Help


[permalink] [id link]
+
Page "Marc Bolan" ¶ 12
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Bolan and Bowie
* Tony Visconti, Arranger / producer, before he worked with David Bowie, Marc Bolan, the Moody Blues and U2, among others
He also wore costumes and openly proclaimed his influences: David Bowie, Marc Bolan, and contemporary electronic acts such as John Foxx's Ultravox.
Inspired by the emerging glam rock sounds and styles of Marc Bolan and David Bowie, the group adapted a more flamboyant image.
The glam era also saw the rise of Bolan's friend David Bowie, whom Bolan had come to know in the underground days ( Bolan had played guitar on Bowie's 1970 single " Prettiest Star ").
The last episode featured a unique Bolan " duet " with David Bowie during which Bolan fell off the stage just as the singing was commencing.
Uggla's solo influences includes Karl Gerhard, David Bowie, The Clash, Marc Bolan, Wendy Carlos and Mott the Hoople.
Pioneers of the genre included David Bowie, Roxy Music, Mott the Hoople, Marc Bolan and T. Rex.
The film centers on Brian Slade ( Jonathan Rhys Meyers ), a bisexual glam rock icon patterned after David Bowie and, to a lesser extent, Marc Bolan.
Pioneers of the genre included David Bowie, Roxy Music, Mott the Hoople, Marc Bolan and T. Rex.

Bolan and same
That same year, Bolan returned to the UK from tax exile in the U. S. and Monaco and to the public eye with a low-key tour.
The people at TIF caused the elder Bolan countless problems with their payment demands ... on one occasion, their enforcers dislocated his arm as punishment for missing one loan payment, warning him that the same arm would be broken if he missed another.

Bolan and manager
Bolan, by now married to his girlfriend June Child ( a former secretary to the manager of another of his heroes, Syd Barrett ), bought a vintage Gibson Les Paul guitar ( featured on the cover of the album T. Rex ), wrote and recorded " Ride a White Swan " which was dominated by a rolling hand-clapping back-beat, Bolan's electric guitar and Finn's percussion, and shortened the group's name to T. Rex.
Emerging from these conversations, Secunda became Took's manager, with a view to leading him to stardom in order to spite Bolan.
Tony Howard then became manager, having previously been the main artist booker for The Bryan Morrison Agency and NEMS, Howard also managed Marc Bolan & T. Rex.
But he is best known as manager, and at different times has managed artists as diverse as The Yardbirds, John's Children, Marc Bolan, Japan, London, Asia, Ultravox, Boney M, Sinitta, Wham !, Blue Mercedes, Alsou and Candi Staton.

Bolan and Tony
Bolan and his producer Tony Visconti oversaw the session for " Ride a White Swan ", the single that changed Bolan's career was inspired in part by Mungo Jerry's success with ' In the summertime ', moving Bolan away from predominantly acoustic numbers to a more electric sound.
Since then, Bongos frontman Richard Barone has recorded several other Bolan compositions (" The Visit ," " Ballrooms of Mars "), worked with T. Rex producer Tony Visconti for his current solo album, Glow ( 2010, Bar / None Records ) that includes a remake of Bolan's " Girl " from Electric Warrior, and has himself produced tracks for Bolan's son Rolan.
Tony Visconti said that when Bolan and Hunt met, " ou could see the shafts of light pouring out of their eyes into each other .... We finished the session unusually early, and Marc and Marsha walked out into the night hand in hand.
But by mid 1972 Marc Bolan had left Fly Records to set up his own label imprint and Essex / Fly producer Tony Visconti had also left with Bolan, setting up his own Good Earth Productions.

Bolan and producer
The album featured horns arranged by producer Gus Dudgeon on " Elderberry Wine " ( the B-side to " Crocodile Rock "), " Midnight Creeper " and " I'm Gonna Be a Teenage Idol ", the latter of which was inspired by John's friend, T-Rex frontman Marc Bolan.

Bowie and shared
The two shared an interest in rock music, and Santiago introduced Thompson to 1970s punk and the music of David Bowie ; they began to jam together .< ref name =" officialprofile ">
At the early stages of filming, stars Connelly and Bowie found it difficult to interact naturally with the puppets they shared most of their scenes with.
Bowie and Brylawski met in a Spanish class at the University of North Carolina and shared an affinity for both SST Records and Let's Active.
Through their shared love of David Bowie and 80's new wave bands such as Duran Duran, ABC they started socialising together at weekends, going to gigs in Liverpool and playing along to drum loops together in their bedrooms with the desire of forming a band together.
This gave the band a contemporary audience and increased their credibility, launching them onto the premier European festival circuit and shared stages with Rod Stewart, Bon Jovi, David Bowie, The Corrs, Manic Street Preachers and Iggy Pop.

Bowie and same
The latter condition has misled some to believe that Bowie has different coloured eyes, when in reality both irises are the same blue colour.
Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia, and music hall, met the same fate.
Bowie's second album, Space Oddity, followed in November ; originally issued in the UK as David Bowie, it caused some confusion with its predecessor of the same name, and the early US release was instead titled Man of Words / Man of Music.
During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, The Idiot, and its follow-up, Lust for Life, touring the UK, Europe, and the US in March and April 1977.
The same year, Bowie worked with the Pat Metheny Group to record " This Is Not America " for the soundtrack of The Falcon and the Snowman.
The same year, the film of Leslie Thomas's 1966 comic novel The Virgin Soldiers saw Bowie make a brief appearance as an extra.
In Nagisa Oshima's film the same year, Merry Christmas, Mr. Lawrence, based on Laurens van der Post's novel The Seed and the Sower, Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp.
* British — Graham, Matthew, and Ashley Pharaoh: Ashes to Ashes ( 2008 TV series ; main character, Alex Drake, is haunted by Pierrot like that in David Bowie video Ashes to Ashes ); Mahoney, Brian: Pierrot in Turquoise or The Looking Glass Murders ( 1970 film written and performed by David Bowie and Lindsay Kemp, adapted from their stage-play of the same title and produced by Scottish Television also # Songs, albums, and rock musicals | Songs, albums, and rock musicals below ).
* British — Ali Campbell: " Nothing Ever Changes ( Pierrot )", from Flying High ( 2009 ); David Bowie: Pierrot in Turquoise ( 1993 ; includes following songs from the film of the same title: " Threepenny Pierrot ", " Columbine ", " The Mirror ", " When I Live My Dream & 2 "); Michael Moorcock and the Deep Fix: " Birthplace of Harlequin ", " Columbine Confused ", " Pierrot's Song of Positive Thinking ", and " Pierrot in the Roof Garden ", from The Entropy Tango and Gloriana Demo Sessions ( 2008 ); Petula Clark: " Pierrot pendu " (" Hanged Pierrot "), from Hello Mister Brown ( 1966 ); Placebo: " Pierrot the Clown ", from Meds ( 2006 ); Rick Wakeman: " The Dancing Pierrot ", from The Art in Music Trilogy ( 1999 ); Soft Machine: " Thank You Pierrot Lunaire ", from Volume Two ( 1969 ).
They are popularly known for the song " All the Young Dudes ", written for them by David Bowie and appearing on their 1972 album of the same name.
According to Apter, Bowie also paved the way for Smith's love of Glam rock bands such as Slade, Sweet and T. Rex, and during the same period, Robert also became a fan of Roxy Music.
Horn did produce the B-side featuring messages from artists who had and had not made the recording ( including David Bowie, Annie Lennox from Eurythmics, Paul McCartney, all members of Big Country and Holly Johnson from Frankie Goes to Hollywood ) was also recorded over the same backing track as the A-side.
Instead of Raymond Briggs describing how much it had snowed the winter he made The Snowman, while walking through the field that morphed into the animation of the same landscape, David Bowie was shown reciting the same speech after walking into the attic of ' his ' childhood home and discovering a scarf in a drawer.
See R. Haym, Die romantische Schule ( 1870 ); I. Rouge, F. Schlegel et la genie du romantisme allemand ( 1904 ); by the same, Erläuterungen In F. Schiegels Lucinde ( 1905 ); M. Joachimi, Die Weltanschauung der Romantik ( 1905 ); W. Glawe, Die Religion F. Schlegels ( 1906 ); E. Kircher, Philosophie der Romantik ( 1906 ); M. Frank '" Unendliche Annäherung " Die Anfänge der philosophischen Frühromantik ' ( 1997 ); Andrew Bowie From Romanticism to Critical Theory.
A version of the song " Without You I'm Nothing ", which originally appeared on the album with the same name, featured a duet containing both Molko and Bowie.
There is disagreement among scholars as to whether the knife used in this fight was the same as what is now known as a Bowie knife, also called an Arkansas Toothpick.
From 1982 to 1985 the Pat Metheny Group released Offramp ( 1982 ), a live set Travels ( 1983 ), and First Circle ( 1984 ), as well as The Falcon and the Snowman ( 1985 ), a soundtrack album for the movie of the same name in which they collaborated with David Bowie.
An example of this physical effect can be heard on the 1978 David Bowie song " Heroes ", from the album of the same name.
Arkansas culturalist and researcher Russell T. Johnson describes the James Black knife in the following manner and at the same time captures the quintessence of the Bowie Knife: " It must be long enough to use as a sword, sharp enough to use as a razor, wide enough to use as a paddle, and heavy enough to use as a hatchet.
Black produced the knife ordered by Bowie, and at the same time created another based on Bowie's original design but with a sharpened edge on the curved top edge of the blade.
In 1973 David Bowie covered the song on his Pin Ups album, and in 1977 the punk band London introduced the song to a new generation on a four-track EP for MCA Records ; the London version, produced by Simon Napier-Bell, was actually recorded in the same studio ( IBC Studios in Portland Place ) in which the Easybeats had cut the original.
David Bowie was released in the UK, in both mono and stereo, on 1 June 1967, the same date as The Beatles ' Sgt.

1.058 seconds.