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* Henri Pousseur Composer
For Henri Pousseur, after an initial period working with twelve-tone technique in works like Sept Versets ( 1950 ) and Trois Chants sacrés ( 1951 ), serialismevolved away from this bond in Symphonies pour quinze Solistes and in the Quintette la mémoire d ’ Anton Webern, 1955, and from around the time of Impromptu encounters whole new dimensions of application and new functions.
* August 25 – September 5 – Darmstädter Ferienkurse held in Darmstadt, with lectures by Włodzimierz Kotoński, György Ligeti, Andrzej Markowski, Yoritsune Matsudaira, Werner Meyer-Eppler, Luigi Nono, Henri Pousseur, Karlheinz Stockhausen, and Bo Wallner, and world premieres of Claude Baillif's Mouvements pour deux, Sylvano Bussotti's Piano Pieces for David Tudor, Cornelius Cardew's Two Books of Study for Pianists and Piano Piece 1959, Niccolo Castiglioni's Cangiati per pianoforte, Roman Haubenstock-Ramati's Interpolation: Mobile pour flûte, Mauricio Kagel's Transición II, Angelo Paccagnini's Canti brevi: secondo libro, and Stockhausen's Zyklus.
* July 11 – July 22 – The Darmstädter Ferienkurse are held in Darmstadt with a series of lectures by Theodor W. Adorno, two public discussions of the new medium of electronic music, and world premieres of works by ( amongst others ) Richard Rodney Bennett, Pierre Boulez, Jacques Calonne, Aldo Clementi, Luc Ferrari, Alexander Goehr, Bengt Hambraeus, Hans Werner Henze, Bruno Maderna, Henri Pousseur, and Karlheinz Stockhausen.
* Henri Pousseur: Chaconne for solo violin
* Henri Pousseur: Liège à Paris ( 1977 )
In 1977 Rzewski became Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, then directed by Henri Pousseur.
In fact Nono's striking political commitment, while allying him with some of his contemporaries at Darmstadt such as Henri Pousseur and in the earlier days Hans Werner Henze, distinguished him from others, including Pierre Boulez and Karlheinz Stockhausen.
She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky.
The composers cited by Schnittke as those who make use of polystylism are Alban Berg, Luciano Berio, Pierre Boulez, Edison Denisov, Hans Werner Henze, Mauricio Kagel, Jan Klusák, György Ligeti, Carl Orff, Arvo Pärt, Krzysztof Penderecki, Henri Pousseur, Rodion Shchedrin, Dmitri Shostakovich, Sergei Slonimsky, Karlheinz Stockhausen, Igor Stravinsky, Boris Tishchenko, Anton Webern, and Bernd Alois Zimmermann.
* The late Belgian composer Henri Pousseur suffered from hyperacusis.
During his time in Europe, he attended courses by Henri Pousseur, Nadia Boulanger, Christoph Caskel, and Karlheinz Stockhausen.
Besides, he has performed with musicians like Frederic Rzewski, Garrett List, William Sheller, Jacques Pelzer, Toots Thielemans, David Linx, Henri Pousseur, Kris Defoort and DJ Grazzhoppa, oumou Sangare, Doudou N ' diaye Rose, Baba Sissoko, UK Sivaraman, ....
Beside this, he also played with various musicians such as Garrett List, Henri Pousseur, Michel Hatzigeorgiou, Kris Defoort, Evan Parker and Kenny Wheeler ( in the Klaus König Orchestra ).
This ensemble permitted him to meet Henri Pousseur and Pierre Boulez.
In 1981, Henri Pousseur invited him to found the improvisation class at the Conservatoire Royal de Musique de Liège, where he taught among others Fabrizio Cassol, Michel Massot and Aston Keaton alias Acétone He wrote pieces for Man Ray movies as well as for other artists such as Fernand Léger, Hans Richter and Paul Gonze.
Frederic Rzewski, Henri Pousseur and Garrett List were among his teachers.
Houben created on his return to Belgium the jazz seminar at the Liège conservatory, in association with Henri Pousseur.
Composers represented at its concerts included Boulez, Karlheinz Stockhausen, Luciano Berio, John Cage, Sylvano Bussotti, Mauricio Kagel, Hans Werner Henze, Henri Pousseur, Ernst Krenek, Gilbert Amy, Peter Schat and Gilles Tremblay, as well as earlier composers considered part of the Modernist movement in music.
ACTES du Colloque de Nantes ( direction Michel Malherbe et Jean-Marie Pousseur ), Paris, Vrin, 1985.

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