She rubbed her eyes and stretched, then sat up, her hands going to her hair.

She helped him with the dishes, then he brought more water in from the spring before it got dark.

She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.

She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.

She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.

`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.

She just about made me carry her upstairs and then she clung to me and wouldn't let me go.

She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.

She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.

She then went over them thoroughly giving each a strenuous test in showmanship.

She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.

She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).

She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.

She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.

She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.

She was Mary Lou Brew then, wide-eyed, but not naive.

She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.

She had assumed before then that one day he would ask her to marry him.

She was thirty-one years old then.

She walked restlessly across the room, then back to the windows.

She smoothed the skirt, sat down, then stood up and went back to the windows.

She made a face at him and then she laughed.

She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.

She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She tells him of the consequences of his behavior.

She tells him the world needs people like him, and Hapgood can't turn himself in.

She tells her daughters-in-law to return to their own mothers, and remarry.

She turned it to Matthew 9: 2, which tells the story of Jesus healing a man who was sick with palsy, and after pondering the meaning of the passage, found herself suddenly well and able to get up.

She tells them that this attack will be led by Teg.

She tells her servant Ninshubur ( Lady Evening ), a reference to Inanna's role as the evening star, that if she does not return in three days, to get help from her father Anu, Enlil, king of the gods, or Enki.

She tells them that not only is her father dead, but she burned all of the notes about the giant dinosaur ( at her father's request ).

She tells Rhett tearfully, " I'm afraid I'll die and go to hell ," to which Rhett replies, " Maybe there isn't a hell.

She calls Rhett a cad and tells him no woman would want a baby of his.

She tells him, " it is at the guarding of thy death that I am ; and I shall be.

She tells him that she probably only has a year or two left to live, and therefore takes everything as it comes.

She tells Peter and " the beloved disciple ," who run to the tomb and find the grave-clothes, then go home.

She also tells him she is leaving Mars, and that Parker should enjoy his new status as a hero .< ref > Parker: So.

She tells Maria Santos that Pine Valley is familiar to her, and, that she is " Erica Kane's daughter ".

She tells Fredrik that he needs to be rescued from his marriage, and she proposes to him.

She tells Lisa, " There has to be more life than just what we see, everyone needs something to believe in.

She tells him that the IRA has tried and convicted him in absentia.

She tells how the matter stands, is threatened with violence by the podestà, but will not brook it.

She tells Christine to “ take the spade of intelligence and dig deep to make a trench all around city … Reason will help to carry away the hods of earth on shoulders .” These “ hods of earth ” are the past beliefs Christine has held about male slanderers.

She also tells about her pre and post Little House career and her side-projects during the Little House years.

She gives a stirring speech in which she tells him that she must obey her conscience rather than human law.

She meets Domin, the General Manager of R. U. R., who tells her the history of the company.

She does not acknowledge her grief, and only Xander can force her to face it when he tells her that he loves her no matter what or who she is, and if she is determined to end the world she must start by killing him.

She later tells the other tenants that she only said that to threaten Kyoko into coming back.