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In their music there are raw and frequent backup vocals heavily collaborated by main vocals, quick changes between loud and quiet, and Kowalewicz's characteristic vocals which are the key elements that emphasize that assertion.

In addition to this, they are known for their significant usage of the drop D tuning ( DADGBe ) on almost every song on Billy Talent I, II, and III ( the exceptions being " Tears Into Wine " and " White Sparrows " tuned a half step down from drop D ).