.

Both adaptations were published in 1985, and differ from the movie in that they feature a fourth ending cut from the final film.

Both The New York Times and Washington Post gave it average reviews, noting that it was a fairly standard Seagal action film.