A French translation by ALA Loiseleur-Deslongchamps as published at Paris in 1839.

On a subsequent visit to Paris in 1839, Morse met Louis Daguerre and became interested in the latter's daguerreotype — the first practical means of photography.

* March 6 – Bruno Paulin Gaston Paris, French scholar ( b. 1839 )

Donizetti revised the score for a French version which debuted on 6 August 1839 at the Théâtre de la Renaissance in Paris.

From there, it spread to Vienna by 1839, and in 1840 was introduced in Paris by Raab, a Prague dance instructor.

* Gaston Paris ( 1839 – 1903 ), French writer and liguist

He held the position of organist in Paris at the Church of Saint-Nicolas-des-Champs from 1834 – 1839, and later at the Church of Saint-Vincent-de-Paul.

The county commissioners eventually established the townships, including Union ( 1820 ), Darby ( 1820 ), Mill Creek ( 1820 ), Jerome ( 1821 ), Paris ( 1821 ), Liberty ( 1822 ), Leesburg ( 1825 ), Allen ( 1827 ), Jackson ( 1829 ), York ( 1834 ), Washington ( 1836 ), Dover ( 1839 ), Claibourne ( 1834 ), and Taylor ( 1849 ), while they designated Marysville as the county seat.

In May 2007, an anonymous buyer paid 576, 000 euros for an original 1839 camera made by Susse Frères ( Susse brothers ), Paris, at an auction in Vienna, Austria, making it the world's oldest and most expensive commercial photographic apparatus.

He appears as a character in the opera, composed by Daniel Auber to a libretto by Eugène Scribe, and has the title-role in the opera Farinelli by the English composer John Barnett, first performed at Drury Lane in 1839, where his part is, oddly, written for a tenor ( this work is itself an adaptation of the anonymous, premiered in Paris in 1835 ).

In March 1839 after the dissolution of the chamber by Louis Philippe, he was elected deputy for Paris ( re-elected in 1842 and in 1846 ), and sat in the group of the Radical Left, being one of the leaders of the party hostile to Louis Philippe.

The " birth " of the croissant itself – that is, its adaptation from the plainer form of Kipferl, before the invention of Viennoiserie – can be dated with some precision to at latest 1839 ( some say 1838 ), when an Austrian artillery officer, August Zang, founded a Viennese Bakery (" Boulangerie Viennoise ") at 92, rue de Richelieu in Paris.

He returned to Paris with an aura of military glory, before returning to Algeria in autumn 1839 to take possession of the country's interior ( from Constantine to Algiers ) for France alongside Maréchal Count Valée.

He helped Cousin, without receiving any recognition, in his translations from Plato, and in 1839 became his deputy in the chair of philosophy at the University of Paris, with the meagre salary of 83 francs per month.

On 20 August 1839 Meyerbeer, whilst relaxing at Boulogne in the company of Moscheles, met for the first time with Richard Wagner who was en route to Paris. Their ensuing relationship ( see below ) was to have major repercussions for the careers and reputations of both.

On February 8, 1839, he parted to leave New York City for Paris where he hoped to get France involved.

He went to Paris in 1839 and worked at the studio of Steuben and Hesse.

Besides the Précis des événements militaires, which forms a valuable source for the history of the period, Dumas wrote Souvenirs du lieutenant-général Comte Mathieu Dumas ( published posthumously by his son, Paris, 1839 ).

In London his health suffered, and he retired from the service in 1839 to spend the rest of his days in Paris.

In 1839, during a visit to Paris, Dirichlet met Joseph Liouville, the two mathematicians becoming friends, keeping in contact and even visiting each other with the families a few years later.

Bruno Paulin Gaston Paris ( August 9, 1839 – March 5, 1903 ) was a French writer and scholar.

Sisley was born on 30 October 1839 in Paris to affluent British parents.

It was first performed in three concerts conducted by Berlioz at the Paris Conservatoire with an orchestra of 100 instruments and 101 voices on 24 November, 1 December and 15 December 1839, before capacity audiences that comprised much of the Parisian intelligentsia.

* Alexandru G. Golescu ( Paris, 1839 ), Romanian politician

An American in Paris is scored for 3 flutes ( 3rd doubling on piccolo ), 2 oboes, English horn, 2 clarinets in B flat, bass clarinet in B flat, 2 bassoons, 4 horns in F, 3 trumpets in B flat, 3 trombones, tuba, timpani, snare drum, bass drum, triangle, wood block, cymbals, low and high tom-toms, xylophone, glockenspiel, celesta, 4 taxi horns resembling the pitches A, B, C and D, alto saxophone / soprano saxophone, tenor saxophone / soprano saxophone / alto saxophone, baritone saxophone / soprano saxophone / alto saxophone, and strings.

Winning the 1951 Best Picture Oscar and numerous other awards, the film was directed by Vincente Minnelli, featured many tunes of Gershwin, and concluded with an extensive, elaborate dance sequence built around the An American in Paris symphonic poem ( arranged for the film by Johnny Green ), costing $ 500, 000.

In 1893 he played for the French organist Charles-Marie Widor ( at Saint-Sulpice, Paris ), for whom Johann Sebastian Bach's organ-music contained a mystic sense of the eternal.

Institutionally it is based on the Annales journal, the SEVPEN publishing house, the ( FMSH ), and especially the 6th Section of the École pratique des hautes études, all based in Paris.

Later, when Achilles dies, killed by Paris ( with help from Apollo ), Ajax and Odysseus are the heroes who fight against the Trojans to get the body and bury it next to his friend, Patroclus.

*** Priscilla Wittig y Sanz ( b. Paris, 1945 ), married to Gonzalo García y Rawson ( b. Valparaiso-Chile ), and had issue:

*** Patricia Wittig y Sanz ( b. 1946, Paris ), married to Luis González y López de Carrizosa ( b. Jerez de la Frontera ), and had issue:

: Die Nabis: Propheten der Moderne, Kunsthaus Zürich & Grand Palais, Paris & Prestel, Munich 1993 ISBN 3-7913-1969-8 ( German ), ( French )

The mother of Napoleon, his consort Maria Louise ( as Concord ), to model whom the author made a further journey to Paris in 1810, the princess Esterhazy and the muse Polymnia ( Elisa Bonaparte ) take their place in this class, as do the ideal heads, comprising Corinna, Sappho, Laura, Beatrice and Helen of Troy.

The following ESFs took place in Paris ( 2003 ), London ( 2004 ), Athens ( 2006 ), and Malmö ( 2008 ).

The Arc de Triomphe is so colossal that three weeks after the Paris victory parade in 1919, ( marking the end of hostilities in World War I ), Charles Godefroy flew his Nieuport biplane through it, with the event captured on newsreel.

He also compiled various vocabularies, including a Dictionnaire de la langue amariñña ( Paris, 1881 ), and prepared an edition of the Shepherd of Hermas, with the Latin version, in 1860.

According to Volume I of her diaries, 1931 – 1934, published in 1966 ( Stuhlmann ), Nin first came across erotica when she returned to Paris with her mother and two brothers in her late teens.

Successful recreations have been performed by Anthemius of Tralles ( 6th century AD ), Proclus ( 6th century ) ( who by this means purportedly destroyed the fleet of Vitellus besieging Constantinople ), Ibn Sahl in his On Burning Mirrors and Lenses ( 10th century ), Alhazen in his Book of Optics ( 1021 ), Roger Bacon ( 13th century ), Giambattista della Porta and his friends ( 16th century ), Athanasius Kircher and Gaspar Schott ( 17th century ), the Comte du Buffon in 1740 in Paris, Ioannis Sakas in the 1970s in Greece, and others.

* Leon H. Histoire des Juifs de Bayonne, Paris, Armand Durlacher, 1893. in-4: xvj, 436 pp. ; illustré de 4 planches hors-texte.

* Violaine Hacker, « Citoyenneté culturelle et politique européenne des médias: entre compétitivité et promotion des valeurs », NATIONS, CULTURES ET ENTREPRISES EN EUROPE, sous la direction de Gilles Rouet, Collection Local et Global, L ’ Harmattan, Paris, pp. 163 – 184

Mélanges de Littérature offerts à Paul Larivaille, Université de Paris X-Nanterre, Paris, pp. 115 – 25.

* Vernant, J. P. « Le mythe prométhéen chez Hésiode », in Mythe et société en Grèce ancienne, Paris, Maspéro, 1974, pp. 177 – 194

du CRA du Musée de l ' Homme ( Paris ), n ° 11, 1987, pp. 19-48 </ ref > There were also found stones shaped by the Levallois technique, characteristic of the Middle Paleolithic.

1, Paris, pp. 230 – 235 ISBN 2-903181-06-3

Tome 1, Editions Technip, Paris, 334 pp.

Notice sur les Systèmes de Montagnes (" Note on Mountain Systems "), Bertrand, Paris, 1543 pp. ( English synopsis in Dennis ( 1982 ))

and also Latin works by contemporary humanist writers .< ref > Imprimeurs & libraires parisiens du XVI < sup > e </ sup > siècle, t. 2 ( Paris 1969 ) pp. 6 -- 24 ; with a chronological list of his published output pp. 24 -- 297 </ ref >

", pp 70 – 82 in Michel Winock: " L ' Affaire Dreyfus ", Editions du Seuil, Paris, ISBN 2-02-032848

Paris: Les Belles Lettres, pp 259 – 298, 1966.

* Séchen, L. " Le Sacrifice d ’ Iphigénie " Révue des Études Grecques, Paris, pp 368 – 426, 1931.

" Delamarre cites E. Campanile, in Langues indo-européennes (" The name of the Irish Saint Brigid is an adjective of the form * brigenti … ' the Eminent '"), edited by Françoise Bader ( Paris, 1994 ), pp. 34 – 40, that Brigid is a continuation of the Indo-European goddess of the dawn like Aurora .</ ref >) is the daughter of the Dagda and one of the Tuatha Dé Danann.

* Marmer, Nancy, " Out of Paris: Decentralizing French Art ," Art in America, September 1986, pp. 124-137, 155-157.

* Edmond Bernus, " Les Touareg ", pp. 162 – 171 in Vallées du Niger, Paris: Éditions de la Réunion des Musées Nationaux, 1993.

Paris, pp. 251 – 255.

Bulletin de la Société de linguistique de Paris XCV / 1, pp. 267 – 319.

Études sur le langage, les langues, les dialectes, les littératures, offertes par ses élèves, ses collègues, ses amis, Paris: Maisonneuve & Larose, ISBN 978-2-7068-1674-1 ; pp. 661 – 74

A. Lonnet & A. Mettouchi, Paris, Ophrys, pp. 41 – 63.

G. Lazard & C. Moyse, Linguistique typologique du 3ème colloque “ Typologie des langues et universaux linguistiques ”, Paris, 18-19 novembre 2002, Lille: Presses du Septentrion, pp. 288 – 315.

« Moyen et réfléchi: typologie comparée de l ’ arabe et du berbère ( exemples mauritaniens ) », Matériaux arabes et sudarabiques ( GELLAS ) " En hommage à Omar Bencheikh ( 1940-2005 )", n ° 11 ( nouvelle série ), Paris, pp. 37 – 52.

Réflexions pour une typologie », Faits de Langues ; n ° 33 issue on the future, Paris: Ophrys, pp. 91 – 102.